In Iraq's Mosul, new statues rise from ashes of IS rule
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


In Iraq's Mosul, new statues rise from ashes of IS rule
Men pray together on a lawn near the statue of "My Lovely Lady" erected in the centre of a square in the western half of Iraq's northern city of Mosul, on August 18, 2020. As sunset nears, the residents of Iraq's Mosul flock to a golden-tinted statue of a woman looking out over their scarred city with an expression of steady defiance. It is one of a half-dozen works by local artists that have been erected across the northern Iraqi city since the Islamic State group lost control of it three years ago. The artworks are helping residents shake off memories of brutal punishments meted out by IS in squares and roundabouts, even as much of their city remains in ruins. Zaid AL-OBEIDI / AFP.

by Raad al-Jammas



MOSUL (AFP).- As sunset nears, the residents of Iraq's Mosul flock to a golden-tinted statue of a woman looking out over their scarred city with an expression of steady defiance.

It is one of a half-dozen works by local artists that have been erected across the northern Iraqi city since the Islamic State group lost control of it three years ago.

The artworks are helping residents shake off memories of brutal punishments meted out by IS in squares and roundabouts, even as much of their city remains in ruins.

"My Lovely Lady" was the first, erected in September 2018 in a traffic circle where IS fighters used to behead or lash residents who had broken its ultra-conservative rules.

"By placing this statue here, I was trying to erase these dark, terrifying images from people's minds," said Omar Ibrahim, the 35-year-old artist behind the work.

"'My Lovely Lady' represents Mosul's beauty, its rebirth after overcoming all the obstacles of this nerve-wracking period," he told AFP.

Nerve-wracking it was: Ibrahim created the sculpture in a secret basement studio while the IS was still controlling Mosul.

When they first overran the city, the jihadists smashed works of art, musical instruments and millenia-old artefacts, deeming them violations of their ultra-conservative views.

They banned artists from working under penalty of death.

It was a devastating blow for Mosul, which had been known for centuries as a hub for musicians, writers and artists.

Symbols of a city
One favourite destroyed by IS was "The Spring Girl," a young woman carrying a bouquet and buffeted by the wind.

Mosul is known as "The Mother of Two Springs" because of its mild weather in both spring and autumn.

A remake of the sculpture of a woman with flowing hair and a sly half-smile was erected this year against a backdrop of a bullet-riddled building, a reminder of Mosul's grim recent history.

Another was "The Licorice Man," which dated back to the 1970s and depicted a street peddler with the beloved candy.




A team of young sculptors has made a new version, which has become such a landmark that the whole area is now dubbed the "Licorice Circle" by residents.

Jihadists also pulverised statues of the poet Abu Tammam and celebrated ballad virtuoso Mulla Uthman, whose remakes were recently installed in western Mosul.

While their predecessors were made of local Mosul stone or bronze, the replacements are made of cheaper metal.

Mosul's municipality is looking to pepper the city with more historical symbols, said Fares Mohammad, a local official from the Building Unit.

One statue he wants to see installed is of Ibn Sina, the father of early medicine more commonly known as Avicenna, to honour Mosul's past as a destination for top-tier medical care.

"These statues represent Mosul's cultural identity, its life, its professions and even its four seasons -- especially spring, which is beautiful here," said Ziad al-Sumeidi, a history and heritage researcher.

'Our devastated Mosul'
Little of Mosul's rich history is visible today.

Besides the IS reign of destruction, the gruelling and months-long fight to recapture the city from the jihadists ravaged its infrastructure, particularly in the western half.

Only one public hospital now functions, power and water services are intermittent, and children must walk past crumbling buildings to get to the few schools that have reopened.

The poor living standards mean hundreds of thousands who were displaced from Mosul in recent years still prefer to live in tented camps rather than return to their scarred home town.

Those who have come back can often be seen relishing a quiet moment near the statues in the evenings.

Hadeel Najjar, a 30-year-old housewife, said she was glad to see the larger-than-life figures revive her hometown -- and hoped that her fellow Mosul residents can return, too.

"Erecting these statues is a necessary part of bringing life back to our devastated Mosul," she told AFP.

"But people still aren't coming back to their homes and shops, because of delays in compensating war victims or rebuilding the city's infrastructure."


© Agence France-Presse










Today's News

October 4, 2020

Egypt unveils coffins buried 2,500 years years ago

A high-tech twin for a Renaissance masterpiece

The Piranesi Principle at Berlin's Kunstbibliothek marks the 300th birthday of Giovanni Battista Piranesi

Why Philip Guston can still provoke such furor, and passion

An exhibition of paintings by Howard Hodgkin provides insight into the artist's fascination with memory

Exceptional large-scale Andreas Gursky leads Phillips' October Photographs Auction

Alexander Calder sells at Hindman Auctions for almost $1.9 million

Jonathan Yeo unveils unique augmented reality app

Cooper Hewitt announces winners of 2020 National Design Awards

Brooklyn Public Library announces launch of Center for Brooklyn History

Gray Wielebinski joins Hales

Guernsey's to offer treasures once owned by Michael Jackson

In Iraq's Mosul, new statues rise from ashes of IS rule

Seized property goes up for bid at Turner Auctions + Appraisals

Parrasch Heijnen Gallery opens a solo exhibition featuring new work by Alteronce Gumby

Ethiopia's largest ethnic group holds scaled-back thanksgiving festival

Exhibition of new work by Sam Durant opens at Blum & Poe Los Angeles

KØS brings internationally renowned curator to Denmark

100-year-old beaux-arts landmark in Chicago reborn, anchoring a neighborhood's resurgence

MOCA Toronto announces fall 2020 exhibitions featuring acclaimed Canadian and international artists

Murray Schisgal, who brought the absurd to the mainstream, dies at 93

Derek Mahon, popular Irish poet, is dead at 78

Orchestras are rushing to add Black composers. Will it last?

Terry Goodkind, master of fantasy fiction, is dead at 72

Stuck For Christmas Gift Ideas This Year? Buy Christmas Hampers with These Tips




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful