The First Art Newspaper on the Net
Thursday, August 24, 2017
Established in 1996
ArtDaily PhotoGalleries
PhotoGallery: Frank Lloyd Wright and the City: Density vs. Dispersal
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). Broadacre City. Project, 1934–35. Model in four sections: painted wood, cardboard, and paper, 152 x 152” (386.1 x 386.1 cm). The Frank Lloyd Wright Foundation Archives
ArtDaily
NEW YORK.- Frank Lloyd Wright. Broadacre City. Project, 1934–35. Taliesin fellows working on the model. Chandler, Arizona, 1935. Gelatin silver print on paper, 9 9/16 x 7” (24.3 x 17.8 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York) The Frank Lloyd Wright Foundation Archives
ArtDaily
NEW YORK.- Frank Lloyd Wright. Broadacre City. Project, 1934–35. Model under construction in Chandler, Arizona, 1935. Gelatin silver print on paper, 4 1/4 x 6 5/8? (10.8 x 16.8 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York). The Frank Lloyd Wright Foundation Archives. Photo: Roy E. Peterson
ArtDaily
NEW YORK.- Frank Lloyd Wright. H. C. Price Company Tower, Bartlesville, Oklahoma, 1952–56. Apprentices working on the model in the Taliesin drafting room. Spring Green, Wisconsin, c. 1952. Gelatin silver print on paper, 7 3/4 x 9 1/2” (19.7 x 24.1 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York) The Frank Lloyd Wright Foundation Archives
ArtDaily
NEW YORK.- Frank Lloyd Wright and his assistant Eugene Masselink installing the exhibition Frank Lloyd Wright: American Architect at The Museum of Modern Art, November 13, 1940–January 5, 1941. Photographic Archive. The Museum of Modern Art Archives, New York. The Frank Lloyd Wright Foundation Archives. Photo: Soichi Sunami
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). St. Mark’s-in-the-Bouwerie Towers, New York. Project, 1927–31. Aerial perspective. Pencil and colored pencil on tracing paper, 23 3/4 x 15” (60.3 x 38.1 cm). The Museum of Modern Art, New York. Jeffrey P. Klein Purchase Fund, Barbara Pine Purchase Fund, and Frederieke Taylor Purchase Fund The Frank Lloyd Wright Foundation Archives
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). St. Mark’s-in-the-Bouwerie Tower, New York. Project, 1927–31. Section and perspective cutaway of a duplex apartment with balcony and living-room floor plans, 1929. Ink, pencil, and colored pencil on linen window shade, 47 x 35” (119.4 x 88.9 cm). The Frank Lloyd Wright Foundation Archives (The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York) The Frank Lloyd Wright Foundation Archives
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). The Mile High Illinois, Chicago. Project, 1956. Section with height comparisons to an Egyptian obelisk, the Pyramid of Cheops, the Eiffel Tower, and the Empire State Building, as well as a dedication to famous architects and engineers. Pencil, colored pencil, and ink on tracing paper, 100 x 17” (254 x 44.5 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). The Mile High Illinois, Chicago. Project, 1956. Perspective with Wright’s Golden Beacon Apartment Building project (1956–57). Pencil, colored pencil, ink, and gold ink on tracing paper, 105 x 30” (266.7 x 76.2 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). Grouped Towers, Chicago. Project, 1930. Perspective. Pencil on tracing paper, 19 x 28 1/4” (48.3 x 71.8 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). Grouped Towers, Chicago. Project, 1930. Plan of the five towers and shared pedestal. Pencil on tracing paper, 13 3/4 x 35 3/8” (34.9 x 89.9 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). The San Francisco Call Building. Project, 1913. Preliminary perspective. Pencil, colored pencil, and cut-and-pasted tracing paper on paper, 47 3/4 x 23 7/8” (121.3 x 60.6 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). S.C. Johnson & Son, Inc. Research Laboratory Tower, Racine, Wisconsin. 1943–50. Section. Pencil, colored pencil, and ink on tracing paper, 35 1/8 x 20” (89.2 x 50.8 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). St. Mark’s-in-the-Bouwerie Tower, New York. Project, 1927–31. Perspective, 1928. Pencil and colored pencil on tracing paper, 28 1/4 x 10 1/8” (71.8 x 25.7 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). Broadacre City. Project, 1934–35. Study for a plan of a highway interchange. Pencil and colored pencil on tracing paper, 22 x 35” (55.9 x 88.9 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Frank Lloyd Wright (American, 1867–1959). National Life Insurance Company Building. Project, 1924–25. Axonometric view. Colored pencil on tracing paper, 40 x 24” (101.6 x 61 cm). The Museum of Modern Art | Avery Architectural & Fine Arts Library, Columbia University, New York
ArtDaily
NEW YORK.- Installation view of the exhibition Frank Lloyd Wright and the City: Density vs. Dispersal. February 1–June 1, 2014. Photograph: Thomas Griesel
ArtDaily
NEW YORK.- Installation view of the exhibition Frank Lloyd Wright and the City: Density vs. Dispersal. February 1–June 1, 2014. © 2014 The Museum of Modern Art, New York. Photograph: Thomas Griesel
ArtDaily
NEW YORK.- Installation view of the exhibition Frank Lloyd Wright and the City: Density vs. Dispersal. February 1–June 1, 2014. © 2014 The Museum of Modern Art, New York. Photograph: Thomas Griesel
ArtDaily
NEW YORK.- Installation view of the exhibition Frank Lloyd Wright and the City: Density vs. Dispersal. February 1–June 1, 2014. © 2014 The Museum of Modern Art, New York. Photograph: Thomas Griesel
ArtDaily
NEW YORK.- Installation view of the exhibition Frank Lloyd Wright and the City: Density vs. Dispersal. February 1–June 1, 2014. © 2014 The Museum of Modern Art, New York. Photograph: Thomas Griesel
ArtDaily
NEW YORK.- Installation view of the exhibition Frank Lloyd Wright and the City: Density vs. Dispersal. February 1–June 1, 2014. © 2014 The Museum of Modern Art, New York. Photograph: Thomas Griesel
ArtDaily
NEW YORK.- Installation view of the exhibition Frank Lloyd Wright and the City: Density vs. Dispersal. February 1–June 1, 2014. © 2014 The Museum of Modern Art, New York. Photograph: Thomas Griesel
More Galleries