9 furniture designers from across the African Diaspora
The First Art Newspaper on the Net    Established in 1996 Thursday, November 7, 2024


9 furniture designers from across the African Diaspora
BOA’s Drop daybed upholstered in fabric by Yael & Valerie. (OI Studio via The New York Times)

by Julie Lasky



NEW YORK, NY.- In 2020, Jomo Tariku, a furniture designer who was born in Kenya and raised in Ethiopia and who had a second career as a data scientist with the World Bank, was preparing to give a lecture at Princeton University. Combing through the websites of 161 international furniture companies, he found that of the 4,399 designers that these companies employed, by his reckoning, only 14, or 0.03%, were Black.

It was a statistic heard round the world. Black Lives Matter activism had been catalyzing efforts to diversify design. After decades of designing handmade furniture in Springfield, Virginia, near Washington, and struggling for notice from manufacturers that could put the designs into production, Tariku suddenly became a star.

His Meedo chair, modeled on a hair pick, was acquired by the Metropolitan Museum of Art in New York. His three-legged Nyala chair, inspired by an antelope, is among the five pieces he contributed to the film sets of “Black Panther: Wakanda Forever.” Recently, he arranged his first licensing deal.

“It took me 30 years to get here,” said Tariku, 54, “and I don’t want it to die with me.” He said he is intent on boosting the careers of other Black designers, like those in the Black Artists + Designers Guild, a nonprofit platform and mentorship organization that he helped to get off the ground in 2018.

“We keep saying design is a global language. Well, it did not include us,” he said. “What’s the global part?”

The New York Times asked Tariku about the names he would like to see on those furniture company websites. From a compiled list of more than 80 designers, he chose nine, which are featured here.

His choices ranged across generations, styles, materials and geographical points in the African diaspora. Many of the designers have not received formal training. What they have in common, he said, is a powerful and inspiring spirit of self-fulfillment.

Andile Dyalvane: A 43-year-old ceramics artist based in Cape Town, Dyalvane is known for pieces that honor his Xhosa heritage. “He is using a material that you rarely associate with furniture and making it work,” Tariku said, pointing out the unwieldiness of shaping and firing huge portions of clay. Embodying a dream language that is unique to the artist in a substance he is gifted in manipulating, Dyalvane’s designs will never be confused with anyone else’s, Tariku said. “And I love that approach because I really believe this is where Africa shines,” he added. “It does not have to be an update of a preexisting piece of furniture.”




BOA: A self-taught product designer with a background in graphic design and contemporary furniture sales (she spent five years as an account executive at Design Within Reach), BOA is the Caribbean-born founder of OI Studio, in Los Angeles. “She is an attention-to-detail person,” Tariku said about the matched patterns of her Drop daybed, which was covered in fabric by the Haitian textile company Yaël & Valérie. “But her true focus is sustainability.”

Charles O. Job: Born in Lagos, Nigeria, Job, 62, was educated in architecture and urban planning and has lived, worked and taught for many years in Switzerland. Tariku, who studied industrial design at the University of Kansas, said he was enamored of his deceptively simple pieces, like the easy-to-assemble Sketch chair that was now in the Vitra Design Museum. Seeing the curves makes his hands ache with the memory of turning clamps to bend his own veneer. “I appreciate him the way I admire people like Eames,” Tariku said.

Cheryl R. Riley: A San Francisco-based artist, Riley, 70, has blazed a distinctive trail in furniture design. What especially sets her apart, Tariku said, is the multilayered nature of her objects, crammed with overt allusions to European and African art but also embedded with personal meaning. For example, her “Zulu Renaissance Writing Table for a Lady,” in the San Francisco Museum of Modern Art’s collection, is supported by six carved sculptures of African women bearing the weight of the piece on their heads. The top is rimmed with painted eyes from Renaissance portraits, and the glass-covered compartments are filled with the artist’s mementos. “I selected her to pay homage,” Tariku said.

Hamed Ouattara: Metal gasoline drums painted in bright, eroded colors represent a starting point for Ouattara in his design studio in Ouagadougou, Burkina Faso. Ouattara, 51, supervises the transformation of the vernacular drums into cabinets, chairs and tables while ensuring that each piece maintains its origin story, down to the peeling surfaces. He is relentlessly creative despite the shortage of tools, the frequency of power outages and the disruptions of civil war. “He contributes a lot within his community,” Tariku said. The shop is also a classroom, where Ouattara imparts his lessons of authenticity to young apprentices.

Jean Servais Somian: Based near Abidjan, the capital of Ivory Coast, Somian, 51, makes sculptural pieces from palm trunks and other local woods. They are “not the easiest or most popular” materials, Tariku said. But Somian, who studied his craft in Ivory Coast and Switzerland, has learned how to process the wood to exploit its beauty, including the unusual grain patterns that are one of his signatures. Tariku said he particularly admired his totemic cabinets.

Mimi Shodeinde: Born and raised in London, Shodeinde is the founder of Minimat, an interior and product design studio. The 28-year-old is equally comfortable in the language of Brutalism or of an Art Nouveau-suggestive organic style, embodied by her three-legged Omi D-3 chair. (She has a Nigerian background, and omi is the Yoruba word for “water.”) Tariku declared himself “always obsessed with three-legged chairs,” having designed a much-admired one himself. “When I see someone else executing it very well, I celebrate it,” he said.

Paul Jeffrey: “A bookcase is a bookcase because it has to hold a book, and how many ways can you approach it?” Tariku said of a specialty of Jeffrey, 54, a custom furniture maker in Phoenix. He produces library shelving that might flow functionally along a diagonal as it wraps around a wall, and sculptural desks that mix luxurious materials, among other unique pieces. His career took him from the armed forces to automobile design to a stressful period of low employment before he found his footing with his furniture company, Paul Rene. In 2021, he was one of seven people appearing on Ellen DeGeneres’ HBO Max series “Next Great Designer.”

Michael Puryear: Working in the studio craft tradition from a barn in New York’s Hudson Valley, Puryear, 75, is part of a generation that has given creative and emotional sustenance to younger Black designers, Tariku said. He has been widely recognized for furniture that combines Shaker and East Asian influences with references to his African ancestry. “He teaches everybody,” Tariku said. “I think there’s a lot to emulate from what he’s accomplished.”

This article originally appeared in The New York Times.










Today's News

March 13, 2023

The past's treasures are not in vogue, except at this art fair

Gallery Baronian opens a new solo exhibition of works by Alain Séchas

A new art fair experience with RMB Latitudes

Urs Fischer presents a new series of works at Gagosian Beverly Hills

How an Indigenous architect came out of his shell

9 furniture designers from across the African Diaspora

Thaddaeus Ropac opens London-based artist Megan Rooney's first solo exhibition in France

Major new commission for national collection through Wesfarmers partnership

Kristen Lorello opens an exhibition of abstract works on paper made by Christopher Saunders

A panorama of design

When pretty walls tell a deeper story

Mary Bauermeister, Avant-Garde artist and host, dies at 88

Oscar-nominated film depicts road to justice that is 'permanently alive'

An interior designer's love letter to the sky

Molding a 'little universe of life-forms' as functional vessels

Cautionary climate tales that give people pause when they press play

Of Mourning and Revolt: Episodes from Barbad Golshiri's 'Curriculum Mortis' on view at Thomas Erben

A timeless comedian making 'History,' Part II

Margot Samel opens Olivia Jia's first solo exhibition with the gallery

Malin Gallery opens Angela China's debut solo exhibition in New York and her first with the gallery

17th century gold seal ring discovered in a garden in Devon to be sold at Noonans

Latvian National Museum of Art opens an exhibition dedicated to the work of Imants Vecozols

3 museums partner to acquire groundbreaking media work




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful