'Barbara Klemm: Light and Dark. Photographs from Germany' opens at gfZK Leipzig
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'Barbara Klemm: Light and Dark. Photographs from Germany' opens at gfZK Leipzig
Barbara Klemm, Beim Besuch Ronald Reagans, West-Berlin, 1982 © Barbara Klemm.



LEIPZIG.- Barbara Klemm’s works bear witness to the historical development and present-day reality of a country that was divided for decades. Many of her pictures have become icons of contemporary history, shaping the cultural memory of several generations. It is a body of photographic work that blends documentation and artistic inspiration in a way that is rarely encountered in the German press.

With the exhibition Barbara Klemm: Light and Dark. Photographs from Germany, the ifa – Institut für Auslandsbeziehungen presents photographs by one of Germany’s leading photographers. At GfZK, they are being shown in Germany for the first time in 15 years.

Most of the photographs shown in the exhibition were taken for the Frankfurter Allgemeine Zeitung. Starting in 1959, Barbara Klemm began her career at this newspaper working as a laboratory assistant and in plate production. From 1970, she became an editorial photographer focusing primarily on political and feature photography. However, her photographs are far more than coverage photos taken for the moment. They offer an insight into the most significant aspects of social life in both the Federal Republic of Germany and the GDR. A central focus of the exhibition is on photographs taken in East and West Germany before and after reunification. These images portray diverse aspects of social life, including politics, culture, and business. They depict a wide range of social realities – precarious and everyday situations, demonstrations, protests, migrant life, as well as cultural events, mass gatherings and urban space.

With an unerring instinct for the essence of a situation, the photographer captures moments that reveal far more than what is portrayed on the surface. Her photographs, as Barbara Klemm herself describes, reveal the “distillation of an action” – and, in doing so, the distillation of history itself.










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