New Hampshire's Old Man of the Mountain, gone 20 years, still captivates

The First Art Newspaper on the Net    Established in 1996 Thursday, May 23, 2024


New Hampshire's Old Man of the Mountain, gone 20 years, still captivates
Brian Fowler, center, a geologist ‌who helps run the Old Man of the Mountain Legacy Fund, hosts a remembrance event in Franconia Notch, N.H., May 3, 2023. The rock formation collapsed in 2003, but it hasn’t lost its hold on residents, who have passed on their affection to a new generation. (John Tully/The New York Times)

by Jenna Russell



FRANCONIA NOTCH, NH.- In the annals of natural rock formations resembling human faces, New Hampshire’s Old Man of the Mountain was an unrivaled specimen.

Viewed from exactly the right spot on the ground below, the massive stack of granite ledges coalesced into the spitting image of a wizened man’s profile, from sloped forehead to jutting chin, an unlikely bit of magic treasured by generations of New Englanders.

And yet beloved as he was, the Old Man, may he rest in peace, was a pile of rocks — until the wee hours of May 3, 2003, when the five slabs unceremoniously collapsed, victims of the same slow-moving geologic forces that had sculpted the human likeness in the first place. So why, 20 years later, is the stone face still mourned in New Hampshire like a fallen president, the subject of songs and poems, a Statehouse proclamation and a virtual remembrance event that drew hundreds of viewers Wednesday?

“It’s a very predictable question, and one we are still struggling to answer,” said Brian Fowler, a geologist who helps run the Old Man of the Mountain Legacy Fund, created after the collapse to nurture the memory of the lost tourist attraction. “I think it was a timeless and very reassuring kind of symbol, and people thought it was never going to fall.”

When it did, New Englanders felt its loss deeply, for reasons partly rooted in memory and nostalgia. If someone you loved took you to see the Old Man as a child, as my own father did when I was growing up in Massachusetts — kneeling beside you as you both peered skyward and coaching you to find the profile’s outline for the first time — that moment of discovery might linger for a lifetime.

“There’s some spirit, some connection, that is powerful,” Fowler added.

To keep that spirit alive, his organization hosted the virtual gathering Wednesday morning and is planning ongoing events throughout the year. The online program included a new song, “Great Stone Face,” by a New Hampshire songwriter, an upbeat message from Gov. Chris Sununu and poems written by fifth graders at the Lafayette Regional School in Franconia, New Hampshire — children born a decade after the Old Man fell.

“This landmark was a great loss / he was New Hampshire’s greatest boss,” begins one stirring tribute by a student named Freya.

Few visitors braved the raw, rainy conditions Wednesday morning at the viewing plaza below the Old Man’s former perch on Cannon Cliff in Franconia Notch, a scenic mountain pass and popular hiking destination in the White Mountains. Built in the years after the Old Man fell, the memorial plaza was funded by the sale of 1,100 engraved paving stones that encircle the site, bearing messages from people who loved the spot. “Thanks for the memories,” reads one.

A single bouquet of roses lay beside the wooden sign there early Wednesday, while a lone fly fisherman stood knee-deep in nearby Profile Lake.

Earlier, Mike Daniels, 40, a Littleton, New Hampshire, native working nearby, made a point of stopping by to pay his respects on the anniversary. He, like many here, treasured the Old Man as a symbol of Granite Staters’ hardiness and grit, and as he stood rereading Daniel Webster’s famous quote about “God Almighty” hanging out “a sign” in the White Mountains “to show that there He makes men,” Daniels acknowledged feeling some emotion.

“It means something to people around here,” he said.




To outsiders, the attachment was harder to grasp. “It’s actually kind of funny that the state would go to such trouble to create a memorial for a rock formation,” said Fran Moss, a first-time visitor from New York City. “But it obviously meant a lot to people.”

Visitors to the plaza can try to recapture a glimpse of the Old Man using devices known as “profilers,” invented in the wake of the collapse to help simulate the lost experience, after calls to build a human-made replacement proved divisive. Many of those who stop by are too young to have ever seen the profile.

“They’ve heard about it, and they want to see it, even though it’s not there,” Fowler said. “They wonder, what is it about this thing that made my grandparents want to go there on their honeymoon?”

First described in writing in 1805 by white surveyors scouting road locations, the Old Man inspired a short story by Nathaniel Hawthorne and helped make the area a tourism hub. Efforts to preserve the face began in 1916, when rods were installed to prevent the forehead from slipping off. By 1945, legislators designated the Old Man as the official state emblem, emblazoned on road signs and license plates; a few years later, turnbuckles were installed to further secure the ledges.

Fowler’s long history with the Old Man began in 1976, when he was recruited to perform the first structural-mechanical analysis of the rocks and their supports. The stakes were high: The state was mulling a northern extension of Interstate 93 through Franconia Notch and needed to know if the Old Man could survive the blasting the project would entail.

Upon inspection, Fowler advised that it could and later supervised the blasting itself. “I had a bag packed every day to go to Montreal in case it turned out I was wrong,” he joked.

Yet those who understood the natural cycles of the Earth knew the Old Man would not last forever. Eventually, the shelf of rock beneath his chin, a critical balancing point for the 7,000 tons of pinkish-colored Conway granite above it, would weather to the point of giving way.

“I used to tell people, if you haven’t seen it yet, you need to,” said Fowler, who performed the official geologic “autopsy” for the state after the Old Man toppled, finding that the failure had gone as predicted.

Skye Bissonnette, now 31, was a sixth grader when the Old Man finally succumbed. A lifelong resident of nearby Bethlehem, New Hampshire, she had grown up with the face looking down from above.

“It was magic and comfort and a sense of home, a natural thing that felt like it was ours,” she said in an interview. “It still looks empty where it used to be, like a missing piece.”

Still, the presence of the Old Man persists.

A Dartmouth College graduate student has created a new 3D analysis of the site for fans old and new; a museum in Plymouth, New Hampshire, will host a summerlong exhibit starring the stone face; and teachers still share the Old Man’s story at the local school where students penned the tribute poems.

“These kids are 10 years old, but they knew all about it, even though they weren’t born,” said Veronica Francis, a marketing consultant assisting with the anniversary events. “I was like, how do they know? But I guess it’s just in your blood if you’re from New Hampshire.”

This article originally appeared in The New York Times.










Today's News

May 7, 2023

Submerged island off Florida reveals secret: Civil War-era cemetery

Janet Borden, Inc. opens an exhibition of works by Neil Winokur

Galerie Nathalie Obadia now presenting the photographic work of Seydou Keïta

American art leads Shannon's spring sale held April 27th

A King who actually likes the arts

John Olsen, who helped revolutionize Australian art, dies at 95

Where should a King sit? A 700-year-old chair will do.

New Hampshire's Old Man of the Mountain, gone 20 years, still captivates

For Bispo do Rosario, art could only be a divine calling

Bruce McCall, satirical illustrator who conjured a 'retrofuture,' dies at 87

Mimicking the 19th century in the age of AI

Pierre et Gilles return to Brussels to exhibit at Templon

Turning 'ashes and sand' into art

Julia Gutman wins Archibald Prize 2023 for portrait of Montaigne

P·P·O·W announces representation of Grace Carney & Mosie Romney

6 takeaways from Ed Sheeran's 'Let's get it on' copyright case

Review: 'The Sign in Sidney Brustein's Window,' uneven yet a powerful draw

Margot Samel Gallery opens the exhibition by Justin Fitzpatrick 'Mitochondrial Abba'

The prince with no throne

Toledo Museum of Art makes impact investment with Upstart Co-Lab

Galeria Jaqueline Martins says "Welcome, Celia Hempton!"

Sarah Stoltzfus appointed director of sales at Morphy Auctions

Bowman Sculpture x Guerin Projects opens 'The Power of She: A Tribute to Women in the Arts'

The Perfect Way To Pamper Your Mom This Mother's Day

Exploring the World of Street Art: From Graffiti to Murals

6 artists you should know

Top 5 Reasons to Study in the USA

Monetizing Your YouTube Channel: The Profitable World of Arts Content

Common Mistakes to Avoid When Choosing a Title Company

The Benefits of Installing Solar Panels Alongside Your New Roof

The Benefits of Regular Dental Checkups for All Ages

Top Tips for Maintaining Your Oral Health as You Age

The Liu Shiming Scholars Fund at Rutgers University Established to Advance Art Studies

How To Secure My WhatsApp?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful