Dia announces major Senga Nengudi exhibition at Dia Beacon
The First Art Newspaper on the Net    Established in 1996 Friday, December 27, 2024


Dia announces major Senga Nengudi exhibition at Dia Beacon
Senga Nengudi with Water Composition II, ca. 1970. Courtesy Tilton Gallery, New York.



BEACON, NY.- Dia Art Foundation announced today a long-term exhibition of work by Senga Nengudi, which opened at Dia Beacon on February 17, 2023. Sculptures and room-sized installations made between 1969 and 2020, including recent acquisitions for Dia’s permanent collection, are on display.

“Senga Nengudi’s multifaceted practice has continually expanded the possibilities of avant-garde abstraction,” said Jessica Morgan, Dia’s Nathalie de Gunzburg Director. “Addressing notions of contingency and site-specificity in sculpture, Nengudi’s work uniquely addresses Dia’s defining mission to support Conceptual, Minimal, and Postminimal art from the generation that came of age in the 1960s and 1970s.”

Over her five-decade-long career, Nengudi has realized a remarkable body of work that blurs the boundaries between sculpture and performance, fine art and ritual, individual authorship and collective energy. Made of everyday materials such as vinyl, water, nylon, sand, dry-cleaning bags, lint, paper, and tape, Nengudi’s installations are at once proxies for bodies and sites for performance. The works accommodate a variety of cultural references from African, Japanese, and South Asian rites to Western avant-garde art. Characteristic of her openness to multiplicity, the artist, born Sue Ellen Irons, has assumed pseudonyms that inflect her creative identities as sculptor (Senga Nengudi), painter (Harriet Chin), photographer (Propecia Leigh), and writer (Lily Bea Moor).

Selected works from Nengudi’s Water Compositions series (1969–70) have been installed in two galleries at Dia Beacon. Pivotal to her career, these heat-sealed vinyl forms are filled with colored water, their shape and surface tension determined by gravity and entropy. Improvisation and ritual are parallel motifs that Nengudi continued to explore in room-size installations in the 1990s. Wet Night–Early Dawn–Scat Chant–Pilgrim’s Song (1996), which has been re-created by the artist in situ, explores how different cultures acknowledge spirit through ritual. A fourth gallery presents Sandmining B (2020), a recent work from her Sandmining series (2004—) referencing ceremonial uses of sand in cleansing rituals in South Asian and Native American communities as well as Brazilian avant-garde art. Part of Sandmining B, a sound piece, which weaves together a new poem by the artist and a music improvisation by the late cornetist Butch Morris, will be audible throughout.

This long-term exhibition of Nengudi’s work will be accompanied by a performance program and publication, revealing the multiplicity of her practice. Performances at Dia Beacon and partnering venues will activate and complement the sculptural presentation, and an artist book will collect, for the first time, Nengudi’s drawings, photographs, prints, poems, performance instructions, and other writings. 

“Characteristic of Nengudi’s practice, all works in the exhibition—by either alluding to or retaining traces of the attuned, improvisational acts that made them—are an invitation to join the artist in the creative process. Her distinct approach and foremost contribution to sculpture and performance will be further revealed over a series of live events and a publication, and in juxtaposition with the work of her contemporaries on view at Dia Beacon,” said Matilde Guidelli-Guidi, exhibition curator.

Senga Nengudi is curated by Matilde Guidelli-Guidi, associate curator, Dia Art Foundation.

Senga Nengudi was born in Chicago in 1943. She completed a BA in fine arts with a minor in dance at California State University, Los Angeles, in 1966. She spent the year between her undergraduate and graduate studies enrolled at Waseda University, Tokyo. Her practice spans collaborative performances, sculpture, installation, video, drawing, photography, and poetry and writing. In 2019–21 a retrospective of her work was organized by the Lenbachhaus, Munich, and Museu de arte de São Paulo and traveled to the Denver Art Museum and the Philadelphia Museum of Art. Nengudi has also been the subject of recent solo exhibitions at the Baltimore Museum of Art (2017–18); Henry Moore Institute (2018–19); and Fruitmarket Gallery, Edinburgh (2019). The artist was recently awarded the prestigious 2023 Nasher Prize. Dia’s engagement with Nengudi began in 2017 with an invitation to participate in the institution’s long-running Artists on Artists Lecture Series and continues with the upcoming exhibition at Dia Beacon. Nengudi lives in Colorado Springs.










Today's News

February 18, 2023

Derrick Adams takes off

Magic: The Gathering becomes a billion-dollar brand for toymaker Hasbro

Klimt. Inspired by Van Gogh, Rodin, Matisse......opens at The Belvedere

Martina Morger curates the exhibition 'Are We Dead Yet?' for Kunstmuseum Liechtenstein

Major group show of female artists opens at GIANT Gallery

Ming Smith's poetic blur

The Oklahoma City Museum of Art opens two spring exhibitions

The Julia Stoschek Foundation presents Ulysses Jenkins' first major retrospective in Europe

Kunsthal Gent presents a temporary solo exhibition by Eleni Kamma

Saatchi Gallery presents the most comprehensive graffiti & street art exhibition to open in the UK

Poster Auctions International announces Rare Posters Auction #89

Heritage announces International Original Art & Anime Signature Auction

Crafting Worldviews: Art and Science in Europe, 1500-1800 opens at Yale University Art Gallery

Yale University Art Gallery appoints Irma Passeri as the Susan Morse Hilles Chief Conservator

William College Museum of Art opens exhibition on Tibetan art from the Jack Shear Collection

Kunsthaus Baselland presents a series of works by Pia Fries

Wagner's 'Lohengrin' uses the word 'Führer.' Keep it there.

Sandra Trehub, pioneer in the psychology of music, dies at 84

Rashawn Griffin exhibits at Ballon Rouge in Brussels

Dia announces major Senga Nengudi exhibition at Dia Beacon

Review: In 'The Wanderers,' two marriages and a movie star

GRIMM Gallery presents an exhibition of works by Volker Hüller

Finest Italian Marble Sculptures Around the World

The Future of Corporate Hotel Rates: Trends and Predictions

The Ultimate Guide to Hurela Lace Frontal Wigs

The Benefits of Brand Compliance for Customer Trust and Loyalty.

Chic Ways to Decorate Your Room with Neon Tube Lamps

Arf No! Jeff Koons's $42,000 Glass Sculpture of a Blue Balloon Dog Shattered in Miami

Restaurants Selling Art on Their Walls Boost Revenue by 12% in London




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful