'Harmony,' Barry Manilow's passion project, to close on Broadway

The First Art Newspaper on the Net    Established in 1996 Monday, May 20, 2024


'Harmony,' Barry Manilow's passion project, to close on Broadway
The actors portraying the Comedian Harmonists dressed as human marionettes while performing the anti-Nazi satire “Come to the Fatherland,” in Barry Manilow’s “Harmony,” at the Ethel Barrymore Theater in New York, Oct. 18, 2023. “Harmony,” Barry Manilow’s long-in-the-works musical about an early-20th-century German sextet that ran afoul of the Nazi regime, will end an abbreviated Broadway run on Feb. 4, 2024. (Sara Krulwich/The New York Times)

by Michael Paulson



NEW YORK, NY.- “Harmony,” Barry Manilow’s long-in-the-works musical about an early-20th-century German sextet that ran afoul of the Nazi regime, will end an abbreviated Broadway run Feb. 4.

Manilow and his longtime collaborator Bruce Sussman have been working on the show for more than a quarter-century, inspired by a documentary film about the Comedian Harmonists, an ensemble that included some Jewish members, which was unacceptable to the Nazis.

The musical, directed by Warren Carlyle, opened Nov. 13; at the time of its closing it is expected to have played 24 previews and 96 regular performances. It was capitalized for up to $15 million, according to a filing with the Securities and Exchange Commission; that money has not been recouped.

Manilow wrote the music for the show; Sussman wrote the book and the lyrics. Over the years, the show had productions in San Diego, Atlanta and Los Angeles, and then in 2022 there was a successful off-Broadway production at the Museum of Jewish Heritage in Manhattan’s Battery Park neighborhood.

The Broadway production features Chip Zien portraying a surviving member of the group, reflecting back from 1988 to its history in the late 1920s and early ’30s. Ken Davenport, Sandi Moran and Garry Kief are the lead producers; they announced the closing Tuesday evening.

The show opened to mixed reviews and has been running at a time when overall Broadway attendance has not yet rebounded to pre-pandemic levels. Last week, “Harmony” grossed $534,769, which is not enough to sustain a musical of its size; its houses, at the Barrymore Theater, were just 77% occupied, according to data released by the Broadway League.

Many shows are struggling, and industry leaders are worried about this spring, when there is a sizable crop of musicals and plays planning to open, while production costs are high and audience numbers remain lower than they once were. Another musical, “Shucked,” closed Sunday after a 10-month run, and last year’s Tony-winning musical “Kimberly Akimbo” has announced that it will end its run in April.

This article originally appeared in The New York Times.










Today's News

January 17, 2024

Ancient skeletons give clues to modern medical mysteries

Months after cyberattack, British Library crawls back online

Gagosian presents exhibition of new paintings by Jennifer Guidi in New York

Museum director Laura Raicovich gets a second act: Barkeep

Inaugural solo exhibition by Léon Wuidar now on view at White Cube

Do you have 'Bookshelf Wealth'?

Reinterpretations of Picasso, Duchamp and Simpson's works by Tom Sachs at Thaddaeus Ropac

Indigenous tourism goes deeper than 'Dinner and a Show'

National Gallery of Art receives major gift of Joseph Cornell Boxes

'Space Race' curated by Dexter Wimberly now opening in London at Lehmann Maupin

In Tokyo, rescuing the residential spaceship that fell to Earth

A distinctive cast of figures and animalian forms featured in 'Amplifiers' by Tamara Gonzales

Six new sculptures composed of joined parabolic mirrors and a rotating base are center of 'Entanglement' at Bortolami

Caroline Monnet's new body of work exploring language and land, opens at the Art Museum at the University of Toronto

Roland Debucquoy, a 95-year-old artist in the spotlight

Rubell Museums publish comprehensive catalogue of collection highlights and artist writings

The Photographers' Gallery reveals details of 2024 edition of Deutsche Börse Photography Foundation Prize

Winter Jazzfest has company: Unity Jazz Festival

'Harmony,' Barry Manilow's passion project, to close on Broadway

Bringing a diversity of hip-hop dance to the concert stage

Bradley Cooper, Paul Giamatti and Lily Gladstone pick up awards in New York

The Issue of Authenticity in Art: Insights from Art Historian Yakov Skulskyi

Digital Detox with Kratom: Balancing Screen Time in the LCD Era

The Art of Live Entertainment: Bridging Casino and Visual Arts

Are Solar Panels Worth the Investment?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful