QUEBEC CITY.- The Musée national des beaux-arts du Québec has announced that it will open its new building, the Pierre Lassonde Pavilion, on June 24, 2016. Designed by OMA (Office for Metropolitan Architecture), the pavilion will transform the 83-year-old institution—the first museum established by the government of Québec—while drawing together as never before the street life of central Québec City and the landscape of the scenic Parc des Champs-de-Bataille. Increasing the museum’s space by 90 percent, the new 14,900-square-meter (160,382 square feet) pavilion will provide a spacious and distinctively contemporary gateway to the institution’s existing complex of buildings.
The MNBAQ, whose mission is to promote and preserve Québec art, from the 17th century to contemporary periods, and to showcase international art in Québec City, will inaugurate the new pavilion with six exhibitions showcasing their impressive collections of contemporary and Inuit art. The pavilion's opening coincides with the Québec’s national holiday, “La Fête nationale,” which will be celebrated with three days of free public programs and festivities.
Pierre Lassonde, chair of the MNBAQ board of directors, said, “We are delighted to be only weeks away from welcoming the public into this brilliantly conceived design by OMA, which will do so much to help us celebrate the art and artists of Québec. With this beautifully functioning and symbolically important addition, our museum now rises to a new level of service for the people of Québec City, and a new prominence for visitors from around the world.”
“The world heritage site of Québec City now has a new landmark,” stated Line Ouellet, Executive Director and Chief Curator. “Lucid and ingenious, the Pierre Lassonde Pavilion simultaneously stands out on its site and weaves itself into its surroundings, bringing out the potential of the urban situation with a logic that is as impeccable as it is unexpected. With its spacious exhibitions galleries, auditorium, café and other amenities, it will enable us to realize our museum’s highest possibilities.”
“Our design stacked three gallery volumes in a cascade that continues the topography of the park. The activity of the city extends below, providing a new point of interface between the city and the park,” stated Shohei Shigematsu, OMA Partner leading the design. “Art becomes a catalyst that allows the visitor to experience all three core assets – park, city, and museum – at the same time.”
Realized in collaboration with Provencher_Roy architectes of Montréal, the Pierre Lassonde Pavilion faces the main artery of Québec City’s Grande Allée. Behind the new pavilion, the three existing pavilions of the museum (dating from 1867, 1933 and 1991, respectively) stand within the historic Parc des Champs-de-Bataille. The Pierre Lassonde Pavilion connects with this complex through a 130 meter (427 feet) long below-grade passageway while presenting a transparent façade directly on the Grande Allée, where it creates a new public plaza.
Within the pavilion, column-free galleries for installations from the permanent collection and temporary exhibitions, an auditorium, a café and a museum store are housed in three volumes of decreasing size, which are stacked so that they rise in stepped tiers from the park to the streetfront on Grand Allée. A Grand Hall that is 12.5 meters high (41 feet) faces Grande Allée, where the topmost tier’s dramatic cantilever of 26.5 meters (87 feet) shelters an urban plaza. Orchestrated views from a monumental spiral stair and an exterior pop-out stair orient the visitor to the park, the city and the rest of the museum. Within the volumes, mezzanines and overlooks link the temporary and permanent exhibition spaces. On top of each of the volumes, roof terraces provide space for outdoor displays and activities.
Inaugural Exhibitions
The museum will present six new exhibitions dedicated to Québec art from 1960 to the present as well as large scale works to inaugurate the new pavilion and underscore the new space's versatility. Exhibitions include:
o Decorative Arts and Design in Québec
Drawn from the museum’s permanent collection, this exhibition of decorative arts and design from Québec presents more than 140 objects (glass, ceramics, furniture and posters) by 50 artists who left an indelible mark during the past six decades.
o From Ferron to BGL: Contemporary Art in Québec
This exhibition features approximately 85 signature works created from 1960 to the present by key figures in the history of Québecois art, along with archival documents and an interactive multimedia map to contextualize the works in the artistic movements of the past half-century.
o Inuit Art. The Brousseau Collection. Ilippunga.
This exceptional display of more than 100 works offers a new view of Inuit art, with works created exclusively in the last 60 years by more than 60 artists from Nunavut, the Northwest Territories and Nunavik in Northern Québec.
o Installations: On a Large Scale (presented by TD)
To celebrate the opening of the Pierre Lassonde Pavilion and the vitality of Québec’s contemporary art scene, this exhibition brings together some 30 installations from MNBAQ’s exceptional collection of large-scale works.
o Jean-Paul Riopelle: Tribute to Rosa Luxemburg
The largest work in the museum’s collection (acquired in 1996), as well as the largest work ever created by Riopelle, Tribute to Rosa Luxemburg (1992) comprises a narrative sequence of 30 paintings (acrylic and spray paint on canvas) that hang contiguously in a band that stretches for more than 40 meters (132 feet). The passageway that connects the new pavilion to the existing museum buildings will provide a new permanent home for this culminating work of Riopelle’s career.
o David Altmejd: The Flux and the Puddle
The 130 meter long passageway that connects the Pierre Lassonde Pavillion to the Central Pavilion of the MNBAQ museum complex, will house David Altmedj’s work The Flux and the Puddle, a monumental sculpture in the still unfolding oeuvre by the Montréal sculptor living in New York.
