Exhibition of works by Dana-Fiona Armour on view at Collection Lambert
The First Art Newspaper on the Net    Established in 1996 Thursday, November 7, 2024


Exhibition of works by Dana-Fiona Armour on view at Collection Lambert
Man is here metamorphosed into a plant, but do not think this is a fiction in the style of those of Ovid.1



AVIGNON.- After Theo Mercier, Stéphanie Brossard, and Quentin Lefranc, Dana-Fiona Armour is taking over the spaces of the Rendez-vous, Sous-sol program, dedicated to artistic research and emerging practices.

Born in 1988 in Willich, Germany, Dana-Fiona Armour operates in a world in which forms invent themselves in veritable mutagenic agents, transforming each other, and modifying the organisation of the spaces that they occupy, provoking in us a feeling of unsettled strangeness.

MC1R Project

Man is here metamorphosed into a plant, but do not think this is a fiction in the style of those of Ovid.1

The “Project MC1R” was envisioned as part of a residency of the artist within the company Cellectis, describing itself as “a clinical-stage biotechnology company using its pioneering gene-editing technology TALEN® to develop innovative therapies for treating serious diseases”. The collaboration gave rise to the conception of a hybrid plant, both human and plant, a Nicotiana Benthamiana (a species highly sensitive to viruses often used in research, especially for the vaccine against COVID-19)now carrying the MC1R gene, a human gene associated with complexion, skin colour, the development of freckles and red hair, all of which allow for the description of the physical appearance of the artist.

Through this project, Dana-Fiona Armour continues her exploration of an unstable world in which the forms she creates stand as real mutagens, transform one another, and alter the organisation of the spaces they occupy, causing a feeling of disturbing strangeness in us.

The genetically modified plants took place like sculptures of a new kind, evoking The Metamorphoses by Ovid, the terrifying images from Crimes of the Future by David Cronenberg or the stories from Man a Plant by Julien Offray de La Mettrie. These plants stand as the centre of a genuine laboratory of transformations where installations, immersive videos, glass or marble sculptures unfold, while an unbelievable song resounds in the rooms–an incredible litany in the form of an alert generated by plants audible only by animals until then.

In this hybrid world where the artificial blends with the natural, the human with the non-human, science acts as a key–trouble making?–element in the construction of our relationships to the world and their representation. Both authoritative and fragile, it is this place of tension where boundaries change with a concerning instability between ethics and progress, between the opening of new liberating spaces and the achievement of dangerous mutations with irreversible consequences.

1 Julien Offray de La Mettrie, Man a Plant, 1748

Curator : Stéphane Ibars










Today's News

August 19, 2022

Cambodia says it's found its lost artifacts - in gallery 249 at the Met

David Hockney takes the lead at La Belle Epoque Auction House's Multi-Estates-Auction

Andréhn-Schiptjenko opens an exhibition of fourteen works by Argentinian artist Julio Le Parc

Pace opens an exhibition of works by Lynda Benglis and Arlene Shechet

The naked truth behind these impressive paintings offered at Heritage Auctions in September

Hanae Mori, Japanese couturier who melded East-West styles, dies at 96

Food Galore in Baroque and Contemporary Art opens at Gammel Holtegaard

Her art comes without trigger warnings

Original 'Sandman' pages and one miraculous cover in Heritage's September Comics Art Auction

Rago/Wright to auction Keith Haring Radiant Baby Wall Drawing from artist's childhood home

Carbon 12 and Macaulay & Co set to open a cooperative exhibition space in New York

Exhibition of works by Dana-Fiona Armour on view at Collection Lambert

Noonans to sell Thomas Henry Kavanagh's famous Indian Mutiny Victoria

Rediscovered Gold Rush sketchbook turns up in UK auction, sells for $25,000

Hancock Shaker Village announces new Executive Director & CEO

Museum of East Texas presents a solo museum exhibition of Houston Artist Sarah Fisher

Hnatyshyn Foundation establishes $200,000 fund to support Ukrainian artists

Sculpture in the City announces public programme for inaugural Sculpture Week London

A swarm of 13-year-olds took a Broadway stage. What could go wrong?

'Access as an ethic': Giving dance myriad points of entry

Nantucket Historical Association enjoys banner summer for collections acquisitions

FotoFocus announces free passport program for 2022 FotoFocus Biennial

Marika Agu, Maria Arusoo, Kaarin Kivirähk and Sten Ojavee to curate Sequences XI

OSL Contemporary opens 'Vanessa Baird: The Good Times Used to Kill Me'

How Do Suppositories Work?

States in USA and their Zip Codes

Car Shipping to or from Georgia: Everything You Need to Know

How to Reasonably Cope-With Feeling Guilty for Having Sex




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful