The Montreal Museum of Fine Arts presents an exhibition of works by Andō Hiroshige
The First Art Newspaper on the Net    Established in 1996 Monday, December 23, 2024


The Montreal Museum of Fine Arts presents an exhibition of works by Andō Hiroshige
Andō Hiroshige (1797-1858), Goyu, Women Stopping Travellers (御油 旅人留女), no. 36 from the series “Fifty three Stations of the Tōkaidō,” about 1833-1834, woodblock print (nishiki-e), publisher: Takenouchi Magohachi (Hoeidō). MMFA, gift of Mary Fraikin in memory of her father, Maurice van Ysendyck. Photo MMFA, Christine Guest.



MONTREAL.- The Montreal Museum of Fine Arts is presenting an iconic series of prints by Andō Hiroshige (1797-1858) from its collection. For the first time in over two decades, it is pulling from storage these remarkable woodblock prints that illustrate scenes of everyday life unfolding at each relay station along the Tōkaidō, the famous Eastern Sea Road that connected Edo (now Tokyo), to the former imperial capital, Kyoto.

Dreamscapes by Andō Hiroshige presents all 55 prints of the very first edition of “Fifty three Stations of the Tōkaidō,” a series that has been in the MMFA’s collection since 1973 and that was published in 1833-1834 by Hoeidō and Senkakudō publishing houses. The exhibition looks at the talent of Hiroshige and his publishing team in creating an idyllic world everybody wanted to inhabit. It also examines the factors that led to the astronomical commercial success of these prints, which popularized the landscape print and fuelled the emergence of Japonisme in Europe.

An invitation to travel to 19th-century Japan

An unconventional artist from the samurai class, Hiroshige was not the first to be interested in the Tōkaidō. However, the success of his first series on the subject far eclipsed that of all those that came before it. In fact, some of his illustrations were reprinted more than 15,000 times. These beautifully depicted scenes fostered the perception that the Tōkaidō was more than a mere road along the country’s eastern sea coast – it was a destination in and of itself.

At the time it was created, this series sparked a desire in the masses to take the nearly 500-kilometre journey on foot from the Nihonbashi Bridge in Edo to the Sanjōhashi Bridge, in Kyoto. The 53 relay stations depicted promised travellers everything from lodging to specialty foods, sexual services and products of all sorts, including straw sandals.

Being an imaginary work, the “Fifty-three Stations of the Tōkaidō” transcended the straightforward observational representation of places and offered instead a fantasy vision of Japan. Hiroshige’s Tōkaidō treated the landscape and its atmospheric effects – wind, snow, rain – as subjects in their own right, an approach that was completely novel at the time.

The artist also cited highly popular travel books and incorporated elements that came from Europe (Western perspective, horizontal picture format, shading and synthetic blue pigment) to create exotic dreamscapes with wide appeal. Seeing a commercial opportunity in the fast-growing the consumer and travel culture, he worked closely with his publishing team to turn the print into a powerful publicity tool that would ensure widespread visibility for cosmetic products, eating establishments and teahouses, as well as promote regional culinary specialties.

“The seductive charm with which Hiroshige imbued his compositions earned him the reputation as a master of Japanese landscape prints. In his captivating illustrations, he cleverly blended the real and the imaginary, to almost cinematic effect, becoming the maker of a world everybody yearned to inhabit and travel within – a world that still charms us to this day,” says Laura Vigo, Curator of Asian Art at the MMFA.

“Montreal is lucky to be home to one of the country’s most important collections of graphic art, built through the generosity of its community. We are excited to be shedding new light on this celebrated series of prints by Hiroshige, which helped shape the collective imagination of Japan. It is a joy to share with Montreal audiences these remarkable prints gifted to us in 1973,” adds Mary-Dailey Desmarais, Chief Curator of the MMFA.










Today's News

June 15, 2024

Museum calls off Kehinde Wiley show, citing assault allegations

Long in the shadows, the Latimer House Museum gets a glow-up

Collectors worldwide cleared their calendars for Bertoia's $2.5M sale of John and Adrianne Haley's antique toy and bank

A basket maker keeping alive, and reinventing, an ancestral craft

How groundbreaking is Vivian Maier's photography?

Watching the future hatch in the New Museum incubator

RIBA reveals 22 exceptional projects in search for world's most transformative building

The magnet fisherman's dilemma: What to do with $70,000 before it disintegrates

Susan Jaffe wants to build a new era at American Ballet Theater

A textile company that wants you to feel at home

Connie Butler appointed Director of MoMA PS1

The Jesus Lizard, underground rock heroes, surface with a new album

When Vienna's opera tradition got too traditional, they stepped in

The Montreal Museum of Fine Arts presents an exhibition of works by Andō Hiroshige

Pay $1 to hear Wu-Tang Clan's secret album (eventually)

The Morgan Library & Museum announces new appointments

Lisson Gallery opens exhibition of works by Otobong Nkanga

Decorative Arts Trust Publishing Grant recipients announced

Major exhibition provides an historical, social, political, and personal examination of breathing

Winning design team proposed for renewed and enlarged S.M.A.K.

Smithsonian announces endowment of the Smithsonian Science Education Center Director

Gagosian opens "The Body as Matter: Giacometti Nauman Picasso" in London

Exhibition at The Photographers' Gallery offers a unique perspective on Mexican society and culture

How much does advertising on social networks cost?

How to Run a CNC Machine in a CNC Machining Shop?

Why Dubai Hills Estate is the Ultimate Residential Haven

The Best Celebrity Sex Dolls: Lifelike and Realistic Options for Ultimate Pleasure




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful