SAN ANTONIO, TX .- The San Antonio Museum of Art (SAMA) announced the acquisition of two extensive collections focused on the art of the Americas before 1500. The first is a gift from collectors and longtime SAMA supporters John M. and Kathi Oppenheimer and features nearly two hundred objects, primarily ceramic and stone figures and vessels, that represent societies that thrived in West and Central Mexico and Central America, including the Aztec, Mixtec, Colima, Nayarit, and Jalisco, as well as objects made by the Maya, Zapotec, and Olmec cultures. The second collection comes from Lindsay and Lucy Duff and includes 110 objects, including ceramics and textiles and carved stone and wood objects, from early South American cultures, such as the Moche, Nasca, Wari, Chimu, and Inca and spanning from around 500 BC to AD 1500. Several of the works in the Duff Collection are currently on loan to SAMA, including a large gold beaker and a ceramic portrait vessel.

As part of SAMA’s acquisitions, the Museum also acquired a range of objects across its Contemporary, American, Latin American, Asian, and Ancient Mediterranean collections. Some of the highlights include a photograph by Stuart Allen, titled Shadow No. 10, 9 Pixels (2005), which reflects the artist’s interest in examining abstract composition through digital photographic pixelation; two Transport Amphorae (Roman-Byzantine, 5th–7th century AD), which were likely used to ship commodities like wine across the Mediterranean; ten ceramic works by modern and contemporary Japanese artists, including Nakamura Takuo, Koie Ryoji, Takiguchi Kazuo, Ito Motohiko, and Seto Hiroshi; the oil on metal work Emma Tenayuca Retablo (1993) by Santa Barraza, a major figure in Chicana/o art and the Chicano Art Movement in South Texas; the mixed-media sculpture Space In Between: Nopal (Candelaria Cabrera) (2010) by Margarita Cabrera, which continues the artist’s ongoing explorations of cultural identity, migration, labor, violence, and empowerment through sculpture, craft, and social practice; and the large-scale portrait Yemayá, one of the three paintings in the Goddess Triptych, a set of paintings by San Antonio artist Ángel Rodríguez-Díaz that celebrates the beauty, confidence, and power of women of color.

Rodríguez-Díaz’s three large-scale nude portraits will be featured in the focus exhibition Ángel Rodríguez-Díaz: The Goddess Triptych Reunited, which will be on view from January 27, 2024, through January 26, 2025.