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A visionary collection of 19th and 20th century art on display in Lausanne

Marie Bracquemond, On the Terrace at Sèvres, 1880. Oil on canvas, 88 x 115 cm. Association of Friends of the Petit Palais, Geneva. Photo Studio Monique Bernaz, Geneva.

LAUSANNE.- The Fondation de l’Hermitage hosts a particularly unusual collection of Impressionist and post-Impressionist masterpieces from the Petit Palais, Geneva. In the 1950s Oscar Ghez, an industrialist of Tunisian origin, began acquiring works that reflect his remarkably free approach to collecting, with an interest in late-19th and early 20th century painting that was not confined to the great masters. Alongside magnificent works by Édouard Manet and Auguste Renoir, Ghez also acquired superb paintings by artists lesser known at the time, such as Gustave Caillebotte, Charles Angrand, Maximilien Luce and Louis Valtat, some of whom have since become iconic. Ghez also purchased many paintings by women, including Marie Bracquemond, Jeanne Hébuterne, Nathalie Kraemer, Tamara de Lempicka and Suzanne Valadon, long before their work began to be studied and ultimately received the recognition it deserved. ... More


The Best Photos of the Day







Emily Carr's powerful connection with nature explored at the Vancouver Art Gallery   Bernar Venet retrospective takes over Riga   Arnulf Rainer's dialogue with Goya and nature at Thaddaeus Ropac


Emily Carr, Strangled by Growth, 1931, oil on canvas, Collection of the Vancouver Art Gallery, Emily Carr Trust, VAG 42.3.42.

VANCOUVER.- The Vancouver Art Gallery launched a new year-long exhibition about one of the most significant artists in Canada’s history, Emily Carr (1871–1945). Featuring more than 20 of Carr’s signature forest paintings, Emily Carr: Navigating an Impenetrable Landscape recognizes the natural world as one of Carr’s lifelong inspirations, taking as its subject the experience of imaginatively entering the space of the forests that she painted. Visitors will encounter a densely hung group of paintings of thick forest scenes faced off on the opposite wall by a single Carr painting of a clear-cut landscape with an open horizon. The exhibition deliberately draws out the physical experience of the opening and closing-off of space in Carr’s forest scenes. “Emily Carr’s forest paintings profoundly shaped the way British Columbians perceive their surroundings to this day,” says Anthony Kiendl, CEO & Executive Director of the Vancouver Art Gallery. “We are honoure ... More
 

Bernar Venet. Difféo Gold 7. 2022. Acrylic on canvas, varnished. @ ADAGP Paris.

RIGA.- From 25 January to 27 April 2025, the Art Museum Riga Bourse in Riga presents a retrospective exhibition by the prominent French artist Bernar Venet, Painting: From Rational to Virtual. 1966–2024, offering a closer look at his oeuvre and significant contribution to the 20th- and 21st-century Conceptual art. Bernar Venet (1941) is one of the most charismatic figures on the contemporary art scene, a pioneer of Conceptual art. Throughout his career spanning more than 60 years, Venet has been known for producing work that has never ceased to pose questions, and for having been the principal innovator to introduce mathematical linguistics into art. “Bernar Venet constantly challenges the limits of his ideas, possibilities, life, and art as a process. For him, making art means articulating and transforming while involving various disciplines – science, mathematics, music, architecture, physics, geometry, as well as what is happening in the media space,” says Una Meistere, one of the project ... More
 

Arnulf Rainer, Serie Goya, 1983/84. Mixed media on photo on wood. 62.5 x 53 cm (24.61 x 20.87 in). © Arnulf Rainer. Photo: Christian Schepe.

SALZBURG.- This exhibition brings together two of Arnulf Rainer’s celebrated series on the occasion of the artist’s 95th birthday: the Goya paintings and Landscapes, both created between 1983 and 1992. In his uncompromising search for new means of expression, Rainer developed radical approaches to art, establishing him as one of the most influential artists of the post-war period. The exhibition at Thaddaeus Ropac Salzburg coincides with a major institutional exhibition at the Arnulf Rainer Museum in Baden near Vienna, on view until 5 October 2025. Through overpainting Rainer effectively enters into a dialogue with the works of other artists and into a conversation with himself. […] A comparison to works by other artists, against the backdrop of various art movements or cultural contexts, reveals their idiosyncrasies, the special position they occupy in twentieth-century art history. — Nikolaus Kratzer, curator of the current exhibition Arnulf Rainer: Nothingness Against Every ... More



Rediscovering Saul Leiter: A retrospective showcases the master of light, shadow, and reflection   Exhibition of illuminated manuscripts opens at the Morgan   Immersive and multi-layered: Lee Kit's expansive installation at the Fridericianum


Saul Leiter, Footprints, 1950. © Saul Leiter / Saul Leiter Foundation.

AMSTERDAM.- Foam is presenting a major retrospective exhibition of the celebrated American artist Saul Leiter (1923–2013). Leiter is seen as one of the most important photographers of the 1950’s in the United States, and a pioneer of colour photography. This exhibition brings together over 200 works, consisting of photography, both black-and-white and colour, as well as his abstract paintings. His eclectic oeuvre reveals a practice using shadow, light, and reflections to craft layered compositions. For nearly sixty years, Leiter photographed daily, capturing everyday moments of New York City life. With various techniques and mediums, and the use of telephoto lenses, Leiter would enhance the painterly quality of his images and transform seemingly mundane street scenes into visual poetry. New York, a symbol of modernity in the 1950s, became the backdrop for Leiter’s aesthetic discoveries. By ... More
 

Associate of the Boethius Master, Illustration for Book 8 (On the World), in Bartholomew of England, On the Properties of Things. France, Paris, ca. 1410. Morgan Library & Museum, MS M.537, fol. 238r (detail). Purchased by J. Pierpont Morgan, 1912. Photo: Carmen González Fraile.

NEW YORK, NY.- The Morgan Library & Museum presents The Book of Marvels: Imagining the Medieval World from January 24 through May 25, 2025. At the exhibition’s center is the Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and reality intended for the medieval armchair traveler. Bringing together two of the four surviving copies of this rare text—one from the Morgan’s collection, the other from the J. Paul Getty Museum—the exhibition examines medieval conceptions and misconceptions of a global world. The Book of Marvels: Imagining the Medieval World is curated by Joshua O’Driscoll, Associate Curator of Medieval and Renaissance Manuscripts. Accompanying the exhibition is a publication (Getty ... More
 

Lee Kit, 2025. Photo: Albrecht Fuchs.

KASSEL.- The Fridericianum celebrates the institutional debut of the artist Lee Kit in Germany with a concentrated solo exhibition. From January 25 to June 15, 2025, the museum becomes a place where art, everyday life, and politics merge into a multi-layered, immersive experience. Under the title His gaze has turned into disdain for those who are well-intentioned yet incapable. (A quiet day), Lee creates an expansive installation that dissolves all boundaries between artistic disciplines and offers art lovers a deep dive into the poetic, psychological, and sociopolitical dimensions of his art. Lee was born in Hong Kong in 1978 and now lives in Taipei. He is one of the most influential artists in Asia today. At the beginning of the 2000s, he came to prominence with paintings that are not only art objects but also everyday items. Among other things, he painted textiles and cardboard with stripes and checkerboard patterns to use them temporarily in private, domestic settings ... More



Past meets present: Cleveland Museum of Art announces 2025 schedule   Exhibition delves deep into Devan Shimoyama's vibrant and multifaceted oeuvre   Rare Royal Shabti of Amenhotep III to go under the hammer


Shahzia Sikander, Empire Follows Art: States of Agitation 11, 2020. Color digital printing, watercolor, and gouache on prepared wove paper; 40.6 x 30.5 cm. The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund, 2021.103. © Shahzia Sikander, courtesy of the artist and Sean Kelly, New York / Los Angeles.

CLEVELAND, OH.- Discover an incredible new exhibition of works from the Japanese artist known for his unique style that simultaneously honors the rich tradition of Japanese art and deploys the cultural energies of anime, manga, otaku, and kawaii in singular contemporary artworks. Visitors can explore how—after shared historical events and trauma—art can address crisis, healing, outrage, and escapist fantasy. In addition to works more than 30-feet wide on view, the centerpiece of the exhibition is the recreation of the Yumedono or Dream Hall from the Horyuji Temple complex in Nara, Japan, in the CMA’s magnificent atrium space. The museum’s deep holdings ... More
 

Installation view. Image courtesy of the Ulrich Museum of Art.

WICHITA, KS.- De Buck Gallery announces “Rituals”, a solo exhibition exploring the captivating and multifaceted work of celebrated artist Devan Shimoyama. Organized by the Ulrich Museum of Art and curated by Jo Reinert, Curator of Modern and Contemporary Art, “Rituals” delves deep into the artist’s vibrant and multifaceted oeuvre; from his iconic Tarot Series and mythic narratives to his intimate Barbershop Series and poignant self-portraits. The exhibition is on view from January 23 to June 14, 2025. Shimoyama’s practice, characterized by its vibrant energy and profound social commentary, masterfully dismantles societal norms surrounding race, gender, and sexuality. Through a captivating blend of imagery and materials, he presents the Black American and queer experiences as fantastical and ornate, drawing inspiration from drag performance, religious ... More
 

A beautifully crafted alabaster shabti of Pharaoh Amenhotep III, is expected to fetch between £12,000 and £20,000.

LONDON.- A rare and significant piece of ancient Egyptian history is set to be auctioned by Apollo Art Auctions on January 26, 2025. The item, a beautifully crafted alabaster shabti of Pharaoh Amenhotep III, is expected to fetch between £12,000 and £20,000. Amenhotep III, known as "The Magnificent," ruled during the 18th Dynasty (circa 1360-1349 BC), a period of great prosperity and artistic achievement in ancient Egypt. Shabtis were funerary figurines placed in tombs to act as servants for the deceased in the afterlife. This particular shabti is of exceptional quality, depicting the pharaoh as Osiris, the god of the afterlife, holding the crook and flail—symbols of royal authority. What makes this shabti particularly noteworthy is its royal provenance. The torso bears inscriptions of six partial columns from Chapter 6 of the Egyptian Boo ... More


Hidden in plain sight: Rich Frishman's photographs uncover America's segregated past   Marcel Eichner's addendum show at Oolong Gallery benefits fire relief   Camila Oliveira Fairclough's Playful Exploration of Painting at Ellen de Bruijne Projects


Rich Frishman, "Colored Window at Edd’s Drive-In, Pascagoula, Mississippi," 2019, Archival pigment print, 44 x 54 in. Courtesy of the artist Laband Art Gallery, © Rich Frishman.

LOS ANGELES, CA.- Loyola Marymount University’s Laband Art Gallery presents the West Coast debut of “Ghosts of Segregation: Photographs by Rich Frishman,” a nationally recognized exhibition of more than 30 engrossing color photographs that reveal the lingering presence of racism made visible in our national landscape. The show opened on Saturday, Jan. 25, and runs through Saturday, March 29, 2025. In ‘Ghosts of Segregation,” Frishman — a photographer and photojournalist by profession — uses his camera to uncover evidence of segregation, slavery, and institutional racism hidden in everyday American architecture. From the New Orleans Slave Exchange and “colored entrances” at movie theatres, to the abandoned Negro Nursing School in Houston and Bruce’s Beach in Manhattan Beach, California, Frishman’s photographic series from 2018 to 2022 captures how  ... More
 

Marcel Eichner Bike Lane, 2024 Acrylic and ink on board 39 x 27.5 in.

RANCHO SANTA FE, CA.- Oolong Gallery presents an addendum show for Marcel Eichner. This exhibit will be on view for two weeks and features new paintings as well as selections from his large-scale, short-lived exhibition 'On a knife's edge' at SWC Art Gallery that closed January 12. Eichner is the first artist in residence having traveled here from Berlin, Germany where Oolong owner / director Eric Laine partially grew up. This opening also celebrates Laine's birthday with the 23rd exhibition he has curated and produced in San Diego, CA since June, 2022. The gallery is donating 10% of sales to the Grief & Hope gofundme to support artists and arts workers in LA affected by the devastating wildfires Marcel Eichner was born in 1977, in Siegburg, Germany. From 1998 to 2004 he studied at the Kunstakademie, Dusseldorf, under Professor Jorg Immendorff, and now lives and works in Berlin. "There are artists who demonstrate early in life an uncanny feeling for the fluid wanderings of a drawn ... More
 

Camila Oliveira Fairclough, Calendrier du coeur abstrait (after Arp), 2021, acrylic on canvas, 70 x 60 cm

AMSTERDAM.- The work of Camila Oliveira Fairclough (Rio de Janeiro, 1979) playfully navigates the contours of figuration and abstraction within the imagery and language of popular culture. She borrows from everyday mundanity and translates it into a painterly practice that likes to toy with what canonically is and what is not considered painting. Arguably, her work reflects on the idea of painting in a tongue-in-cheek manner, yet behind the humorous facade there lies an interest in the linguistic process that occurs when painting words and symbols. Captured in painting, the meaning of a word or a symbol starts fading away whilst the image emerges, becoming something else. Camila Oliveira Fairclough is interested in the ambiguity between what is visible and what is readable, or, in other words, images as words and words as images. In a similar vein to the ready-made, she thinks of her work as an unexpected encounter with an object in which what is represented is at odds with its medium. Despite the ... More



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The human image has never been forgotten in the arts. Germain Richier

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Yael Medrez Pier's "Pájaro de Fuego": Portraits of Mexico's Indigenous communities at MARC STRAUS
NEW YORK, NY.- MARC STRAUS is presenting Pájaro de Fuego, Yael Medrez Pier's first solo exhibition with the gallery. The exhibition features a striking collection of seven new portraits of Mexico's indigenous communities, offering a powerful visual reflection on cultural identity, history, and personal narrative. Pier's approach to portraiture is deeply immersive and thoughtful. Over the years, she has traveled throughout Mexico, visiting indigenous communities that balance life and customs between modernity and tradition. It is the local villages that serve as spaces of cultural preservation, and it is here that she connects with her subjects on a personal level. Pier conducts interviews with the women she portrays, which allows her to build a relationship based on understanding. This relationship, she says, allows her to paint not only their likenesses, ... More

Fairfield University Art Museum presents 'To See This Place: Awakening to Our Common Home'
FAIRFIELD, CONN.- Fairfield University Art Museum is presenting To See This Place: Awakening to Our Common Home, an exhibition of works by Athena LaTocha, Mary Mattingly, and Tyler Rai—all of which are personal responses to our climate crisis—on view January 24 through March 29, 2025, in the Museum’s Walsh Gallery in the Quick Center for the Arts. Environmental threats and climate change are urgent matters of concern at Jesuit universities, where conversations on this topic often take place in reference to two documents by Pope Francis: Laudato Si’: On Care for Our Common Home (2015), and the 2023 update, Laudate Deum. Artists play an indispensable role in our collective response to climate change. To See This Place, was co-curated by David Brinker, Director of the Saint Louis University Museum of Contemporary Religious ... More

Islamic Arts Biennale 2025: And All That Is In Between opens in Jeddah
JEDDAH.- The Diriyah Biennale Foundation announces the opening of the second edition of the 2025 Islamic Arts Biennale, titled And All That Is In Between. The Islamic Arts Biennale takes place in Jeddah, a city that has been a meeting point of cultures for centuries. The site is the Western Hajj Terminal of King Abdulaziz International Airport, which echoes with memory and emotion for millions of Muslim pilgrims embarking on their sacred journeys for Hajj and Umrah every year. By juxtaposing historical objects from Islamic cultures with contemporary art, the Biennale explores how faith is experienced, expressed, and celebrated through feeling, thinking, and making. The exhibition will be on view through May 25, 2025. Led by Artistic Directors Julian Raby, Amin Jaffer, and Abdul Rahman Azzam, alongside Saudi artist Muhannad Shono as Curator ... More

Kinetic, video, and interactive: Zhang Peili's largest solo exhibition to date opens at Red Brick
BEIJING.- Red Brick Art Museum presents the recent works of artist Zhang Peili. Curated by Zhang Ga, Zhang Peili’s survey marks the largest solo exhibition to date by the artist, a pivotal figure in Chinese contemporary art, and features kinetic, video, and interactive installations ranging from monumental structures to vernacular objects created in recent years. Across his 40-year career, Zhang Peili’s work has been anchored by a recurring motif: repetition, often executed with ritualistic precision and imbued with characteristic ambiguity. Exacting in its execution yet multivalent in its signification, Zhang Peili’s repetition is further complicated by the notions of redundancy and recursion. Beneath this trinity of formal apparatus lies the mobilization of the grid system—sometimes expressed as a singular reticulation, other times manifested ... More

New paintings explore movement and transformation at GALLERIA CONTINUA
SAN GIMIGNANO .- GALLERIA CONTINUA is hosting a new solo exhibition by the promising young contemporary artist Marta Spagnoli. Fantasmata, the title of the exhibition, features a cycle of never before seen works created in 2024. These works stem from an in-depth exploration of the image and its potential for movement and transformation. Building on key themes from her recent research such as the influence of natural and social environments on human beings, dance, and the symbolic presence of organic and animal forms the artist centers her reflections on the concept of Fantasmata. The word Fantasmata belongs to Western philosophical discourse and is also found in the world of dance. It describes a sudden pause between two consecutive movements, moments that virtually encapsulate the past, present, and future memory of an ... More

Kerlin Gallery opens an exhibition of handmade works on paper by Richard Gorman
DUBLIN.- Japan presents over two decades of Richard Gorman’s celebrated works on paper, focusing on the motif of the circle. For over thirty years, Gorman has been visiting Echizen, a mountainous region of Japan, to handcraft washi paper alongside the skilled artisans of the family-run Iwano Heizaburo paper mill. The mill uses a traditional technique in which kōzo (mulberry) pulp is boiled, beaten, then set in sukibune trays, before being pressed and dried. In some of Gorman’s works, gouache is applied to the surface of the finished paper; for others, Gorman developed a process in which dye is soaked directly into the pulp then shaped in moulds, allowing for a deeper saturation of colour. In both instances, Gorman’s bold, elemental forms enter a playful tension with the tactile, organic texture of the paper. The circle, often a symbol of perfection and symmetry ... More

Exhibition presents artwork inspired by Orkney's landscape and natural environment
EDINBURGH.- This January, the Royal Scottish Academy presents In Orcadia, an exhibition of artwork inspired Orkney's landscape and natural environment. The exhibition includes a new body of work from Samantha Clark, the inaugural winner of the RSA MacRobert Art Award for Painting. Funded by the MacRobert Trust, this £20,000 award, which Clark received in October 2023, provides financial assistance for a committed painter whose circumstances have, for whatever reason, made it difficult to focus upon and develop their artistic talent. Based in Birsay, Orkney, Clark describes her work as ‘a meditation on water and time, and a response to the natural environment of Orkney’. The award has supported her in an intensive period of creative study, focusing on the waters in and around Orkney, exploring how painting can sensitively attend and respond to this challenging and vital element. Her work is focused on drawing and painting, shaped by Orkney’s deeply layered human histories and its dynamic natural en ... More



Artist Camille Henrot: "There is nothing more divisive than motherhood."






 



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Flashback
On a day like today, Dutch painter Govert Flinck was born
January 25, 1615. Govert (or Govaert) Teuniszoon Flinck (25 January 1615 - 2 February 1660) was a Dutch painter of the Dutch Golden Age. For many years Flinck laboured on the lines of Rembrandt, following that master's style in all the works which he executed between 1636 and 1648. With aspirations as a history painter, however, he looked to the swelling forms and grand action of Peter Paul Rubens, which led to many commissions for official and diplomatic painting. In this image: Blessing of Jacob (1638).



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