LONDON.- Fire / Flood by Gideon Mendel opened in November in the Soho Photography Quarter, right outside
The Photographers Gallery. Works from his Drowning World and Burning World series of photographs, alongside a newly commissioned film, are on show in this free outdoor exhibition showcasing Mendels personal response to the global climate crisis.
Drowning World
Since 2007, South African photographer Mendel has made twenty trips to document floods in thirteen countries, witnessing a shared human experience of climate catastrophe that transcends geographical, cultural and economic divides.
Shown for the first time in the UK, Mendels most recent portraits were shot in Bayelsa State, Nigeria and in Sindh Province, Pakistan. Since August 2022, both regions experienced unprecedented rain and were devastated by the worst floods in living memory. Countless structures and buildings were destroyed and millions left homeless. Visiting these communities months after the initial flooding Mendel found that the water levels remained high, still filling peoples homes. Even as the waters recede, the damage to people's lives is immense. Mendel's images record this in a deeply intimate and graphically precise way.
Burning World
The Burning World series is Mendels response to the unprecedented increase in the extremity of wildfires around the world, as global temperatures rise. Since the start of 2020 he has documented the aftermath of fires that have destroyed homes, killed numerous people and burnt millions of acres of land.
Mendel chooses not to document the burning flames, but rather seeks out their aftermath, the traces left behind on lives and landscapes. Made across different communities around the world, the people in his Portraits in Ashes series are framed by the skeletons of their burnt homes and invite us to engage with the scorched world that surrounds them.
Mendel said My subjects have taken the time in a situation of great distress to engage the camera, looking out at us from their inundated homes and devastated surroundings. They are showing the world the calamity that has befallen them. They are not victims in this exchange: the camera records their dignity and resilience. They bear witness to the brutal reality that the poorest people on the planet almost always suffer the most from climate change.
The presentation of Mendels images in Soho Photography Quarter includes a 40m-long frieze of images and large-scale over-street banners, as well as a projection of the new film from dusk every day.
Launched in Summer 2022, SPQ extends The Photographers Gallerys acclaimed exhibitions programme beyond the walls of the building and completes the development of its site in Soho as a leading centre of international photography. Alongside large-scale, changing artworks, SPQ presents an engaging free programme of activities and resources, from live events, artist talks and presentations, to specially commissioned digital projects.
Working with both stills and video, Gideon Mendel's intimate style of image-making and long-term commitment to socially engaged projects has earned international recognition. Born in Johannesburg, South Africa, in 1959, he began photographing in the 1980s, during the final years of apartheid. This experience as a "struggle photographer", documenting the brutality of the South African state's response to peaceful protest, marked him on some level and for much of his subsequent career his focus has been on responding to the key global issues facing his generation. For the Drowning World and Burning World series, he worked in the UK, India, Haiti, Pakistan, Australia, Thailand, Nigeria, Germany, The Philippines, Brazil, Bangladesh, the USA, France, Australia, Greece and Canada. Mendel has won the Eugene Smith Award for Humanistic Photography, the Amnesty International Media Award, the Greenpeace Photo Award and he has been shortlisted for the Prix Pictet in 2015 (Disorder) and 2019 (Hope). In 2016 he was the first recipient of the Pollock-Krasner Foundation's "Pollock Prize for Creativity".
Mendels recent flood response journeys were made with the support of UNOCHA (United Nations Office for the Coordination of Humanitarian Affairs).