Delaware Art Museum and partners awarded Warhol Foundation Grant

The First Art Newspaper on the Net    Established in 1996 Friday, May 17, 2024


Delaware Art Museum and partners awarded Warhol Foundation Grant
CCF CETA artist Selvin Goldbourne drawing portraits at a Harlem block party; Photo by Blaise Tobia for the CCF CETA Arts Project,1978. © Blaise Tobia, 2023.



WILMINGTON, DE.- The Delaware Art Museum announced that it is a recipient of a Warhol Foundation Curatorial Research Fellowship to support the development of an upcoming historical exhibition honoring the art and artist employment opportunities produced by the 1973 Federal Comprehensive Employment and Training Act. Funding for this project was previously received from the National Endowment for the Humanities.

Working in collaboration with New York’s City Lore, Inc. and Artists Alliance, Inc., the Delaware Art Museum is planning a traveling exhibition honoring the Federal Comprehensive Employment and Training Act of 1973, which led to public employment of artists at a scale not seen since the Works Progress Administration of the 1930s.

The Federal Comprehensive Employment and Training Act (CETA), signed into law by President Richard Nixon on December 28, 1973, provided federal funds in the form of block grants for states to train workers during a period of high unemployment. States in turn distributed the funds to different cities, allowing a localized approach. Some cities and states, such as San Francisco, Chicago, New York City, and Delaware, used CETA funds to hire artists to create public service art projects. From 1974 until its repeal by President Ronald Reagan in 1982, CETA led to the employment of ten thousand artists around the country.

From December 2021 through March 2022, City Lore and Artists Alliance Inc. presented the two-venue exhibition ART/WORK: How the Government-Funded CETA Jobs Program Put Artists to Work, curated by Molly Garfinkel and Jodi Waynberg. The highly acclaimed pilot exhibition chronicled CETA-funded arts programming in New York City, with a particular focus on the Cultural Council Foundation’s CETA Artists Project. Building upon the successful exhibition and associated programs, it’s exciting to move into this new phase of exhibition planning.

The next stage of development will focus on travel to other critical CETA sites throughout the United States. The project curators have identified locations where a wealth of information can be found including Baltimore, Washington DC, Philadelphia, Atlanta, Chicago, San Francisco, and Los Angeles. The curators will conduct meetings with prospective institutional partners and interview past CETA participants, administrators, and legacy organizations to examine primary source documents within public and private archives.

Margaret Winslow, chief curator and curator of contemporary art at the Delaware Art Museum, says, “we are excited to continue our efforts on this important topic with City Lore and Artists Alliance, Inc. In Delaware, CETA funding supported more than 50 artists and arts administrators who organized community performances, produced murals throughout Wilmington, and photographed people and events in Delaware during 1976 Bicentennial celebrations. CETA impacted the trajectory of arts and culture throughout the state, just as it did across the nation.”

Molly Garfinkel, Co-Director of City Lore, Inc., says “City Lore is thrilled to renew our collaboration with Artists Alliance Inc., and the Delaware Art Museum on this timely and exciting initiative. The history and impact of CETA funding on artists, communities, and the arts ecology in the United States is woefully under-documented, but CETA provides valuable precedents and lessons for the current moment. CETA helped to demonstrate that artists and cultural workers deserve to be considered a critical part of the U.S. labor force. Moreover, artists applied to CETA-funded public service employment projects not just to stand in line for a check, but to do something meaningful with their time, skills, and resourcefulness. CETA funds enabled cultural workers to take risks, to grow, and to engage in new forms of collaboration—both with each other and with their communities. It helped many existing cultural organizations to establish a foothold and expand programming and capacity. Why does supporting culture matter? Culture should be supported because it is part of our daily lives, and it is an integral part of civic life. Expression of culture has much to do with how well we understand ourselves and each other, build relationships with and get along with one another. Being able to do this is as relevant now as ever.”

Jodi Waynberg, Director of Artists Alliance Inc., adds “There is hardly a more fitting moment to reflect on the benefits to our communities, individual arts workers, and cultural institutions when the United States invests in its labor force. We are thrilled that that the Warhol Foundation has afforded us the opportunity to amplify this extraordinary history and reimagine sustained investment in cultural workers.”










Today's News

April 4, 2023

They have finished moving 225 tons of reimagined art

Pace Gallery, Seoul, now presenting work by artist Saul Steinberg until the end of the month

Detroit Institute of Arts adds important works by female artists to expand permanent collection

Fine Arts Museums announce newly attributed Botticelli drawings

A time capsule of modern art, unseen for over a half a century to be offered by Sotheby's

'esfuerzo' by Ektor Garcia now on view at James Fuentes Gallery

Civil War and early Americana items from Hermitage, Pennsylvania to headline Neue Auctions upcoming sale

Exhibition presents works on paper by the most celebrated artists of early 20th-century art in the U.S.

University Archives announces 413-lot online-only auction, April 19th

Delaware Art Museum and partners awarded Warhol Foundation Grant

North Gallery of the London space exhibiting work by Günther Förg

Baltimore Museum of Art opens groundbreaking exhibition on the impact of hip hop

Record-setting sale for Printed & Manuscript African Americana at Swann Galleries

miart 2023, 27th edition of the fair to take place mid-month in Milan

'Yes, I can say that!' review: The freedom to offend

Berkshire Museum announces new Chief Curator

Olympic Way renamed to King's Way as Wembley park announces free coronation celebration

The Art of India 2023 brings 100 Indian artists under one roof to celebrate "Inclusion & Diversity"

Personal letters written by Ernest Hemingway to be offered for sale at Rabb

Seymour Stein, record industry giant who signed Madonna, dies at 80

How To Ensure Better Health in a Busy Life

The Ins and Outs of Spotify: How Musicians Can Utilize This Popular Streaming Platform

Best Practices For Evaluating A Market Research Firm

Download TikTok Videos Without Watermark Now - Get Watermark-Free TikTok Shares Instantly!

Why Vlone Backpacks are a Must-Have for Fashion-Forward Individuals




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful