NEW YORK, NY.- After more than two years of upheaval brought on by the coronavirus pandemic, Lincoln Center will stage a festival this summer aimed at helping New York City heal.
Called Summer for the City, the festival will take place across 10 outdoor spaces and three indoor stages at the campus from mid-May to mid-August and will be programmed around themes of rejoicing, reclaiming and remembering. It is also part of Lincoln Centers efforts to recalibrate its image as an exclusive bastion of classical music and appeal to a younger, more diverse crowd.
The center plans to feature more popular music and install a large disco ball, 10 feet in diameter, that will hang over a dance floor at the centers main plaza.
My hope is that were making space for people to find their neighbors again, to find each other again and to find their own inner performer, said Shanta Thake, the centers chief artistic officer. And to really be in their whole body with other New Yorkers and come back together again as a city.
The festival, which is expected to include more than 300 events and 1,000 artists, is the first under Thake, who joined Lincoln Center last year with a mission of broadening its appeal beyond classical music and ballet into genres like hip-hop, poetry and songwriting.
This years programming will open with a mass singalong on the Josie Robertson Plaza, featuring the Young Peoples Chorus of New York, under the direction of Elizabeth Núñez, and including classics like This Little Light of Mine and Elton Johns Your Song.
In August, two versions of Mozarts Requiem will be on offer a traditionally presented one, by the Mostly Mozart Festival Orchestra, and a reimagined dance version, Requiem: Fire in the Air of the Earth, choreographed by Kyle Abraham and performed by his company, A.I.M, featuring electronic musician Jlin.
Summer in the City will unite the centers festivals including the discontinued Lincoln Center Festival and the Mostly Mozart Festival, which has largely been put on hold since 2020.
The Mostly Mozart Festival Orchestra will perform six pairs of concerts this summer, including a free opening program in July under the ensembles longtime music director, Louis Langrée, with Conrad Tao as the soloist in Mozarts Piano Concerto No. 17 in G and Gershwins Rhapsody in Blue. (Tao will also play the William Grant Still solo Out of the Silence from Seven Traceries.)
Thake, a former associate artistic director at the Public Theater, where she spent a decade managing cabaret-style venue Joes Pub, said that she hoped to broaden the audience for Mostly Mozart by integrating it with Lincoln Centers other summer offerings.
What were experimenting with this year is really the breaking down of our internal silos, she said. Theyre all under the same banner, and this is one Lincoln Center audience that is very broad, and were going to see how that works.
Summer for the City aims to build on Restart Stages last year, when the center hosted small-scale performances outdoors, to help get artists back to work after months of pandemic cancellations. According to Lincoln Center, that series attracted more than 200,000 people, nearly one-quarter of whom were first-time visitors.
The disco ball is the centerpiece of the Oasis, an outdoor stage designed by the costume and set designer Clint Ramos, that will host live music and dance parties throughout the summer.
In June, Jazz at Lincoln Center, embracing a New Orleans tradition, will lead a second-line processional from Columbus Circle to Lincoln Center, to mourn those who have died since the pandemic started. And in July, the center will host Celebrate LOVE: A (Re)Wedding, as a ceremony for couples who canceled or scaled back nuptials in the past two years, with live music and a reception on the dance floor.
The arts, Thake said, speak to all of the deep trauma that weve all collectively been through and also bring so much of the joy and revitalization that the city needs.
This article originally appeared in
The New York Times.