BELLEVUE, WA.- Bellevue Arts Museum in Bellevue, WA is now showing Washi Transformed: New Expressions in Japanese Paper, on view from February 2 through April 26, 2024. Washi Transformed presents over thirty highly textured two-dimensional works, expressive sculptures, and dramatic installations that explore the astonishing potential of this traditional medium. In this exhibition, nine Japanese artists embrace the seemingly infinite possibilities of washi, underscoring the unique stature this ancient art form has earned in the realm of international contemporary art. The breathtaking creativity of these artistic visionaries deepens our understanding of how the past informs the present, and how it can build lasting cultural bridges out of something a seemingly simple and ephemeral as paper.

Unique for its strong natural fibers and its painstaking production techniques, washi stands out as a nexus of tradition and innovation. Its continuing, and ever-evolving, importance as an artistic medium is due primarily to the ingenuity of Japanese contemporary artists, who have pushed washi beyond its historic uses to create highly textured two-dimensional works, expressive sculptures, and dramatic installations. Washi, which translates to “Japanese paper,” has been integral to Japanese culture for over a thousand years, and the strength, translucency, and malleability of this one-of-a-kind paper have made it extraordinarily versatile as well as ubiquitous. Historically, washi has been used as a base for Japanese calligraphy, painting, and printmaking; but when oiled, lacquered, or otherwise altered, it has other fascinating applications in architecture, religious ritual, fashion, and art.

Despite the increased mechanization of papermaking in Japan over the last century, contemporary Japanese artists have turned to this supple yet sturdy paper to express their artistic visions. The thirty-seven artworks and installations in Washi Transformed: New Expressions in Japanese Paper epitomize the potential of this traditional medium in the hands of these innovative artists, who have made washi their own. Using a range of techniques—layering, weaving, and dyeing to shredding, folding, and cutting—nine artists embrace the seemingly infinite possibilities of washi. Bringing their own idiosyncratic techniques to the material, their extraordinary creations—abstract paper sculptures, lyrical folding screens, highly textured wall pieces, and other dramatic installations— demonstrate the resilience and versatility of washi as a medium, as well as the unique stature this ancient art form has earned in the realm of international contemporary art. The breathtaking creativity of these artistic visionaries deepens our understanding of how the past informs the present, and how it can build lasting cultural bridges out of something as seemingly simple and ephemeral as paper.

Washi Transformed features work by nine contemporary Japanese artists: Hina Aoyama, Eriko Horiki, Kyoko Ibe, Yoshio Ikezaki, Kakuko Ishii, Yuko Kimura, Yuko Nishimura, Takaaki Tanaka, and Ayomi Yoshida.

Curator

Meher McArthur is the Art &Cultural Director of Japan House, Los Angeles, and a curator and historian of Japanese art. She curated the IA&A traveling exhibitions Folding Paper: The Infinite Possibilities of Origami (2012-2016) and Above the Fold: New Expressions in Contemporary Origami (2015 -2020) and co-curated Nature, Tradition and Innovation: Japanese Ceramics from the Gordon Brodfuehrer Collection (2016-2019). McArthur received an MA in Japanese Studies from Cambridge University; a postgraduate diploma in Asian Art from Sotheby’s School of Oriental Studies (SOAS), London University; and an MA in Art and Archaeology from SOAS, London University

“These nine contemporary Japanese artists are revisiting their nation’s traditional material and elevating it into a medium for expressive and often spectacular works of art.” – Meher McArthur, Curator