MARGATE NOW announces artists, partners and projects for Sunken Ecologies
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MARGATE NOW announces artists, partners and projects for Sunken Ecologies
Sadie Hennessy, Sunken Ecologies, 2021.

MARGATE.- MARGATE NOW announces the artists, partners and projects for the 2021 Sunken Ecologies festival programme curated by Anna Colin, with permanent commissions by Nicolas Deshayes, Lindsey Mendick and Olu Ogunnaike, and commissions for the festival duration by headline artists Ama Josephine Budge, Adam Chodzko, Kim Conway, Sonia Overall, Christina Peake, Shamica Ruddock, Holly Slingsby, Francesca Ter-Berg and Sara Trillo. Sunken Ecologies takes on the human-made natural environment, centering on the Sunken Garden, a public park in the Westbrook area of Margate, designed and landscaped in the 1930’s.

Sunken Ecologies comprises nearly 30 exhibitions, installations, performances, walks, talks and other events by over 20 artists, musicians and writers at the Sunken Garden, Nayland Rock Hotel, CRATE, Limbo, Cliftonville Cultural Space (formerly Margate Synagogue), galleries, project spaces and public places around the town and online.

The 2021 festival showcases Margate as a centre for the production and presentation of new contemporary art in a programme made in collaboration with artists, partners and venues selected from proposals by creative practitioners who live and work in Margate and across south east England.

Highlights of the 2021 programme:

Permanent commissions

• New permanent commissions by Nicolas Deshayes, Lindsey Mendick and Olu Ogunnaike for Margate’s Sunken Garden. Three functional artworks include a gate for the Garden’s cave (to store gardening tools), a compost bin and a bench, made from sustainable materials and responding to the practical needs of the Garden and of the community group that cares for it.

Headline artists’ commissions

• Ama Josephine Budge engages speculative fiction and ethno-botany in her short story about the Sunken Garden.

• Cellist Francesca Ter-Berg’s multi-channel sound installation activates the Sunken Garden at dawn and dusk.

• Adam Chodzko’s video work maps the movements of play, drawing on the network of pathways used by children between the bushes and trees on the worn periphery of the Sunken Garden.

• Sara Trillo’s installation in the basement of Nayland Rock Hotel operates as a laboratory for researching the science and archaeology of the Sunken Garden.

• Shamica Ruddock’s soundtrack for the Garden reverberates online and across radio airwaves.

• Writer Sonia Overall’s ‘misguided’ walks and labels tell the story of the absent plants of the Sunken Garden, through real and imagined pasts and futures.

• Comparing the Sunken Garden to the bottom of the ocean, Christina Peake’s sculpture researches bio-resins, plant starch and living matter to grow a coral.

• Holly Slingsby’s film considers gardens as spaces of isolation, contemplation and re-generation, imagining Homer’s Penelope, anchoress Julian of Norwich, abbess Hildegard of Bingen and the Virgin Mary in lockdown gardening.

• Exposing plant matter onto photographic film, Kim Conway presents a camera-less ‘reality cinema’ of the micro ecology of the Sunken Garden.

Partner commissions

• In the Sunken Garden, Cliftonville Cultural Space together with local artists, horticulturalists and others, collectively create a Jewish Sukkah, or temporary shelter, made from reclaimed materials and foraged plants, to celebrate Sukkot, a Jewish festival of the Diaspora marking harvest gathering, nature and environment. The Sukkah will present a programme of acoustic music from artists including Falle Nioke,and Polish, Roma and Klezmer musicians from the local area and beyond.

• Accompanying Kim Conway’s film is a live improvised music performance led by Jemma Cullen, Potatoe Band (Rosie Carr and Holly Hunter) and public participants.

• Artists and storytellers Simon Cole, Dominic Rose and Jon Spencer of Transit Collective present Global Westbrook, a walk that recreates the novelty and curiosity of a foreign holiday without leaving the area, taking in international influences on local architecture, urbanism and botany.

• Rebekah Ubuntu, Jules Varnedoe and Jerome White showcase new works exploring marine ecology for CRATE.

• Elspeth Billie Penfold of Margate Bookie creates Arcade to Arcadia, a performative walk inspired by Tom Stoppard’s Arcadia, starting at the amusement arcade opposite Margate Sands and concluding at the Sunken Garden.

• In the Sunken Garden, Limbo artist Sadie Hennessy’s large-scale sculptural ‘lump’ of Fool's Gold alludes to space, deep time and over consumption.

• Open School East’s Associates co-curate a programme of talks and workshops, and the Young Associates produce a collaborative work overseen by Adam Chodzko.

Outdoor and online talks and intimate events will take place during the three weekends of the festival: 25-26 September, 2-3 October and 9-10 October 2021. Further details of the programme will be announced at the beginning of September.

Curator Anna Colin said, “If many of the artists involved have a direct relationship with nature and the outdoor and are connected to the urgency of the climate crisis, others have been invited for their poetic and speculative approaches, and response-ability. Sunken Ecologies’ subtext includes engagement with the themes of cooperation, collective experience, colonial legacies, and reflections on the Capitalocene and the precariousness of land.”

Dan Chilcott, Jo Murray and Claire Orme, Co-Directors of Margate NOW said, "We are thrilled to be announcing our headline artists and partnership commissions for Margate NOW 2021. This year promises to be an exciting development for our festival, as Anna Colin consolidates the Sunken Ecologies programme with a line-up of artists that demonstrate quality and creativity."

MARGATE NOW began in 2014 as Margate Festival, and has grown into an annual festival producing contemporary culture for diverse audiences in site-specific locations around Margate. Previous guest curators include People Dem Collective (PDC) (2020); Russell Tovey (2019); and Sacha Craddock (2018).

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