First photos of 19th-century India and Burma by Linnaeus Tripe premieres at National Gallery of Art
The First Art Newspaper on the Net    Established in 1996 Monday, September 1, 2025


First photos of 19th-century India and Burma by Linnaeus Tripe premieres at National Gallery of Art
Linnaeus Tripe, Between Chittumputty and Teramboor: Elephant Rock, End View, January-February, 1858, image: 23.8 36.8 cm (9 3/8 14 1/2 in.), page size: 43.3 56.1 cm (17 1/16 22 1/16 in.). The British Library, London.



WASHINGTON, DC.- Innovative British photographer Captain Linnaeus Tripe (1822–1902) captured some of the earliest photographs of India and Burma (now Myanmar). In the first major traveling exhibition of his work, Captain Linnaeus Tripe: Photographer of India and Burma, 1852–1860—on view at the National Gallery of Art, Washington, from September 21, 2014, through January 4, 2015—approximately 60 photographs taken between 1854 and 1860 document the dramatic landscapes and the architecture of celebrated religious and secular sites in India and Burma, several of which are now destroyed.

"Tripe occupies a special place in the history of 19th-century photography for his foresight in recognizing that photography could be an effective tool for conveying information about unknown cultures and regions," said Earl A. Powell III, director, National Gallery of Art. "We are delighted to premiere this exhibition for visitors interested in photography, architecture, and history, and we hope that these captivating images provide inspiration to all."

Arranged chronologically, the exhibition traces Tripe's work from his earliest photographs made in England (1852–1854) during an extended leave from his first deployment in India, to those created on expeditions to the south Indian kingdom of Mysore (1854), to Burma (1855), and again to south India (1857–1858). His primary subjects range from archaeological sites and monuments, ancient and contemporary religious and secular buildings, to geological formations and landscape vistas.

Tripe first took photographs of English dockyards, ships undergoing repairs, and breakwaters—subjects of importance to the military. Photographs such as Quarterdeck of HMS "Impregnable" (1852–1854) distinguish his work from fellow amateurs, who preferred picturesque landscapes and genre scenes.

Tripe returned to India to work for the East India Company during a transitional time in the history of Great Britain, India, and Burma. By 1854 the company was the world's largest and most powerful commercial enterprise as well as the virtual ruler of India and Burma. Administration of this vast area generated a need for collecting data, maps, surveys, drawings, and eventually photographs. Inspired by his employer's interests, Tripe made a privately funded expedition to Mysore in south India, where he used his newly mastered photographic skills to document ancient sites and produced such images as Hullabede: Suli Munduppum from the Northeast (1854).

"Tripe's training as a surveyor, where the choice of viewpoint and careful attention to visual details were essential, was key to the artistic success of his photographs," said Sarah Greenough, senior curator and head, department of photographs, National Gallery of Art.

In 1855, Tripe and a topographic watercolor artist traveled along with a mission to Burma that sought to secure a peace treaty. During the expedition to Upper Burma, Tripe made more than 200 negatives, which he selected, retouched, printed, and compiled into portfolios, each with 120 original photographs, including Ye-nan-gyoung: Tamarind Tree (1855) and Pugahm Myo: Distant View of Gauda-palen Pagoda (1855).

The mission's ultimate destination was the royal Burmese city of Amerapoora, where Tripe made nearly 100 negatives. For the presentation portfolio of this expedition, he arranged his photographs as if giving a tour of the city: from the residency compound, past a monumental Gautama—the most popular Burmese representation of the historical Buddha—to the western suburbs. Twenty-six original photographs from his Burma expedition are on view.

Tripe was appointed photographer to the Madras Presidency in 1856, a British administrative subdivision covering much of southern India. He considered this a great honor and proposed that his work should be the "first attempt at illustrating in a complete and systematic manner the state of a country by means of photography."

This project secured his status as the first to photograph extensively in south India—documenting the country's holiest temples to the Hindu gods Shiva and Vishnu as well as efforts at modernization by the British and the widespread influence of the East India Company. His work in south India generated more than 290 large-format negatives, which he made into nine portfolios, a total of 17,745 prints, 30 of which are on display.

The exhibition also showcases Tripe's 19-foot-long panorama, Tanjore: Great Pagoda, Inscriptions around Bimanum (1858)—the first of its kind in photography—recording the ancient Tamil inscriptions that run around the base of the Brihadishvara Temple at Tanjore in south India. To accomplish this technical marvel, Tripe circled the temple taking 21 separate exposures, which he joined and retouched to create the final composition.

To help visitors appreciate Tripe's technical achievements, the installation features a final gallery with photographs by a number of Tripe's contemporaries, explaining the photographic printing and retouching practices that distinguish his work.

Captain Linnaeus Tripe (1822–1902)
From an upper-middle-class family in Devonport, England, Tripe joined the British East India Company in 1839 and was assigned to the 12th Madras Native Infantry. After several years of deployment in India, he returned to England in 1851 and began to explore an interest in photography. In 1853 he joined the Photographic Society of London.

Reflecting his military training as an officer in the British army, Tripe had great technical success in India and Burma, even though the tropical heat and humidity affected photographic chemistry. Yet Tripe's destiny as a photographer was linked to the fate of the British Empire in India. Despite his professional achievements and technical innovations, rebellions in the late 1850s prompted a new era of oversight and regulations for the recently nationalized East India Company, and the British government took over the administration and rule of India, making it a crown colony. Tripe was forced to close his studio in 1860 because of cost-cutting measures, and he almost completely abandoned photography as a result.










Today's News

September 30, 2014

New exhibition series explores the role of place in the human experience

Sotheby's to auction the finest still life by Vincent van Gogh to appear in decades

'Pompeii. Gods, Myths, Man' exhibition opens at Bucerius Kunst Forum in Hamburg

Sotheby's celebrates Indian and Islamic art through an exciting series of exhibitions, auctions and events

First photos of 19th-century India and Burma by Linnaeus Tripe premieres at National Gallery of Art

Victoria Siddall appointed as Director of Frieze London, Frieze Masters and Frieze New York

'A Game in Hell: The Great War in Russia' on view at GRAD: Gallery for Russian Arts and Design

'Mark Leckey: Lending Enchantment to Vulgar Materials' on view at Wiels Contemporary Art Centre

Islamic State jihadists pillaging Iraqi artefacts to sell them on the black market, UNESCO warns

Elderly Greek man 'hoarded thousand coins of historical significance' police said

Jackson Pollock attribution to be auctioned at Elite Decorative Arts on October 11

New portrait of Prince William to sell for charity at Bonhams World War I sale

John Coker to auction estates of respected Tennessee antique dealers, Oct. 11 & 18 in Knoxville area

ArtInternational 2014: Widespread acclaim for second edition

USC Pacific Asia Museum presents three new exhibitions

wHY's flexible, green and cool building design for Pomona College's Art Department

Elmhurst Art Museum reintroduces artist Richard Koppe with new exhibition

Xanthe Mosley creates a monumental homage to London, in Three Night Markets at City Hall

'J.D. Okhai Ojeikere: Hairstyles and Headdresses' on view at New Art Exchange, Nottingham

Penn Museum launches Center for Analysis of Archaeological Materials

Fabulous late consignments swell Shannon's Oct 23rd Fine Art Sale

Yuri Ancarani's first solo exhibition in the U.S. opens at the Hammer Museum

HS Projects opens its second major group exhibition: Paradigm Store

Australia announces title for new pavilion's inaugural exhibit at 56th Venice Biennale




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 




Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org facundocabral-elfinal.org
Founder's Site. Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful