BERLIN.- Pace announced the inaugural exhibition at its new space in Berlins Schöneberg neighborhood marking a major milestone for the gallerys presence in Europe. Reverse Alchemy: Dubuffet, Basquiat, Nava brings together works on paper by three artists of different generations who have transgressed and disrupted the language of figuration: Jean Dubuffet, Jean-Michel Basquiat, and Robert Nava. Anchored in Dubuffets anti-cultural celebration of art brut, this exhibition focuses on the medium of paper to explore how these artists perform a reverse alchemy, transmuting the gilded surfaces of high art back into its base elementsthe raw, crude, and unhewn matter of mark-makingdismantling and exploding the figure in the act of rendering it. On view from May 2 through June 14, the exhibition inaugurates Paces new chapter in Berlin by reflecting on the outsized and profoundly disruptive influence of Dubuffet on both the history of art and the shape of contemporary practice.
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Coinciding with Gallery Weekend Berlin, Reverse Alchemy is one of two inaugural exhibitions at Die Tankstelle, a new art spacewith galleries, offices, and an adjacent cafe and bookshophoused in a converted 1950s gas station and shared by Pace and Galerie Judin. In a concurrent, complementary presentation, Galerie Judin will present an exhibition dedicated to Tom of Finland, an artist whose practice similarly challenged the distinctions between high and low art.
Paces exhibition juxtaposes a suite of late works on paper by Dubuffet dating from the late 1970s and 1980s with drawings that the young Basquiat59 years Dubuffets juniormade during precisely the same time. Dubuffets and Basquiats works from the 1980s provide a context for recent works on paper by contemporary artist Robert Nava. Navas sensibility extends a legacy of expressive mark-making coupled with the rejection of traditional hierarchies in art, reflecting the continued influence of both Dubuffet and Basquiat on contemporary practice. Curated by Paces Chief Curator, Oliver Shultz, the exhibition follows the gallerys solo presentations of Dubuffetwhom Pace has represented since 1967and Nava this spring in New York. It also builds upon Dubuffet and Basquiat, a 2006 exhibition organized by Pace Founder and Chairman Arne Glimcher at Pace New York, which explored Dubuffets direct influence on Basquiats aesthetic.
Reverse Alchemy is presented on the occasion of Paces 65th anniversary year, during which the gallery is mounting exhibitions of work by major 20th century artistswith whom it has maintained decades-long relationshipsat its spaces around the world.
The gallerys upcoming exhibition in Berlin will examine how Dubuffet, Basquiat, and Nava have each redefined mark-making, figuration, and beauty itself. Centered around Dubuffets concept of art bruta celebration of raw, instinctual creativity beyond academic traditionsthe works on view revel in an expressive immediacy that collapses divisions between abstraction and figuration. Dubuffets textural, graffiti-like gestures reject refinement in favor of spontaneity and irreverence, a sensibility echoed in Basquiats frenetic compositions and Navas mythic, gestural landscapes. An uninhibited exuberance cuts through the work of all three artists, suggesting a contemporary mode of anti-figuration that distorts, abstracts, and dissolves the image even as it summons it into being.
Several of the Dubuffet works on view are drawn from the Théâtres de mémoire series (1975-78), in which the artist reconstructed fragments of his earlier paintings into layered, collage-like compositions that function as psychological landscapes. This recursive processmining past visual vocabularies to generate new meaningwould later resonate with Basquiat. Although the two artists never met, Basquiat was profoundly influenced by Dubuffets work. By the mid-1980s, Basquiat had become an avid admirer, often asking Glimcher if he could sit in the gallery to observe installations of Dubuffets work.
Nava, whose tempestuous, chimerical figurations constitute a world of their own, extends the conversation opened by Dubuffet and Basquiat. If Dubuffets work has often been described as alchemical, Navas disfigurations and re-figurations of mythical beasts, imaginary monsters, and strange hybrids suggest a similar sense of mysterious transformation. His rejection of tradition and convention in favor of a free and deeply imaginative mode of making aligns with what curator Marcia Tucker examined in her 1978 New Museum exhibition Bad Painting. Tucker described bad painting as figurative work that defies, either deliberately or by virtue of disinterest, the classic canons of good taste. This concept was first articulated by Dubuffet in his lecture Anticultural Positions, delivered at the Art Institute of Chicagoin the city where Nava was bornin 1951. There, Dubuffet rejected the Western notion of beauty as completely false
stifling and revolting. Now, decades after Dubuffet and Basquiat transformed the medium of painting, Nava reignites the same disruptive energy with works that unsettle fixed ideas of beauty and taste, proposing a new kind of rebellion within the history of art.
Pacewhich maintains nine locations worldwideestablished an office in Berlin in 2023, helmed by Senior Director Laura Attanasio, to focus on supporting institutional projects for its artists and deepening connections with collectors and arts communities in German-speaking regions. With the opening of Die Tankstelle, where Pace will mount two public exhibitions per year, the gallery reinforces its commitment to the European market. This collaboration also builds on a longstanding relationship between Pace and Galerie Judin, both of which represent Romanian artist Adrian Ghenie.
Throughout 2025, Pace is celebrating its 65th anniversary year with 16 exhibitions of work by artists who have been central to its program for decades. Presented around the world, these exhibitions are odes to some of the gallerys longest-lasting relationships. Over the course of their careers, these figures, with Paces support, charted new courses in the history of art. Paces 65th anniversary presentations are listed chronologically below:
Joel Shapiro - Tokyo, January
Louise Nevelson - New York, January; Seoul, April
Kenneth Noland - Seoul, January; Tokyo, March
Sam Gilliam - Seoul, January; Tokyo, March
Jean Dubuffet - New York, March; Berlin, May
Robert Indiana - Hong Kong, March; New York, May
Robert Irwin - Los Angeles, April
Robert Mangold - New York, May
James Turrell - Seoul, June
Claes Oldenburg - Tokyo, July
Agnes Martin - New York, November
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