Francesca Banchelli's exhibition Fire Song on view until July 15th at ADA

The First Art Newspaper on the Net    Established in 1996 Saturday, May 4, 2024


Francesca Banchelli's exhibition Fire Song on view until July 15th at ADA
Exhibition View. All artworks by Francesca Banchelli. Courtesy of the artist and ADA, Rome. Photo by Roberto Apa.



ROME.- Francesca Banchelli's solo exhibition, titled Fire Song, recently opened at ADA, in conjunction with Tuttacittà, the first Rome Gallery Weekend in Rome. The exhibition, which will be open until 15 July 2023, revolves around a cycle of new paintings. Francesca Banchelli's work investigates the concept of time through painting and performance, elaborating narratives in which constellations of events are arranged on a single plane and without any hierarchy, staging a reconciliation between the individual, the collective and the natural world.

According to a Sioux elder, the meaning of life is to address all the things we encounter with a song.

Chants are a form of primordial and intelligible dialogue, through which the encounter is found, a place where different parts mutate in order to understand each other. The closeness that is established can reconstitute a unique moment of exchange, an Event, between living and non-living beings, between human beings and their surroundings, between singularity and collectivity, in a state dedicated to the happening and mutual understanding.

The works in Fire Song express the vision of the encounter in events suspended between passages and flashes, wavering between the oneiric and the real, through places out of time. One is immersed in situations with no hierarchy, poised between the apocalypse and a peaceful instant at sunset, in a moment where the enchantment becomes a dream, but also a tangible experience.

Francesca Banchelli combines an intimate view of the world with the collective one, bringing out the most hidden self and then letting it disappear within a universal identity. The subjects of her works are filled with a vibrant and calm emotionality and connected by the propensity to trace, in an indefinite time span, residues of innocence and intelligence.

Francesca Banchelli's work investigates the concept of time through painting and performance, elaborating narratives in which constellations of events are organised on a single layer. Her imagery includes visions of coexistence between different living beings and natural objects, which hold time within them, or with inanimate objects, through which we understand ourselves.

Banchelli makes use of the concept of time as a means of finding the balance in the encounter between the self and the world, staging a reconciliation between the individual, the collective and the natural world.

Francesca Banchelli (Montevarchi, AR, IT, 1981) graduated from the Accademia di Belle Arti of Florence in 2007 and received her Master's degree in Fine Art from the Central Saint Martins in London in 2010.

Recent and upcoming solo exhibitions and performance include: 2023 - ADA, Rome; Tenuta dello Scompiglio, Lucca, curated by Angel Moya Garcia. 2021 - Galleria Poggiali, Pietrasanta, curated by Sergio Risaliti. 2020 - Museo Novecento, Firenze, curated by Sergio Risaliti and Eva Francioli. 2019 - Centro Pecci, Prato, with André Lepecki, curated by Contemporanea2019. 2016 - MACBA Barcelona, with Pier Luigi Tazzi, curated by Carolina Ciuti. 2017 - Villa Romana, Florence, performance with Pier Luigi Tazzi. 2015 - Wilkinson Gallery, London, with Pier Luigi Tazzi. 2014 - TATE Modern, London, with Emiliano Zeleda. 2013 - 13th Istanbul Biennal, curated by Merve Kaptan, official side event.

Recent and upcoming group exhibitions and performance include: 2022 - BUILDING Gallery, Milan, curated by Giorgio Verzotti. 2021 - Monitor, Pereto (AQ), curated by Saverio Verini. 2016 - MANIFESTA 11, Cabaret Voltaire, Zurich, curated by Christian Jankowski. 2015 - Italian Embassy, Berlin, curated by Angelika Stepken; Sifang Art Museum, Nanjing, curated by Andrea Baldini. 2013 - Centrale Fies, Dro, Trento; Studio Voltaire with Gasworks, London. 2012 - S1Artspace, Sheffield, curated by Ben Rivers; New Capital, Chicago, curated by Chelsea Culp and Ben Foch .

She has been awarded the “Exhibit Program”, MIBACT Creatività Contemporanea in 2020, the “Step Beyond Grant Project, ECF - European Cultural Foundation” and the first prize “Portali dello Scompiglio”, Associazione Culturale Dello Scompiglio, Lucca, in 2013. She gained the “Deutsche Börse Residency Program” – Frankfurter Kunstverein in 2012.

ADA
Francesca Banchelli: Fire Song
May 12 | July 15, 2023










Today's News

June 20, 2023

Egypt spars with Dutch museum over ancient history

Rotterdam embraces new sculpture 'Moments Contained' by British artist Thomas J. Price unveiled

Christie's presents a dramatic letter from Wolfgang Amadeus Mozart to Baroness von Waldsttten

Rembrandt: True to Life now on view at National Gallery of Victoria International

Banksy from the private collection of Sir Paul Smith leads Bonhams sale

Lisl Steiner, colorful creator of black-and-white photographs, dies at 95

The stars are shooting again on the Tiber

Christie's 3.0 announces an on-chain auction of digital art

Gerald Peters Contemporary Santa Fe opens exhibitions by Fernando Andrade, Tom Birkner, and Gil Rocha

François Ghebaly hosts an exhibition by Jaime Muñoz in NY

Works by César A. Martínez acquired by The Museum of Modern Art

Gillian Jason presents Canadian-Vietnamese artist Michelle Nguyen exploring explores shapeshifting and metamorphosis

Eco Tone: Courtney Egan featuring collaborations with Natori Green on view at the Knoxville Museum of Art

Bringing an iconic graphic design text to life, the latest exhibition at the Cooper Hewitt, Smithsonian Design Museum

An experimental master gets his due onstage in New York

Revisiting 'The Light in the Piazza' through an Asian American lens

Saskia Hamilton, poet who edited another poet's letters, dies at 56

Jan Mot has announced their representation of Lili Dujourie

Monique Meloche Gallery is hosting 'There are many ways to hold water without being called a vase'

Monumental works of contemporary art explore the complex relationship between humans and the land

Francesca Banchelli's exhibition Fire Song on view until July 15th at ADA

Introducing the Comfee Air Fryer, why so many kitchen people choose?

The Influence of Music in Online Gaming

Taobao: The Online Marketplace of Prosperity

The Top Strategies for Building a Successful Gold IRA Retirement Portfolio

What Is Cash App $100 To $800 All About? Find Out




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful