TAI Modern opens Nakatomi Hajime's first US solo bamboo sculpture exhibition
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TAI Modern opens Nakatomi Hajime's first US solo bamboo sculpture exhibition
Nakatomi Hajime, FLY: Stardust, 2023. Madake bamboo, rattan, gold leaf, 17 x 17.5 x 15.5 in. Image credit: Minamoto Tadayuki



SANTA FE, NM.- TAI Modern opened Nakatomi Hajime, the Japanese sculptor’s first solo exhibition in the US, on June 26. The exhibition runs through July 25, 2026.

The exhibition brings together work from five series developed over more than two decades — Prism, Musubi, Auspicious 8, Frill, and FLY — work defined by a single animating question: what does it mean for something not to look like bamboo? Rather than emphasizing material qualities or classical techniques and forms, Nakatomi embraces this paradoxical inquiry. His aim is to express the beauty of bamboo through colors, shapes, sizes, and materials not typically found in bamboo art. The most recent works in the exhibition combine bamboo with other materials, such as gold.

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"Many people who see my work murmur, 'Is this really bamboo?'" Nakatomi has written. "That is because I create my pieces so that they do not look like bamboo. Yet, such small reactions cast a faint light on the path I am taking — they give me the conviction that a new form of bamboo art is being born here."

Nakatomi came to bamboo art by way of an unlikely path. Raised in Osaka and educated at Waseda University in Tokyo, where he studied business and commerce, he had no prior relationship with art until an interest in ceramics led him to the university art club. A large photograph of Flame, a 1957 bamboo sculpture by master Shono Shounsai, encountered by chance at a Tokyo department store, set him on an entirely new course.


Description of image


In the spring of 2000, Nakatomi entered the bamboo craft training center in Beppu, Kyushu, one of Japan's foremost centers of bamboo production. After completing his training, he was introduced to Honda Syoryu, a celebrated bamboo sculptor. Nakatomi served as Honda's assistant for three years, an experience he has described as transformative not for its technical instruction, but for the spiritual insight it offered into the nature of artistic creation.

TAI Modern has represented Nakatomi since 2002. This exhibition marks the first time the gallery has devoted a full solo presentation to him.


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