Japan for kids: Pikachu is just the start
The First Art Newspaper on the Net    Established in 1996 Sunday, December 22, 2024


Japan for kids: Pikachu is just the start
“Sketch Ocean,” part of the teamLab Borderless space in Tokyo, lets children color images of sea creatures, which are then scanned and projected onto the walls. When the international art collective known as teamLab opened the world’s first digital art museum in Tokyo in 2018, it quickly became the world’s most visited single-artist museum, surpassing Amsterdam’s Van Gogh Museum in its inaugural year. (teamLab Borderless via The New York Times)

by David LaHuta



NEW YORK, NY.- Japanese cities, like Tokyo and Kyoto, are traditionally known for shrines, temples and historic cultural sites. But as the birthplace of animé, manga and, of course, Pokémon, Japan is also a pop culture powerhouse and a hotbed of kid-friendly activities, from practicing ninja skills to spending time with Snorlax.

For a family trip, “the beauty of Japan is you can walk five steps and easily attract the attention of a child,” said Ramesh Krishnan, who goes by the name RamKy and whose company, Japan Unfiltered, specializes in candid tours of Tokyo, Mount Fuji and other destinations. “It could be a capsule toy-dispensing machine, a karaoke bar with interesting desserts on display or even the peppy music heard playing inside train stations.”

Here are six stops on a family-oriented tour of the country’s most-visited cities.

Tokyo Kirby Café

Securing reservations at this wildly popular concept cafe at the base of the Tokyo Skytree can feel more difficult than scoring front row seats to a Taylor Swift concert, but fans of Kirby, the lovable pink blob that first appeared on the Nintendo Game Boy in 1992, keep trying. Reservations for the next month are released online on the 10th day of the month at 6 p.m. Japan Standard Time.

Even if you get the timing right, the site routinely crashes. But you can skip the red tape and grab a table using the Kirby Café Bot, an online service that scores reservations for $7.50 per person for up to eight guests. Once in the door, you’ll be treated to food, décor and all things Kirby: Eat Kirby burgers sandwiched between smiling pink buns, playful pizzas topped with star-shaped fried eggs, and Whispy Woods feast plates featuring Kirby’s enemy, an apple tree, whose trunk doubles as a ramekin containing potato salad. Tip: Pair your meal with a visit to the Skytree — at 2,080 feet, it’s the world’s tallest free-standing tower and offers unending 360-degree views of Tokyo from its glassed-in observation deck.

Kirby Café: Tokyo Skytree Town, Solamachi, East Yard 4F, 1-1-2 Oshiage, Sumida City; entrees between 1,200 yen and 3,980 yen, or between $7.50 and $25.

Tokyo Skytree: Adults from 1,800 yen, children12 to 17 from 1,400 yen, children 6 to 11 from 850 yen.

Pokémon Center Tokyo DX

Of Tokyo’s four Pokémon Centers, this one in the Nihonboshi business district is one of the biggest, but the main draw is the Pokémon Café, yet another concept cafe for which it’s nearly impossible to get reservations. For this one, you have to go online 31 days before your visit precisely at 6 p.m. Japan Standard Time.

Or you can just pay: A service called Reserve Japan will do the heavy lifting for a whopping $24.90 per guest (your kids will thank you). At the cafe, you can drink yellow-tinted, Pikachu-themed lemon soda floats and frothy lattes served in red and white pokéball cups before digging into dishes like Snorlax’s Full-Belly Naptime Lunch Plate, featuring a shrimp rice pilaf inside a dish that resembles the fat, sleepy Pokémon (also served with grilled chicken, fried potato and a salad partially made of carrots cut into Zs to mimic snoring). When your dessert is done, browse the center’s stock of merchandise: plushies, bedazzled iPhone cases, travel accessories such as eye masks and neck pillows or quirky food items like Pokémon-shaped pasta.

Pokemon Center Tokyo DX: Nihombashi Takashimaya S.C. East Building(5F) 2-11-2 Nihombashi, Chuo-ku; entrees between 1,540 yen and 2,420 yen.

teamLab Borderless

When the international art collective known as teamLab opened the world’s first digital art museum in Tokyo in 2018, it quickly became the world’s most visited single-artist museum, surpassing Amsterdam’s Van Gogh Museum in its inaugural year. The museum is now in a sprawling 75,000-square-foot space in the Azabudai Hills neighborhood. Visiting the kaleidoscopic space is like stepping inside a video game.

Constantly moving and continuously changing, exhibits of video and light are projected onto walls, ceilings and floors, made more alluring with the addition of mirrored surfaces that infinitely reflect the digital images. Scent, too, plays a big role in the mazelike museum since each room has a unique smell to complement the exhibits. Kids will love “Sketch Ocean,” where sea creatures they’ve colored are scanned and swim in a gigantic digital aquarium, or the somewhat clumsily named “Universe of Water Particles on a Rock Where People Gather,” where little ones can slide feet first down an indoor “boulder” covered in a brilliant waterfall of light cascading over its angled slopes.

teamLab Borderless: MORI Building, Azabudai Hills Garden Plaza B B1 1-2-4 Azabudai, Minato-ku; adults from 4,000 yen, children 13 to 17 from 2,800 yen, children 4 to 12 from 1,500 yen.

Akihabara

This bustling neighborhood in central Tokyo is the epicenter of otaku culture — devoted animé enthusiasts flock to its shops, arcades and gaming centers. Here you’ll find soaring multimedia stores like Yodonashi-Akiba, a 9-story megacenter with an entire level devoted to toys, video games and gacha machines (hand-cranked vending machines that disperse collectible miniatures in tiny capsules); superstores like Animate, a 16-floor behemoth selling manga, merch and all things animé; and Super Potato, a vintage video game shop where you can buy retro gaming consoles and play on the collection of ’80s- and ’90s-era arcade games. Claw machine devotees will love GIGO Akihabara 1 with hundreds of prize-grabbing games. And don’t miss Don Quijote, a popular discount chain jam-packed with animé-inspired souvenirs, obscure Japanese candy and inexpensive duffel bags to bring all those new toys home.

Akihabara is in Chiyoda City, Tokyo, reachable by the JR Yamanote Line, Chuo-Sobu Line, Keihin-Tohoku Line, Tsukuba Express Line and the Tokyo Metro Hibiya subway line.

Kyoto Toei Kyoto Studio Park

In a commercial neighborhood on the outskirts of town, Toei, a movie producer specializing in period dramas known as jidaigeki, has built a set and theme park where families roam replicas of streets from the Edo period, when Kyoto was the capital. It’s also where Japanese kitsch comes alive, since you can transform yourself into a traditional geisha or samurai; watch live ninja shows before chucking the throwing stars called shuriken in the dojo; and explore dozens of exhibits dedicated to popular Japanese movie and television characters, including a 50-foot-tall statue of an EVA from the mecha animé series “Evangelion,” whose giant purple hand is perfect for photo ops.

The park is also home to a handful of restaurants where you can order ramen, fried rice and chicken katsu before heading to street-vendor-style food stalls for dessert (try the mitarashi dango, a trio of rice dumplings served on bamboo skewers that’s covered in a sweet soy glaze).

Toei Kyoto Studio Park: 10 Uzumasa Higashihachiokacho, Ukyo Ward; adults, 2,400 Japanese yen, children, from 1,200 Japanese yen.

“GEAR”

In an abandoned toy factory somewhere in the fictionalized future, four robots continue to work. They discover a doll that gives each of them special abilities — mime, break dancing, magic and juggling — which help them become more like human beings. This is the plot of “GEAR,” a wildly entertaining nonverbal theatrical production that’s been running since 2012 in a building near the Nishiki Market.

Akin to a gritty, off-Broadway play, “GEAR” features a revolving cast of 29 actors in five roles — a nod to the casting of traditional Kabuki theater. That is just one of the uniquely Japanese elements producer Keito Ohara has embedded within the show, which, in the absence of dialogue, uses music, sound and audience interaction to tell its story. It runs for 90 uninterrupted minutes.

“GEAR,” 56 Benkeiishicho, Nakagyuku; Adults from 3,600 yen, children 13 to 17 from 2,600 yen, children 4 to 12 1,200 yen, children under 4 not admitted.

This article originally appeared in The New York Times.










Today's News

July 30, 2024

In homage to Count Basie, Jazz singer Deborah Silver performs at City Winery NYC August 13th

Opening 6 September at Sperone Westwater: 'Amy Lincoln: On the Strangest Sea'

Milestone's Aug. 24 auction features estate collection of rare Schucos, other fine antique toys

Japan for kids: Pikachu is just the start

Fondazione Prada, Milan announces Meriem Bennani: "For My Best Family"

Bharti Kher to launch monumental new commission

Landmark exhibition exploring modern Haitian art and its influences to open at National Gallery of Art

An Olympics scene draws scorn. Did it really parody 'The Last Supper'?

Pace to open an exhibition of new paintings by Torkwase Dyson

The Kunstmuseum Bern to open the major retrospective Chaïm Soutine: Against the Current

130 years after sinking, ship is found on the bottom of Lake Michigan

$1.55 million Y-Wing model used in 1977's 'Star Wars' leads Heritage's $5.9 million Hollywood blockbuster

Review: Grand opera makes a comeback with 'Le Prophète'

How 'House of the Dragon' turns fiery fantasy into TV reality

Know what's funny about getting old? These movies do.

Jill Schary Robinson, who wrote of her Hollywood upbringing, dies at 88

Remembering firebrand Irish novelist Edna O'Brien

James C. Scott, iconoclastic social scientist, dies at 87

The Estate of William Theophilus Brown joins Paul Thiebaud Gallery

Molly Nilsson's synth-pop puts politics front and center

Sinead O'Connor died of pulmonary disease and asthma, death report says

Two more New York theaters to share space

The Olympic flame isn't a flame at all

Bridging East and West: The Cross-Cultural Film Collaborations of Cheng Qian

The Artistry of Slot Game Symbols: A Connoisseur's Guide to Enhancing Winning Odds

Maurizio D'Andrea Conquers Vienna with the Exhibition "Fragments of Psychic Energy"

Crossing Cultural Barriers: The Cinematic Journey of Yihui Hu

Step-by-Step Tutorial: Download MP3 Audio from TikTok Videos

Top Trends in Retail Displays: Insights from a Leading Manufacturer

How To Get More Views and Likes on TikTok: 20 Best Strategies in 2024




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful