NEW YORK.- Modern American artist Sol LeWitt, 78, died in New York due to cancer complications. He was linked to various movements including conceptual art and minimalism. His mediums were predominantly painting, drawing, and structures (a term he preferred in opposition to sculpture).

A major exhibition of works by American conceptual artist Sol LeWitt (b. 1928) is currently on view at the Allen Memorial Art Museum (AMAM) through June 17, 2007.

He had been the subject of hundreds of solo exhibitions in museums and galleries worldwide since 1965. His prolific two and three-dimensional work ranges from Wall Drawings, over 1200 of which have been executed, to photographs and hundreds of works on paper and extends to structures in the form of towers, pyramids, geometric forms, and progressions. These works range in size from maquettes to monumental outdoor pieces.

Sol LeWitt’s frequent use of open, modular structures originate from the cube, a form that influenced the artist’s thinking from the time that he first became an artist. Sol LeWitt: Structures includes early Wall Structures and three Serial Projects from the 1960s; four Incomplete Open Cubes from the 1970s; numerous painted white wood pieces from the 1980s: Hexagon, Form Derived from a Cube, Structure with Three Towers, among others as well as Maquettes for Concrete Block Structures from the late 1990s.

He was born in Hartford, Connecticut to a family of Jewish immigrants from Russia. After receiving a BFA from Syracuse University in 1949, LeWitt traveled to Europe where he was exposed to Old Master painting. Shortly thereafter, he served in the Korean War, first in California, then Japan, and finally Korea. LeWitt moved to New York City in the 1950s and studied at the School of Visual Arts while also pursuing his interest in design at Seventeen magazine, where he did paste-ups, mechanicals, and photostats. Later, for a year, he was a graphic designer in the office of architect I.M. Pei. Around that time, LeWitt also discovered the work of the late 19th-century photographer Eadweard Muybridge, whose studies in sequence and locomotion were an early influence. These experiences, combined with an entry-level job he took in 1960 at the Museum of Modern Art, would influence LeWitt's later work. At the MoMA, LeWitt’s co-workers included fellow artists Robert Ryman, Dan Flavin, and Robert Mangold. Curator Dorothy C. Miller's now famous 1960 “Sixteen Americans” exhibition with work by Jasper Johns, Robert Rauschenberg, and Frank Stella created a swell of excitement and discussion among the community of artists with whom LeWitt associated. Interviewed in 1993 about those years Lewitt remarked, “I decided I would make color or form recede and proceed in a three-dimensional way.”