AMSTERDAM.- Gabriel Rolt presents Homage to Freud, Eggs and Bacon, a solo exhibition by Jake & Dinos Chapman.
Engaged in a virulently pessimistic philosophical program articulated through the medium of contemporary art, Jake & Dinos Chapman produce works in a variety of media that deploy humour and a sophisticated and perverse play with contemporary semiotics that serve to undercut and satirise many of the unthinking belief that animate contemporary liberal culture - from assumptions about the enlightened and enlightening nature of art, to faith in the progressive nature of contemporary, secular societies.
The skill of their practice in manipulating the basic semiotics of contemporary culture is testified by the outrage their work has often provoked from both culturally conservative elements and the liberal press over their long careers. Amongst their most controversial works were their famous, Fuckface series of childlike mannequins made with adult genitalia on their faces and their Hell series of sculptures, that depict, within vitrines, hundreds of miniature Nazi figurines torturing and killing each other in spectacular and absurd orgiastic violence. The later divided popular commentators as to whether is was a brilliant new form of war art or in fact a disrespectful joke at the expense of the Holocaust. The artists were clear that the work was neither and that all these readings were only possible if the commentators had not actually looked at the work and drawn some reasonable assumptions about what the work actually was.
This has often coloured the general perception of their work as being deliberately provocative, whereas in fact part of the operational dynamic of the work is designed to highlight the idiocy and hypocrisy of such positions, by the deployment of highly simplistic semiotic cues. To an extent the crudeness of the shocked reaction to some of their works is itself part of the work.
Embodying a healthy disbelief in the possibility of meaningful communication, the works are happy to operate according to their own logic and often operate within a system of signs built up by the artists in their previous works. Thus the Chapman’s deliberately use repetition of certain key themes within their work for strategic reasons, notably - the work of Goya, especially his series of etchings The Disasters of War, the iconography of McDonalds, deployed most notably in their Chapman Family Collection works and their Hell series of sculptures that seemingly depict Nazis in the form of tiny models, engaged in orgiastic and absurd violence. This repetition can be seen as an attempt to satirize the nature of content itself and by extension a certain essentialism that is encoded in definitions and descriptions of individual themes.
Homage to Freud, Eggs and Bacon pokes the viewers in the eye and slaps their brain around a bit, bringing together a curated selection from the Chapman’s recent series of work - from their recent series of etchings, Living with Dead Art that opens a new front for their campaign of symbolic violence in the visual realm of interior design, to works like Free Willy and To Think and Live Like Pigs that take their celebrated Hellscape series to new depths, to beautifully executed pencil drawings.
Jake and Dinos Chapman (born in 1962 and 1966 respectively) are among the most significant and best-known contemporary British artists working today, having risen to prominence with the so-called Young British Artist generation of the 1990s.
Jake and Dinos Chapman both graduated from the Royal College of Art in 1990 and began collaborating soon afterwards. They first received critical praise with Disasters of War 1993, a sculptural project comprising 83 miniatures that reworked Goya’s epic series of etchings Desastres de la Guerra 1810-20, the first instance of an ongoing dialogue with Goya’s work. They gained further notoriety with subsequent sculptures created from life-size mannequins, exploring themes of violence, innocence, hypocrisy, science and sex. These include Great Deeds Against the Dead 1994, a reconstruction of Goya’s etching (of the same title) depicting three mutilated soldiers hung from a tree, and Zygotic acceleration, biogenetic de-sublimated libidinal model (enlarged x 100) 1995, a group of manipulated child mannequins whose misplaced genitals replace other orifices and whose bodies are fused together. In 2000, they produced perhaps their most famous work, Hell, a major work comprising of nine vitrines, arranged in the shape of a Swastika, each containing hundreds of miniature figurines of mutant Nazis killing and torturing each other. In 2002 they produced the Chapman Family Collection, a collection of faux-ethnographic sculptures that incorporate logos and symbols from the fast food chain McDonalds. The work both highlights and parodies the role of multinationals and global capitalism for their cultural imperialism. In addition to their sculptural and installation work, which has formed the core of their practice, the Chapmans have created an exceptional body of graphic work, predominantly drawing and printmaking, as well as paintings, wall paintings, photography and videos. In 2003 they were nominated for the Turner Prize.
