Paul Mogensen's first solo exhibition held in New York in almost twenty years on view at Del Deo & Barzune
The First Art Newspaper on the Net    Established in 1996 Sunday, September 14, 2025


Paul Mogensen's first solo exhibition held in New York in almost twenty years on view at Del Deo & Barzune
Paul Mogensen (b. 1941), no title, 1969. (orthogonal 2 sets of radiating lines). Aluminum enamel and graphite on unprimed canvas, 24 x 48 inches.



NEW YORK, NY.- Del Deo & Barzune announces the opening of Paul Mogensen—Painting, the artist’s first solo exhibition held in New York in almost twenty years. Featured is a selection of his signature multi-paneled paintings from the late 1960s including no title (Persian red),1968—a work comprising six (joined) canvases.

Also included is no title, 1968-71—a work composed of nine (separated) canvases painted in oil, measuring 90 x 90 inches overall.

The use of mathematically-based systems of ordering and progression have been central to Mogensen’s practice from early on. Traced historically to antiquity, these concepts are by no means exclusive to visual art. Their counterparts can be found in disciplines ranging from Renaissance architecture to music.

In addition to Mogensen’s early-period works, the exhibition features select examples of recent paintings dating from 2015 to the present. Among them is an eight foot square canvas of radiating oblique lines. Combining the media of gouache and acrylic, Sasanian, black, 2015 explores concerns of matte, gloss, and (black) monochrome. Reflective bands or “rays”, painted in acrylic, spin off of a centrally located velvety-black disk.

The artist’s interest in the ordering of form and progressions encompasses other timeless configurations and shapes, such as the spiral—a motif that has preoccupied Mogensen for decades. Recent examples of coiled-band (polychrome) “spiral” paintings, such as no title, 2016, allow for a progression of both form and color, as determined by their order in the spectrum.

Born in Los Angeles in 1941, Paul Mogensen was first represented in New York by the legendary Bykert Gallery from the time of its founding in 1966 until its closing in 1975. At Bykert, Mogensen kept company with a pioneering group of artists which included Brice Marden, Chuck Close, Dorothea Rockburne, David Novros, Barry Le Va, Alan Saret, and Joe Zucker, among others.

Paul Mogensen’s work can be found in the collections of major museums in the U.S. and abroad, including: The Hammer Museum at UCLA, Los Angeles, CA; Harvard Art Museums/ Fogg Museum, Cambridge, MA; High Museum of Art, Atlanta, GA; Kunstmuseum Winterthur, Switzerland; The Menil Collection, Houston, TX; The Museum of Fine Arts, Houston, TX; The Museum of Modern Art, New York, NY; New York Public Library, NY; Wadsworth Atheneum Museum of Art, Hartford, CT; Walker Art Center, Minneapolis, MN; and Yale University Art Gallery, New Haven, CT

The exhibition in its entirety is available for viewing on line at deldeobarzune.com.










Today's News

April 19, 2016

Ancient weapons with prestigious provenance featured in Artemis Gallery auction

Rose Art Museum will present Mark Bradford in U.S. Pavilion at 57th Venice Biennale

Opening of the new and enlarged Kunstmuseum Basel designed by Christ & Gantenbein

Christie's New York announces Impressionist & Modern Art Evening Sale on May 12

Halcyon Gallery opens its very first exhibition devoted entirely to the works of Andy Warhol

Rodin masterpiece leads Impressionist and Modern Art Auction at Bonhams New York

ASK Brooklyn Museum app connects visitors with museum experts for a personalized experience

Phillips brings more than 30 Latin American masterworks to Miami Design District

Galerie Nathalie Obadia's first exhibition of London-based Chinese artist Lu Chao opens in Paris

Helen Lundeberg and Frederick Hammersley featured in Laguna Art Museum's spring exhibitions

Moody Mary Todd Lincoln letter in book of Lincolnalia to be sold at Leslie Hindman Auctioneers

"The Glass of the Architects. Vienna 1900-1937" opens at Le Stanze del Vetro

Newark Museum enhances renowned jewelry holdings with Krementz and Co. manuscripts

Latvian artists build a giant man cave at the Coachella Valley Music and Arts Festival

Australian Centre for Photography unveils new exhibition Transfer

Clear growth in numbers of visitors, a positive mood and good sales defined the 50th ART COLOGNE 2016

Focal Point Gallery announces the launch of Radical Essex

Free iphone app "Shazam for Art" launches

Grand Old Duke of York's personal pocket pistol offered at Bonhams Antique Arms and Armour Sale

bitforms gallery opens retrospective iteration of Yael Kanarek’s World of Awe

Exhibition of works by Paul Wager on view at Dadiani Fine Art

Paul Mogensen's first solo exhibition held in New York in almost twenty years on view at Del Deo & Barzune

"Roz Chast: Cartoon Memoirs" on view at the Museum of the City of New York

Philadelphia Museum of Art shares masterpieces with communities across the region




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful