In the tide of spatial art design, there are always a few unforgettable names in each era, and each highly accomplished design master is renowned in the industry for their design foresight, unique perspectives, diverse expression techniques, and profound influence. Ms. Wan Jing, as one of the most representative figures in the industry, advocates the idea of "combining art and culture". She incorporates it into her design creations and her design style, which blends Eastern and Western elements and bridges the past and present, is highly praised both within and outside the industry.

For Ms. Wan Jing, each design creation is a process of wholehearted cell burning and inspiration soaring, burning with vitality and energy, and soaring with her admiration for life and all things beautiful. In her view, any temperament derived from the essence of life should be elegant and full of vitality. She believes that interior space design is a soulful response brought about by the wisdom of designers, the painstaking efforts of construction craftsmen, and the countless materials rich in life texture. From her initial interest in art as a child to her immersion in the design industry today, she has always revered listening to the voice deep within her and persisted in restoring the inherent temperament of the entire space, touching people's resonance with nature and space through the language of the soul. She regards architectural design as the process of guiding spiritual aspects into concrete images; but because designers integrate their pursuit of spiritual aspects into concrete objects, the entire space is imbued with a sense of vitality.

In the public eye, both Ms. Wan and her works possess a rich artistic temperament. As one of the most famous contemporary space designers, she infuses ingenuity into each design work. In her designs, Ms. Wan has always been famous for blending the simple and ethereal artistic charm of Eastern aesthetics with the straightforward and avant-garde style orientation of the West. Due to her unique cultural fusion approach and versatile artistic expressions, she has been hailed as a "poet of space" in the industry. Her works have not only received high recognition in the industry but have also garnered numerous international accolades, such as the Platinum Award in the U.S. MUSE Design Awards, the Gold Award in the U.S. TITAN AWARDS, and the title of Outstanding Designer by the Asia Pacific Space Designers Association.

Ms. Wan's space design works inherit traditional Chinese culture and are ingeniously infused with modern fashion elements rich in contemporary vibes, blending together to create a unique "Wan Jing-style" contextual space design. The space she creates, combined with various artistic realms and fashion atmospheres, becomes the new benchmark in the industry.

Some people once found it hard to understand Ms. Wan's meticulous handling of spatial details, almost bordering on being overly critical. However, for her, who regards design as crucial as life itself, the precision in every detail size merely signifies her interpretation of what people truly yearn for deep inside. In her innermost being, she hopes that people can gradually sense the dynamic temperament conveyed by the space through capturing the light changes in the structure and experiencing the picturesque spaces which may change as people move around, even feeling a kind of wonderful melody resonating within the spaces. At such moments, people immersed in the space may find themselves relaxed and leisurely.

As a designer, I have been deeply moved by her reserved, erudite, composed, and almost rigorous academic attitude during our interactions. As a successful designer, her mastery of design styles and control and interpretation of material textures are truly admirable. The late famous American design master, Ieoh Ming Pei, had spoken of his beloved disciple, Ms. Wan Jing, many times, describing her as a highly artistic and rational designer with artistic imagination and rigorous logical skills. She brings out the grandeur in the overall design while also showing great attention to detail. In her design style, she leaves room for the space, while also elevating the design concept through thoughtful details. Ms. Wan believes that leaving room in the space allows people to see the key points of the spatial layout and enhances the sense of order in the space. Leaving blank spaces in color helps to dissolve the seriousness and dullness of the space, allowing room for imagination. This is the unique place in Ms. Wan's design, which is rare among Chinese and foreign designers and this is also what distinguishes her outstanding achievements from those of other designers. Achieving minimalist design is indeed challenging.

Although Ms. Wan appears to be a romantic and gentle woman, in fact, she has a strong and unwavering spirit of women, always possessing the courage and determination to fight to the end. She believes that the growth of a designer is a long and precious process of experience. If one wants to have his or her own space during this period, he or she must first learn to settle down, constantly learn with a humble attitude, maintain a sense of purpose, continuously innovate, and keep challenging oneself. Designers should be like water, diligently accumulating their depth, so that when the opportunity arises, they can surge into the sea. For her, this is just a start. Wan Jing has many things to do in the future. She hopes that in the next 50 or even 100 years, she can make future generations feel the unique artistic appeal and enduring vitality of space design.

In the author's view, this is modesty, a dream, and heartfelt words.