Edward Burtynsky's powerful new photography series on view in two solo gallery shows
The First Art Newspaper on the Net    Established in 1996 Wednesday, December 25, 2024


Edward Burtynsky's powerful new photography series on view in two solo gallery shows
Sulfur Springs #1, Dallol, Danakil Depression, Ethiopia, 2018. © Edward Burtynsky, courtesy Howard Greenberg Gallery and Sundaram Tagore Gallery, New York.



NEW YORK, NY.- Edward Burtynsky’s powerful new photography series African Studies, a seven-year project spanning ten countries, is having its New York premiere with two solo gallery exhibitions this March. The exhibitions are on view at Sundaram Tagore Gallery from March 2 through April 1 at 542 West 26th Street and at Howard Greenberg Gallery from March 4 through April 22 at 41 East 57th Street.

African Studies is the subject of a 208-page monograph of the same title newly published by Steidl (2023).

Since the early 1980s, Edward Burtynsky has been photographing industrial landscapes across the globe, documenting in remarkable detail the human imprint on the planet through terraforming, extraction, urbanization and deforestation. For this project, he focused on Sub- Saharan Africa, traveling to Kenya, Nigeria, Ethiopia, Ghana, Senegal, South Africa, Botswana, Namibia, Madagascar and Tanzania between 2015 and 2020.

Burtynsky’s interest in Africa was sparked 20 years ago while he was working on his landmark 2004 photographic project China, which explores the country’s rapid globalization and the construction of the Three Gorges Dam. The series, and subsequent award-winning documentary film by Jennifer Baichwal, Manufactured Landscapes (2006), chronicle China’s transformation into the world’s leading manufacturer and depository for its waste. Burtynsky witnessed firsthand the immense environmental—and by extension, human—cost of development, and he predicted Africa would be the next, and perhaps the last, region to undergo major industrial expansion.

Presented in large-format photographs, African Studies conveys the fragility of the natural world, bringing together images of lush, undisturbed landscapes and environments irretrievably altered by industry. The series was largely photographed from aerial perspectives, a viewpoint that distills the continent’s diverse topography into graphic patterns and gradients of sumptuous color. The resulting effect seemingly transforms the marks of human infrastructure into painterly abstract compositions. In these images, as in all his work, Burtynsky skillfully integrates critical reporting with sublime visual aesthetics creating a harmonious balance between content and form.

“With this project I hope to continue raising awareness about the cost of growing our civilization without the necessary consideration for sustainable industrial practices and the dire need for implementing globally organized governmental initiatives and binding international legislations in order to protect present and future generations from what stands to be forever
lost,” Burtynsky said.

Edward Burtynsky (b. 1955) is represented in the collections of more than 80 museums worldwide, including The Metropolitan Museum of Art, The Museum of Modern Art and the Solomon R. Guggenheim Museum, New York; Reina Sofia Museum, Madrid; Tate Modern, London; and the National Gallery of Canada, Ottawa.

Notable exhibitions include Anthropocene (2018) at the Art Gallery of Ontario and the National Gallery of Canada (international touring exhibition); Water (2013) at the New Orleans Museum of Art and Contemporary Arts Center, Louisiana (international touring exhibition); Oil (2009) at the Corcoran Gallery of Art in Washington, D.C. (five-year international touring show), China (toured 2005 – 2008); Manufactured Landscapes at the National Gallery of Canada (toured 2003 – 2005); and Breaking Ground produced by the Canadian Museum of Contemporary Photography (toured 1988 – 1992).

Honors include the inaugural TED Prize, the Governor General’s Award in Visual Media Arts, The Outreach award at the Rencontres d’Arles, the Roloff Beny Book award and the Rogers Best Canadian Film Award. In 2020, Burtynsky was awarded a Royal Photographic Society Honorary Fellowship and in 2022, he was honored with the Outstanding Contribution to Photography Award by the World Photography Organization. Most recently he was inducted into the International Photography Hall of Fame and was named the 2022 recipient for the annual Pollution Probe Award. Burtynsky was born in St. Catharines, Ontario, in 1955. He lives and works in Toronto.










Today's News

March 6, 2023

'Womanish: Audacious, Courageous, Willful Art' opens at the McNay Art Museum

First exhibition to focus on Berenice Abbott's 1929 photographic album of New York City opens at The Met

Exhibition reveals the fascinating story of a remarkable Jewish family

The Museum of Modern Art opens 'Signals: How Video Transformed the World'

Your pristine Hermès bag, to some, looks tacky

Radiant Spectrum by Amy Lincoln now open at Sperone Westwater

Exhibition at The Met Cloisters explores intersection of art and class in early Tudor England

Bonhams announces New York Asia Week sale highlights for March 2023

Jan Mot announces its new gallery director

My father's death, an envelope of cash, a legacy in music

Were these photographs voyeurism, or art?

Aria Dean Abattoir, U.S.A.! now on view at the Renaissance Society

'Andrea Branzi: Contemporary DNA' on view at Friedman Benda

A fresh look at a pioneering Black voice of Revolutionary America

Jerrold Schecter, who procured Khrushchev's memoirs, dies at 90

Edward Burtynsky's powerful new photography series on view in two solo gallery shows

Inès di Folco's first solo exhibition in New York opens at Laurel Gitlen

Julia Stoschek Foundation augments exhibition with new works

AGO announces design of $100 million expansion and $35 million lead gift

Carved and painted carousel giraffe is the expected headliner in Neue Auction's 'Neue to You' auction

Sculptures in 'Poor Things' seeks to make room for some new thinking at Fruitmarket

Review: Holding hands with the homeless, in 'Love'

Yo-Yo Ma makes his encore a call for peace, with a nod to Casals

Karin Sander and Philip Ursprung to represent Switzerland at the 18th International Architecture Exhibition, Venice

The Art of Infusion: Creating High-Quality Delta 8 Edibles

7 Benefits of Cryptocurrency in 2023

John Jezzini - Digital Tools in a Modern Education System




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful