At Christianity's holiest site, Rival monks struggle to turn other cheek

The First Art Newspaper on the Net    Established in 1996 Saturday, May 4, 2024


At Christianity's holiest site, Rival monks struggle to turn other cheek
Gebre Slassie, an Ethiopian monk who lives in Deir al-Sultan Monastery, at the Church of the Holy Sepulcher in Jerusalem on Aug. 22, 2022. Monks from Egypt and Ethiopia have for centuries contested who owns a tiny monastery on the roof of the Church of the Holy Sepulcher, the site where Jesus is believed to have been crucified and resurrected. (Amit Elkayam/The New York Times)

by Hiba Yazbek



JERUSALEM.- As Orthodox Christians descended on Jerusalem this Easter week to visit the holiest site in their religion, a more earthly concern hovered over the holiday: Would rival monks keep the peace this year or again engage in clashes?

In a centurieslong conflict, Egyptian Coptic monks and Ethiopian Orthodox monks have competed for control of a small monastery located on the roof of the Church of the Holy Sepulcher, built at the site where Christians believe Christ was crucified, entombed and resurrected.

Despite the monastery’s sacred location, it has become a site of petty quarrels that occur on a near-annual basis, and sometimes even boil over into violence.

“When I first arrived in Jerusalem I was shocked,” said Markos Alorshalemy, an Egyptian monk. “I was expecting to see a holy land, where everyone is living in peace and light. But instead, I found a place where everyone is constantly fighting, even inside the holiest church.”

On the eve of Palm Sunday in 1757, Greek Orthodox adherents attacked Franciscan Catholics inside the church “with clubs, maces, hooks, poniards and swords,” historian Simon Sebag Montefiore, citing a contemporary account, wrote in his book, “Jerusalem: The Biography.”

As recently as 2008, a violent brawl broke out between Greek and Armenian Orthodox clergy over the route of a procession, leading to arrests.

Last year, at least, the hostilities were mostly limited to nocturnal graffiti.

On the eve of Palm Sunday in 2022, late at night as his rivals slept, an Egyptian Coptic monk surreptitiously painted a large Egyptian flag at the door to a courtyard he believed was being illegally occupied by Ethiopian monks.

“We called the police once, twice, three times, but they did nothing,” the Egyptian monk, Theophilus Alorshalemy, said in an interview, explaining his act of protest. “So we decided to deal with them ourselves.”

The Old City of Jerusalem, sacred to Christianity, Islam and Judaism, was occupied by Israel during the Arab-Israeli war of 1967 and later annexed, a move not recognized by much of the world. But the Israeli-Palestinian conflict is just the latest battle over ownership and land in a city that has been invaded and captured scores of times in its history.

Rival sects of Christians have been jostling for control of their faith’s holy sites in Jerusalem for nearly two millenniums, and the sprawling Church of the Holy Sepulcher is at the heart of these contests.

Just this past week, Orthodox Christians have reacted angrily to police restrictions on the number of worshippers who can attend the boisterous “Holy Fire” service in the cramped church Saturday. Orthodox Christian leaders said it was a restriction on worship; police said it was to prevent a stampede.

Six Christian denominations try to share control over the church, which is really a tangled knot of several chapels, monasteries and shrines, a complex and sometimes chaotic arrangement that has contributed to the occasional bloodshed.

Many of the major points of contention at the holy site were resolved by a 19th-century Ottoman-era decree, known as the Status Quo, which is still in place today and requires that no change be made at the Holy Sepulcher, no matter how minute, without consensus.

But the conflict between the Ethiopians and Egyptians about the small monastery on top of the church remains active and heated — and can be set off by something as small as the placement of a chair.

In 2002, several monks were hospitalized in a fistfight that followed an Egyptian monk moving his chair to the shade of a nearby tree, according to news reports at the time. In 2018, tensions rose again over the renovation of a ceiling, leading police to arrest an Egyptian monk.

The contested monastery is in one of the least heralded parts of the complex, reached via a slippery, gloomy stairway. At the top of the stairs stands a small church where Ethiopians worship daily. Next door is a small courtyard whose walls are lined with wooden green doors, behind which about 20 Ethiopian monks and nuns live in several tiny rooms.

When the Ethiopian monks woke up last Easter season to find an Egyptian flag painted across the courtyard door, they were miffed but not surprised.

The day before, they had erected a tent bearing a large Ethiopian flag in the middle of the contested courtyard — as they have on every Easter for the past few years — to accommodate Ethiopian pilgrims.

The Egyptians, provoked by what they considered a political statement, called police to take down the tent, but to no avail. Fed up, Theophilus Alorshalemy and his fellow monks decided to return the provocation.




Only after the graffiti incident did Israeli police intervene, and by the next morning, both flags were gone.

The origins of this conflict are hard to trace, and the legitimacy of the rival claims is hard to assess. Both sides are convinced the monastery is theirs.

“They occupied our monastery, and we came to take it back,” said Gabra Yihun, an Ethiopian monk who has lived in Jerusalem for 33 years.

Markos Alorshalemy countered: “We don’t really want them to leave — we just want them to admit that this monastery is ours.”

The contested area is known as Deir al-Sultan, or Monastery of the Sultan, which first appears in the historical record in the seventh century, without any mention to whom the site belonged, said Stéphane Ancel, a French historian who documents the history of the Ethiopian community in Jerusalem.

“As historians, we couldn’t find documents proving either community’s opinion,” Ancel said.

Once large and prosperous, the Ethiopian community in Jerusalem began to dwindle by the latter half of the 17th century, as disease and poverty led it to lose most of its properties and privileges in the holy land, according to Ancel.

The few remaining Ethiopian monks took shelter on the property of the Egyptian Coptic Church. The Egyptians hosted them in small chambers on the terrace of Deir al-Sultan, and the Ethiopians have been there ever since.

Initially, the two communities got along, but once the Egyptians realized that the Ethiopians were no longer temporary guests, tensions slowly began to rise between the two communities, and began flaring regularly around the 19th century, Ancel said.

After a violent clash in 1893, when the Ethiopians claimed the Egyptians locked them inside the monastery, Ottoman authorities, in a rare compromise, gave the Ethiopians a second entrance to the monastery: the same green door Theophilus Alorshalemy painted last Easter.

After the Ottomans, it was the turn of the British and then the Israeli authorities — as well as the Egyptian and Ethiopian governments — to try to mediate, but all efforts fell short.

On Easter in 1970, the Ethiopians took advantage of a brief Egyptian absence and changed the monastery’s locks. When the Egyptians found out, they rushed back, but Israeli security forces blocked their entry, Markos Alorshalemy said.

The Egyptians immediately filed a lawsuit with Israel’s Supreme Court, which in 1971 ruled in favor of the Egyptians based on documents said to prove the church’s ownership of the monastery. Although the keys have since been returned to the Egyptians, the court’s ruling has never been fully implemented and the Ethiopians remain in place.

For the most part, when all is calm, the neighbors barely interact beyond occasional nods and greetings.

“At the end of the day, we are brothers in Christ,” Theophilus Alorshalemy said.

On a recent afternoon, he walked through the green door into Deir al-Sultan and exchanged a polite nod with an older Ethiopian monk worshipping in a corner.

For a moment, it was easy to forget they were rivals.

But then he glanced at an old engraving on the wall inside the chapel, where the Ethiopian monks celebrate daily Mass.

He couldn’t resist pointing out its Egyptian roots.

“This is traditional Coptic style, you see?”

This article originally appeared in The New York Times.










Today's News

April 17, 2023

40 years later, Halley's day-glo comet returns

Acquavella Galleries, Palm Beach opens an exhibition of works by Makoto Saito

Gina Pane presents exhibition at Mennour that focuses on her student years at the Beaux-Arts de Paris

Walker Art Center opens first retrospective of artist Pacita Abad in April

A new exhibition exploring culture and identity opens at Scandinavia House

Rare Rosebud Agency sketchbook to highlight Hindman Native American Art Auction

Exhibition questions the idea of family through art from the 17th Century to the present day

Hedda Kleinfeld Schachter, who built an empire of tulle and satin, dies at 99

Emma cc Cook and James Castle at Adams and Ollman

New exhibitions open at Museum of Contemporary Art Tucson

At Christianity's holiest site, Rival monks struggle to turn other cheek

Helping people of color find their footing in the arts

Exhibition includes a large selection of sculptures and drawings by Grace Schwindt

Artist Cj Hendry is building a 2-storey, 5,000 sqft adult-size indoor playground for solo exhibition

'Night Contains Multitudes' on view at Benton Museum of Art

Tortona Design Week returns as one of the must-sees of Fuorisalone 2023

From self-taught designer to sought-after couturier

Joint multimedia exhibition features over 100 images of Ukrainian life and war

Silverlens announces new artist representation: Stephanie Syjuco, Poklong Anading, and Taloi Havini

12th Nationwide Educational Campaign brings city leaders together to address water supply issues

Historic Milanese building to home new collection presented by SEM during Design Week 2023

On view now at Asheville Art Museum: 'Altruistic Genius: Buckminster Fuller's Plans to Save the Planet'




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful