Statue of Robert Milligan joins Museum of London collection

The First Art Newspaper on the Net    Established in 1996 Tuesday, April 30, 2024


Statue of Robert Milligan joins Museum of London collection
The controversial landmark, based outside No.1 Warehouse since 1997, was detached from its plinth after a petition signed by over 4,000 people called for it to be removed from public view.



LONDON.- A bronze sculpture of the merchant and slave trader Robert Milligan, removed from West India Quay in June 2020, will join the collections of the Museum of London.

The acquisition follows a public consultation, in partnership with the Tower Hamlets Council and landowners Canal & River Trust, which concluded that the statue should be housed in a museum where it can be fully contextualised.

The controversial landmark, based outside No.1 Warehouse since 1997, was detached from its plinth after a petition signed by over 4,000 people called for it to be removed from public view. It followed the Black Lives Matter and George Floyd protests that led to the toppling of the Edward Colston statue in Bristol in June 2020.

The consultation, which sought views on the future of the statue, its plinth and the area’s historical relationship to slavery, found that 76% of people were in favour of the statue being presented in an exhibition. 43% believed it should be moved into storage at the museum and 15% said it should be kept permanently out of public view.

Those in favour of keeping the statue on display suggested that it be shown with context about Milligan’s involvement in the creation of the docks, his links to the slave trade, and the recent Black Lives Matter movement.

The Museum of London Docklands, one of only three museums in the UK to address the history of the transatlantic slave trade, will now take possession of the statue as part of its collection. It will be held in storage whilst the museum consults further with local communities about how best to present it.

A Museum of London spokesperson, said: “Over the last 15 years, the museum has been working with academics, community leaders and activists to tell the story of London’s involvement in the transatlantic slave trade, and give voice to its legacy. The West India Docks, championed by Milligan using wealth from the slave trade, are a visible reminder of how this history has shaped our city. It is right and important that we acknowledge this in the statue’s story. We will now take time to consult with the local community to decide how best to take this forward as part of our collection.”

Ros Daniels, director for London & South East at the Canal & River Trust, said: “We want to thank everyone who took part in the consultation. Although views were mixed about the treatment of the statue, many were united in feeling we should not shy away from telling all aspects of our history. In line with preferences indicated in this survey, we’re pleased to offer this statue to the Museum of London Docklands.”

A Tower Hamlets Council spokesperson, said: “It’s important that following the public consultation the statue of Robert Milligan will be displayed in the Museum of London Docklands with appropriate context to build on the fantastic work they already do in confronting and educating people about this part of our history. We continue our wider discussion with residents about what should happen to other monuments, plaques, buildings and roads in our borough that remain at odds with our values of equality and tackling racism.”

Born in 1746, Robert Milligan was a prominent British slave trader and the driving force behind the foundation of West India Docks.

As a slave trader and manager of his family's Jamaican sugar plantations, Milligan’s wealth resulted directly from his trade in enslaved people. By the time of his death, he owned 2 sugar plantations and 526 slaves in Jamaica.

The West India Dock Company commissioned Richard Westmacott to create the statue of Milligan following his death in 1809. Originally unveiled in 1813, it commemorates his ‘genius, perseverance and guardian care.’ The statue was initially situated near the dock offices (1813-1875) before later being moved to the nearby Main Gate (1875-1943). It was placed in storage during the latter part of the Second World War and stayed there for over fifty years before being re-erected in February 1997 outside No.1 Warehouse.

In 2020, in the wake of Black Lives Matter and the George Floyd protests that led to the toppling of the Colston statue in Bristol, a petition to remove the Robert Milligan statue from public view quickly acquired over 4,000 signatures. On 9 June 2020, the Museum of London issued a statement advocating for the statue's removal on the grounds of its links to colonial violence and exploitation. The Museum worked with Tower Hamlets Council Council and the Canal & River Trust to remove the sculpture on 9 June.

The statue has been given to the Museum of London by the Canal & River Trust and becomes part of its permanent collection from March 2022. A decision has yet to be taken on the statue’s plinth, which remains at West India Quay.










Today's News

March 24, 2022

The Avant-Garde filmmaker who tried to tell the truth

VMFA receives lead private campaign gift from James W. and Frances G. McGlothlin to name new wing

Phillips announces highlights from the New York Photographs Auction

Rare painting by groundbreaking artist Marie-Guillemine Benoist acquired by the Fine Arts Museums of San Francisco

The man with the golden past

High Museum of Art exhibition explores the elusive nature of love and ways it is expressed in contemporary art

Almine Rech New York opens an exhibition of new works by Genesis Tramaine

The Royal Academy of Arts opens an exhibition of works by John Hejduk

Participating galleries & early highlights announced for London Gallery Weekend 2022

Statue of Robert Milligan joins Museum of London collection

Human migration brought maize to Maya region, study finds

Moebius Splash Page leads Heritage Auctions' $2.2 Million International Original Art & Anime event

Nicole Condon-Shih named Dean at Munson-Williams School of Art

Dutch publisher of 'The Betrayal of Anne Frank' halts publication

ART FOR UKRAINE launches to benefit humanitarian relief efforts

Deck of playing cards with cash reward encourages people to join in the hunt for missing masterpieces

Lafayette Anticipations opens an exhibition of works by Xinyi Cheng

Rita Cofield joins Getty Conservation Institute

William Kraft, percussionist and force in new music, dies at 98

Bhangra is big on campus. Now it's inspiring a musical.

'Upload' asks old questions with new technology

A dance company looks to the future with a new artistic team

The Fotomuseum in Maastricht presents Søren Solkær's exhibition of portraits of street artists

Hionas Gallery opens the first solo exhibition from artist Lou Eberhard

Light Art Exhibition at Kunstmuseum Wolfsburg

How to revive a couple relationship that is stagnant

Why Is It Vital to Be Well-Versed in Modern Art as a Student?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful