Exhibition of new work by Sam Durant opens at Blum & Poe Los Angeles

The First Art Newspaper on the Net    Established in 1996 Friday, March 29, 2024


Exhibition of new work by Sam Durant opens at Blum & Poe Los Angeles
Sam Durant: Iconoclasm. Installation view, 2020. Blum & Poe, Los Angeles © Sam Durant, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo. Photo: Dan Finlayson.



LOS ANGELES, CA.- Blum & Poe is presenting Iconoclasm, an exhibition of new work by Los Angeles and Berlin-based artist Sam Durant. For over two decades, Durant has been engaged in an ongoing dialogue with tumultuous and forgotten events of the past, shining a light on these histories to reveal their resonance with broader social, political, and cultural issues. In a new series of graphite works drawn from archival documentation, Durant depicts the intentional and often violent destruction of public monuments. Produced in 2018, this body of work was first exhibited last year at Library Street Collective in Detroit, and is being shown in October 2020 in Los Angeles at a time when monument-removal has become a divisive political debate issue in the lead up to the US General Election. A new electric sign by the artist commemorates the occasion.

The six drawings that compose the exhibition are accompanied by a new two-channel video work made from archival footage of public statues being torn down. Durant slows the speed for a protracted, quiet fall that allows for a reflective experience in processing the wreckage of public symbols. Both the drawings and the video illustrate a wide-ranging arc of monument destruction across nations, cultures, and time periods. Both in and out of their original context, the monuments speak to the specific time and place from which they came, while standing equally as appropriate and applicable to the contemporary situation in which they are exhibited. They speak widely to recurrence and re-occurrence of moments of struggle and resistance in history.




Durant’s interest in monuments and memorials began with Proposal for Monument at Altamont Raceway, Tracy, CA (1999), referencing the vicious end to the infamous free concert and arguably, the end to an era of upheaval; it continued notably with Proposal for White and Indian Dead Monument Transpositions (2005), re-contextualizing memorials to victims of the conquest of North America; and more recently with Proposal for Public Fountain (2015), a marble work depicting an anarchist statue being blasted by a police water-canon. In 2017, what has become Durant’s most controversial public sculpture, Scaffold (2012), was itself protested and ceremonially buried by members of the Dakota people from its installation at the Minnesota Sculpture Garden at Walker Arts Center. Made in the wake of the artist’s personal experience of removal of his public sculpture, the Iconoclasm body of work develops the artist’s, as well as our own, understanding of the power of symbols.

Curator Pedro Alonzo writes, “The Iconoclasm drawings are a reminder of the notion of a living history, reflecting humanity’s need to celebrate and commemorate, as well as the compulsion to destroy symbols of a past that conflict with a specific dominant world view. Given the global rise in political polarization, media misinformation, religious extremism and nationalism, Iconoclasm presents a critical opportunity to explore humanity’s relationship with the symbols of the past and how to address them as society changes.”

The new catalog Iconoclasm featuring this body of work is authored by Pedro Alonzo and published by Library Street Collective, Detroit.

Sam Durant lives and works in Los Angeles and Berlin. His work has been exhibited extensively around the world including in recent solo exhibitions at Art and the Landscape, The Old Manse, Concord, MA (2016); Kemper Art Museum, St. Louis, MO (2015); Los Angeles County Museum of Art, Los Angeles, CA (2014); Museo d’Arte Contemporanea Roma, Rome, Italy (2013); dOCUMENTA (13), Karlsaue Park, Kassel, Germany (2013); Massachusetts College of Art, Boston, MA (2006); Walker Art Center, Minneapolis, MN (2003); and the Museum of Contemporary Art, Los Angeles, CA (2002). His work is featured in public and private collections internationally including: the Art Gallery of Western Australia, Perth, Australia; Fonds National d’Art Contemporain, Paris, France; Hammer Museum, Los Angeles, CA; Los Angeles County Museum of Art, Los Angeles, CA; Museum of Contemporary Art, Los Angeles, CA; Museum of Modern Art, New York, NY; Project Row Houses, Houston, TX; Stedelijk Museum voor Actuele Kunst, Ghent, Belgium; and the Tate Modern, London, UK.










Today's News

October 4, 2020

Egypt unveils coffins buried 2,500 years years ago

A high-tech twin for a Renaissance masterpiece

The Piranesi Principle at Berlin's Kunstbibliothek marks the 300th birthday of Giovanni Battista Piranesi

Why Philip Guston can still provoke such furor, and passion

An exhibition of paintings by Howard Hodgkin provides insight into the artist's fascination with memory

Exceptional large-scale Andreas Gursky leads Phillips' October Photographs Auction

Alexander Calder sells at Hindman Auctions for almost $1.9 million

Jonathan Yeo unveils unique augmented reality app

Cooper Hewitt announces winners of 2020 National Design Awards

Brooklyn Public Library announces launch of Center for Brooklyn History

Gray Wielebinski joins Hales

Guernsey's to offer treasures once owned by Michael Jackson

In Iraq's Mosul, new statues rise from ashes of IS rule

Seized property goes up for bid at Turner Auctions + Appraisals

Parrasch Heijnen Gallery opens a solo exhibition featuring new work by Alteronce Gumby

Ethiopia's largest ethnic group holds scaled-back thanksgiving festival

Exhibition of new work by Sam Durant opens at Blum & Poe Los Angeles

KØS brings internationally renowned curator to Denmark

100-year-old beaux-arts landmark in Chicago reborn, anchoring a neighborhood's resurgence

MOCA Toronto announces fall 2020 exhibitions featuring acclaimed Canadian and international artists

Murray Schisgal, who brought the absurd to the mainstream, dies at 93

Derek Mahon, popular Irish poet, is dead at 78

Orchestras are rushing to add Black composers. Will it last?

Terry Goodkind, master of fantasy fiction, is dead at 72

Stuck For Christmas Gift Ideas This Year? Buy Christmas Hampers with These Tips




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful