Sarah Faux's debut show with Hales New York 'Sweetbitter' is on view
The First Art Newspaper on the Net    Established in 1996 Sunday, November 3, 2024


Sarah Faux's debut show with Hales New York 'Sweetbitter' is on view
Sarah Faux, Green screen, 2022. Oil on canvas, 168 x 142.9 x 3.8 cm, 66 1/8 x 56 1/4 x 1 1/2 in. Courtesy the artist and Hales, London and New York. Photo by JSP Art Photography.



NEW YORK, NY.- This March 24th Hales opened 'Sweetbitter', Sarah Faux’s debut exhibition with the gallery. The exhibition features large-scale gestural paintings that embrace uninhibited sensuality and bodily autonomy. In Faux’s new work, overlapping volumes of colour glow through layers of drips and scrapes in shallow depth. The title of the show, which will end on Apjril 29th, 'Sweetbitter', conjures coexistent tastes on the tongue as well as conflicting sensations in the body. In her tightly cropped compositions, Faux delves into the interior, uncovering how much of our emotional and sensory lives occur beneath the skin.

Faux’s paintings call forth the real and imagined, navigating shifts in narrative perspective. In disorientating configurations, Faux mirrors and inverts bodily forms— this fragmentation is a compositional and psychological tool. Her works consider the split identity of the self that one occupies and the self that one can see; a physical body and its reflection. To her, neither is entirely whole and so she keeps her paintings fluid, images slightly out of reach. In this way, Faux invites us to occupy the at- times uncomfortable space between perception and recognition. Organized from a first person point of view, Faux’s paintings build upon earlier feminist approaches, that of painters Joan Semmel and Luchita Hurtado. This perspective compels onlookers to both occupy a feminized body and viscerally participate in its creation.

The strap (2022) combines pours of thin grey paint, with acid yellow brushstrokes and swathes of blues and purples to create a stormy emotional landscape. The edges of bodies, punctuated by protruding phalluses, emulate a mountainous skyline. In Little trouble girl (2023), what presents as a vibrant pull of red reveals a person performing for her own reflection. Hammers regularly occur in Faux’s work, sometimes as euphemism but here utilized as sexual tool. Looking at these paintings encourages an acceptance of the unknown. Faux lets images come to the surface and slip away just as easily, taking pleasure in their unraveling. From this in-between place, an intense yearning for touch permeates the entire exhibition— the lure of a glimpsed glance, the promise of a subtle caress…. In Faux’s work we see that by exploring your own desire, you can construct a new self.

'Sweetbitter' is accompanied by a zine in which Faux invited artists and writers to make works about bodily pleasure and pain. Impelled by the artist’s own experience with chronic pain, this project deepens Faux’s engagement with the somatic, placing her drawings in a wider context. The zine includes works by Felipe Baeza, JJJJJerome Ellis, Gaby Collins-Fernández, Chitra Ganesh, Emilie L. Gossiaux, Clare Grill, Em Kettner, Doron Langberg, Ling Ma, Estefania Puerta, Mariam Rahmani, Kaveri Raina, Alex Roth, Victoria Roth, Tao Siqi, Ruby T, Sam Vernon, Gray Wielebinski and Mie Yim.

Sarah Faux (b. 1986 Boston, MA, USA) received her MFA in Painting from Yale University in 2015. She gained a joint BA/BFA from Brown University and the Rhode Island School of Design in 2009. Faux lives and works in Brooklyn, NY.

Faux’s solo exhibitions include Whatever I see I swallow at M+B, Los Angeles, CA, USA (2021); Perfect for Her at Capsule Shanghai, China (2020); 11am Mirror Hole at Cuevas Tilleard Gallery, New York, NY, USA (2018); Seether at Thierry Goldberg Gallery, New York, NY, USA (2017) and Gemini, Stems Gallery, Brussels, Belgium (2016). She has been exhibited in many group shows, including Lyles & King, New York, NY, USA (2022); Loyal Gallery, Stockholm, Sweden (2020); Thomas Erben Gallery, New York, NY, USA (2019); Nevven Gallery, Göteberg, Sweden (2018); Fredericks and Freiser, New York, NY, USA (2016) and Edward Thorp Gallery, New York, NY, USA (2015). Faux has been the recipient of many residencies and grants, including a Keyholder Fellowship at the Lower East Side Printshop, New York, NY, USA (2018-19), artist residencies at Yaddo, Saratoga Springs, NY, USA (2017, 2012) and the Yale School of Art’s Gloucester Painting Prize, Gloucester, MA, USA (2014). Faux’s paintings have been written about in Cultured Magazine, Surface Magazine, The Wall Street Journal, Modern Painters, Hyperallergic, i-D Vice and Artsy, among others.










Today's News

March 28, 2023

His 'soft white cube' is conquering TriBeCa

New and rarely seen earlier works by Carsten Höller on view at Gagosian

Early Gandharan Buddhist art exhibition at Bonhams Hong Kong

Middle Finger, Ai Weiwei's new interactive online work surpasses 10,000 global submissions in first week

mumok opens Adam Pendleton's first comprehensive solo exhibition in Europe

The Gropius Bau opens the most comprehensive show in Europe to date of Daniel Boyd's work

Exhibition brings together a dozen site-specific desert installations by Olafur Eliasson

IMMA opens Scene of the Myth, a major solo exhibition by artist Sarah Pierce

Tunji Adeniyi-Jones featured in first solo exhibition in Hong Kong at White Cube

National Gallery of Art acquires four drawings by Robert Longo

Sarah Faux's debut show with Hales New York 'Sweetbitter' is on view

Charmion von Wiegand at Kunstmuseum Basel

Art Basel concludes a resonant 2023 edition in Hong Kong

Over 40,000 visitors received through the five-day fair during Art Central

Miles McEnery Gallery opened exhibtion on work by Kevin Appel

Canadian banknote boosts Heritage Auctions's world paper money event

"Beirut and the Golden Sixties" opens at Mathaf: Arab Museum of Modern Art in Doha

Review: The many thrilling flavors of a full-scale 'Sweeney Todd'

Scott Johnson, playfully inventive composer, is dead at 70

Review: In Chicago, an opera triptych reaches for connection

Longtime Morse Museum Director, Laurence J. Ruggiero, has passed away

The Role of Automation In Reducing ATM Frauds

The Significance of Visual AI In Native Mobile App Testing

THE EXTRAORDINARIES Group Exhibition Opens in Brooklyn

Boosting Your Hair Health Naturally

The Evolution of Interactive Installations: A Look into Jing Dong's Artistic Practice

Mostbet: features and advantages of the bookmaker

What Are The Best Laptops For Lawyers?

Embracing Artistic Diversity at the 2023 Shanghai Fashion Week: A Fusion of Fashion, Culture, and History

How does torrenting work?

What to Expect When Taking Traffic School Online: A Step-by-Step Guide

10 Creative Ways to Use Roses in Your Proposal

Different types of printing: A complete guide




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful