On June 16, Moderna Museet Malmö
opened again after having been closed for a time in response to the Coronavirus pandemic. Finally, Hilma af Klint Artist, Researcher, Medium, a comprehensive presentation of the artist with 230 works occupying the entire museum building, can be experienced by the public.
Hilma af Klint (18621944) was an artist who allowed herself to take a broader perspective on life and who wanted to open up new ways of looking at reality. Her achievement as a pioneer of abstract art has been celebrated before, but with the exhibition "Hilma af Klint - Artist, Researcher, Medium", Moderna Museet Malmö now wants to offer new insights into the artists systematic research.
Hilma af Klint radically turned away from the portrayal of a visible reality, says Iris Müller-Westermann. For her, art making was about visualizing contexts that lie beyond what the eye can see. Af Klint was convinced that she was connected to a higher level of consciousness when she was making her works. The exhibition argues that her spiritual practice was inextricably linked to her artistic practice. First and foremost, however, Hilma af Klint believed in the power of images.
The whole Moderna Museet Malmö has been transformed into Hilma af Klints temple. The exhibition spans the artists entire career, and the selection of works examines the artists research into nature and the links between the visible and invisible worlds. In addition, the comprehensive exhibition touches on the artists own thoughts about her work and its various methods.
Hilma af Klint had an inquisitive mind, says Milena Høgsberg. For her, painting was both an artistic activity and a spiritual one. When she was painting she meditatively allowed something bigger to pass through her and manifest itself in works of art. She then spent her life, systematically and analytically trying to understand the meaning behind her paintings, drawings, and writings.
The heart of the exhibition are "The Paintings for the Temple" (190615), which the artist considered her most important works. They also include the magnificent series "The Ten Largest" from 1907.
In conjunction with the exhibition, a comprehensive and richly illustrated catalogue has been produced, with essays by Iris Müller-Westermann, Milena Høgsberg in conversation with Tim Rudbøg, Hedvig Martin, Ernst Peter Fischer, and Anne Sophie Jørgensen. The exhibition catalogue has been published in two editionsone in Swedish and one in English.
"Hilma af Klint Artist, Researcher, Medium" will be on view at Moderna Museet Malmö until September 27, 2020.