Meghann Riepenhoff's visceral cyanotypes explore climate change and transformation
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Meghann Riepenhoff's visceral cyanotypes explore climate change and transformation
Meghann Riepenhoff, Day 231: Waters of Oceania: FEMA-4724-DR (Ecological Succession Day Three Hundred Sixty-Nine, Maui, HI), 2024.



SAN FRANCISCO, CA.- Haines Gallery presents State Shift, our second solo exhibition with artist MEGHANN RIEPENHOFF. Opening in tandem with SF Art Week 2025, this highly anticipated show debuts a poetic, visceral, and personal body of work that expands Riepenhoff’s collaboration with both the cyanotype and the environment.

Riepenhoff creates her cyanotypes directly within the landscape, allowing the elements to leave physical inscriptions on paper coated with photographic materials. Marking an important breakthrough in her practice, State Shift sees the introduction of new pigments and gestures into Riepenhoff’s process. The signature inky indigos and glacial blues of her cyanotypes are transformed with vivid flashes of green, coral, magenta, and shimmering metallic hues, the result of organic materials (mica, mushroom ink, and ginkgo chlorophyll) and manufactured pigments (a nod to the human presence in the landscape).

The title State Shift, which names both the exhibition and the series on view, is a geological term describing dramatic and sudden changes to ecosystems — often when critical thresholds are crossed.

“The physical nature of my work, where photography-based media come in contact with rain, waves, wind, and wintry environments, is a call to be in closer contact with our environment, in a time of deep separation between humans and our ecosystems,” Riepenhoff has said. In issuing this call — both to herself and to viewers — the artist invites us all to consider the personal and collective shifts we might make to preserve our shared home. State Shift emerged from difficulty and explores sites of climate devastation, but is rooted in the possibilities of transformation and hope. “Hope,” the author and activist Rebecca Solnit has written, “is a belief that what we do might matter, an understanding that the future is not yet written.”

State Shift coincides with Second Nature: Photography in the Age of the Anthropocene, a major group exhibition opening at the Cantor Arts Center at Stanford University in February 2025 that features Riepenhoff's work. Originating at the Nasher Museum of Art at Duke University, Durham, NC, Second Nature will travel to the Anchorage Museum, AK following its presentation at the Cantor.










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