NEW YORK, NY.-
Richard Armstrong, Director, Solomon R. Guggenheim Museum
and Foundation, and Yves Müller, CFO and Spokesperson of the Board of HUGO BOSS AG, announced today that Deana Lawson has been awarded the Hugo Boss Prize 2020. She is the thirteenth artist to receive the biennial prize, which was established in 1996 to recognize significant achievement in contemporary art. Selected by a jury of international critics and curators, Lawson receives an honorarium of $100,000 and a solo exhibition at the Solomon R. Guggenheim Museum, New York, opening in spring 2021. Administered by the Solomon R. Guggenheim Foundation, the Hugo Boss Prize and the exhibition is made possible by HUGO BOSS.
On behalf of our jury, I am delighted to announce Deana Lawson as the recipient of the 2020 Hugo Boss Prize, said Armstrong. Lawson is the first artist working in photography to be recognized with the award in its history, and her contribution to the medium and the larger cultural landscape is indelible. We are grateful for our partnership with HUGO BOSS, which spans over two decades and has played a critical role in shaping the Guggenheims contemporary program.
The Hugo Boss Prize marks a highlight in our partnership with the Guggenheim Museum and we are proud that it has been at the core of our arts program for almost twenty-five years, noted Müller. We would like to extend our sincerest congratulations to Deana Lawson and express our gratitude to the jury and the Guggenheim Museum for their dedication and support in this project.
For this years prize, in recognition of the remarkable achievements of the nominees and the challenges presented by the current global pandemic to the field, HUGO BOSS will award each of the remaining short-listed artists an extraordinary honorarium of $10,000.
The short list for the 2020 award comprised Nairy Baghramian (b. 1971, Isfahan, Iran); Kevin Beasley (b. 1985, Lynchburg, Va.); Deana Lawson (b. 1979, Rochester, N.Y.); Elias Sime (b. 1968, Addis Ababa, Ethiopia); Cecilia Vicuña (b. 1948, Santiago, Chile); and Adrián Villar Rojas (b. 1980, Rosario, Argentina).
The jurors for the current cycle are Naomi Beckwith, Manilow Senior Curator, Museum of Contemporary Art, Chicago; Katherine Brinson, Daskalopoulos Curator, Contemporary Art, Solomon R. Guggenheim Museum; Julieta González, independent curator; Christopher Y. Lew, Nancy and Fred Poses Curator, Whitney Museum of American Art; and Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum.
Video profiles created on the occasion of the prize that document the creative process of each of the six finalists are posted on youtube.com.
At the outset of our recent jury deliberations, we collectively acknowledged that each of the nominated artists is an extraordinary creative force whose work has deeply impacted our own curatorial perspectives. We are grateful to have had the opportunity to immerse ourselves in their respective practices in the year between the announcement of the short list and now, and commend their singular achievements. In this moment of accelerated cultural transformation, we were galvanized by the fact that the Prize and its associated exhibition have historically functioned as a platform for new artistic propositions and possibilities. With this in mind, we have chosen to honor Deana Lawson, an artist who offers compelling new modes of seeing and imagining.
Lawson brilliantly negotiates the legacies of vernacular, documentary, and conceptual photography to create indelible tableaux of Black colloquial life. While appearing to be images of actual families, friends, and lovers, her large-format works are in fact highly staged, cast, and choreographed, grounding their subjects in aesthetically rich material environments even as they gesture toward an ethereal elsewherea deft, remarkable feat. Throughout her oeuvre, Lawson employs a number of formal and conceptual strategies that we believe will occupy viewers and scholars for generations to come. We are particularly excited that she is the first photographer to receive the Hugo Boss Prize, an indication that her singular approach, at once socially humane and technically incisive, is transformative of both the medium and the very concept of representation.
Deana Lawson (b. 1979, Rochester, N.Y.) lives and works in New York. Her work has been presented in solo exhibitions including Deana Lawson: Centropy, Kunsthalle Basel (2020); Deana Lawson, Huis Marseille, Museum voor Fotografie, Amsterdam (2019); Deana Lawson: Planes, The Underground Museum, Los Angeles (2018); Deana Lawson, Carnegie Museum of Art, Pittsburgh (2018); Deana Lawson, Contemporary Art Museum St. Louis (2017); Deana Lawson, The Art Institute of Chicago (2015); and Corporeal, Light Work, Syracuse, N.Y. (2009).