Phyllis Pressman, luxury superstore matriarch, is dead at 95
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


Phyllis Pressman, luxury superstore matriarch, is dead at 95
Phyllis Pressman shopping at a Manhattan flea market, in 1993. Pressman, the matriarch of the family that founded Barneys New York, the discount men’s wear store turned luxury emporium — and the creator of Chelsea Passage, the store’s home goods bazaar, a pivot point in its evolution from a suit merchant to an elite lifestyle behemoth — died on April 16, 2024, in Palm Beach, Fla. She was 95. (Michelle V. Agins/The New York Times)

by Penelope Green



NEW YORK, NY.- Phyllis Pressman, the matriarch of the family that founded Barneys New York, the discount menswear store turned luxury emporium — and the creator of Chelsea Passage, the store’s home goods bazaar, a pivot point in its evolution from a suit merchant to an elite lifestyle behemoth — died April 16 in Palm Beach, Florida. She was 95.

Her death, in a hospice facility, was announced by her son Gene Pressman.

Barneys was always a family affair. It was named for Barney Pressman, who in 1923 pawned his wife’s ring, at her encouragement, for $500 to buy the lease of a small store on Seventh Avenue and 17th Street in Manhattan. There, he built an empire selling brand-name suits at cut-rate prices. His son, Fred, who took over in the 1950s, transformed the place into an haute men’s retailer that included European designers.

Phyllis Pressman, who was married to Fred, began working in the store so she could spend more time with him. Her first intervention was to style the windows, which she thought were boring, adding mannequins and whimsical objects like papier-mâché dogs. Then she began gussying up the interior of the store with antiques, jewelry and housewares, as well as the objects and textiles she found on her travels to the Marché aux Puces in Paris and Portobello Road in London.

In the late 1970s, Fred Pressman covered an alley abutting their property on the 17th Street side with a skylight and turned it over to his wife to fill with home goods. They named it the Chelsea Passage.

Phyllis Pressman’s eye was impeccable, and her tastes were catholic. She carried the surrealist decorative objects of Italian designer Piero Fornasetti and pieces by English art deco ceramist Clarice Cliff. There were teapots sprouting roses by Mary Rose Young, as well as hand-painted throw pillows, twig place mats and antique jewelry. She sold flatware, stemware and linens, setting the pieces out on antique furniture — marble topped butcher tables, rattan settees, art deco bars — which, because customers asked, she began to sell too. She sold Li-Lac chocolates in display cases designed by a young Peter Marino.

As Chelsea Passage grew, so did Barneys. Fred Pressman’s sons, Gene and Robert, transformed the place as their father once had, overseeing the creation in the mid-1980s of a women’s store with interiors designed by Marino, Andrée Putman, Jean-Paul Beaujard and others.

Chelsea Passage filled the entire first floor like an enticing souk.

Phyllis Pressman searched for unique handmade items and worked with artisans to create pieces to her specifications, tweaking the blade of a knife or the height and shape of a glass. She had costume-jewelry designers make napkin rings. She was the first to sell works by exuberant designer Jonathan Adler, who was teaching pottery at night, and turned him into a full-time production potter with her orders. “I wouldn’t exist without her,” Adler said by phone.

She was firm about exclusives. If artisans began selling elsewhere, she would drop them from Chelsea Passage.

She was exacting and demanding — a perfectionist and a completist — recalled Lisa Barr, who was hired as a clerk and went on to become senior vice president at Chelsea Passage. When Pressman decided that Chelsea Passage would add gourmet food items like imported teas, she sent Barr to tea school at Mariage Frères in Paris, the centuries-old tea importer.

“I want people to feel as if they’re shopping in someone’s home,” Simon Doonan recalled her telling him when Gene Pressman brought him on to be the store’s display manager in the mid-1980s; he would go on to be the longtime creative director, and the creator of its mischievous window displays.

“Chelsea Passage was this incredible mixture of groovy modern furniture mixed with art deco ceramics and Italian Futurism and flea-market finds,” Doonan said. “And it was unlike any of the other department stores at the time, which were all showroomy chrome and easy-to-wipe Formica. It was nuanced and it was visionary.”

Phyllis Pressman “really understood the art of curating luxury objects of desire for the home,” Wendy Goodman, design editor of New York magazine, said by email. “Things you never knew you wanted but lusted after. Chelsea Passage always made me want to write a story called ‘Things I will never have.’”

Phyllis Ruth Epstein was born Jan. 17, 1929, in New York City’s Queens borough. Her father, Mortimer Epstein, worked as a wholesaler in the textile industry; her mother, Dorothy (Schapiro) Epstein, had been a child actress.

Phyllis grew up in New York City until her parents divorced when she was 10, after which her mother remarried and moved the family to Lawrence, New York, on Long Island. Phyllis attended Parsons College, a private liberal arts college in Iowa that has since closed, and the University of Bridgeport in Connecticut.

When she was 19, she was set up on a blind date with Fred Pressman. They married a year later and settled on Fifth Avenue before moving to Harrison, New York, in Westchester County.

In the early 1990s, the Pressmans began another expansion, partnering with the Isetan Co., a Japanese retail titan, to open Barneys stores throughout the country and, famously, to build an extravagant limestone-clad flagship on Madison Avenue between 60th and 61st streets. But in early 1996, the empire began to come apart, and Barneys filed for bankruptcy. Fred Pressman died that summer.

Phyllis Pressman, her sons and her daughters, Elizabeth Neubardt and Nancy Dressler, all of whom had worked in the family business most of their lives, stayed on until 1998. But relations among the siblings had become strained. Robert Pressman, who oversaw the company’s finances, was sued successfully by his sisters for mishandling the family trust.

In addition to her children, Phyllis Pressman is survived by 11 grandchildren and two great-grandchildren. In 2001, she married Joseph Gurwin, who made his fortune, much of which he gave away, manufacturing specialized textiles like those used in bulletproof vests. Gurwin died in 2009.

Barneys changed hands many times in the next decades, slowly losing its cachet with each iteration. In 2019, once again in bankruptcy, it shuttered for good.

Barney Pressman had a motto: “Select, don’t settle.” During her long marriage to Fred, Phyllis Pressman developed a tradition of giving him engraved gifts — cuff links, charms, key rings — all embellished with the phrase “I’m so glad I selected and didn’t settle.”

This article originally appeared in The New York Times.










Today's News

April 24, 2024

460 years ago, Shakespeare was born here. Or somewhere.

Britain memorializes a queen, with smiles and bronze corgis

Hall of Fame Pitcher Walter Johnson's 104-year-old photo-matched jersey brings the heat at Heritage Auctions in May

Newly unearthed Agnes Pelton painting leads Heritage's American Art Auction

Tiffany Studios, Gallé and R. Lalique take Heritage's Art Nouveau, Art Deco & Art Glass Event to $1.33 million

Lots of Italy, on many collectible plates

Bob Heil, whose innovations enhanced the sound of rock, dies at 83

Christie's presents the Rosa de la Cruz Collection

Chistie's to sell the personal wardrobe of pioneering fashion designer Vivienne Westwood

Ryan Sullivan joins BLUM

The Brooklyn Museum expands curatorial department with two new appointments

Holabird announces results of Wild West Relics Auction

Did wolves revive Yellowstone?

'Grenfell' listens to the survivors of a towering inferno

Marjane Satrapi on resistance in Iran: 'A Real Revolution Is Cultural'

'Patriots' review: What happened to the man who made Putin?

It's all right to groove to Huey in 'The Heart of Rock and Roll'

Phyllis Pressman, luxury superstore matriarch, is dead at 95

PEN America cancels literary awards ceremony amid Gaza fallout

For her Met Opera debut, Lileana Blain-Cruz directs 'El Niño'

Lourdes Portillo, Oscar-nominated documentary filmmaker, dies at 80

Fine Art and Furniture & Decorations Departments lead April Gallery Auction




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful