Rarely-seen portrait by Balthus on view at the Wadsworth Atheneum Museum of Art
The First Art Newspaper on the Net    Established in 1996 Saturday, July 20, 2024

Rarely-seen portrait by Balthus on view at the Wadsworth Atheneum Museum of Art
Portrait of Mrs. Cooley, 1937. Oil on canvas. Private Collection.

HARTFORD, CONN.- A rarely-seen portrait by Balthus (Balthasar Klossowski de Rola, 1908-2001) joins two related paintings by the artist at the Wadsworth Atheneum Museum of Art in Hartford, Connecticut. The Spell of the Studio: Balthus’ “Portrait of Mrs. Cooley” explores a crucial phase of the artist’s career—one that the Wadsworth and its patrons in Hartford played a significant role in supporting. The exhibition will be on view at the Wadsworth through February 26, 2023.

“Portrait of Mrs. Cooley is a remarkable and deeply moving work. It brilliantly captures the American sitter’s forlornness and unease in a foreign environment. This strong sense of alienation—rendered through techniques reminiscent of older French artists such as Courbet and Millet—allows this painting to speak to us in a truly timeless manner,” said Oliver Tostmann, the Susan Morse Hilles Curator of European Art at the Wadsworth Atheneum Museum of Art.

French painter Balthus is known today for his controversial imagery of adolescent girls. Portraits and related genres are a lesser-known part of his oeuvre, yet they reveal his talent for artistic experiments and psychological acuity. After moving to a new studio at the Parisian Cour de Rohan in 1936, Balthus started a new phase in his career marked by American patrons’ rising interest in his art. The city of Hartford, Connecticut—and in particular, a small circle of patrons of the Wadsworth Atheneum Museum of Art—played a crucial role in this early phase of Balthus’ professional practice.

Portrait of Mrs. Cooley (1937, Private Collection) portrays the artist’s first American sitter, Hartford-born Jane Cooley. It was painted during her first visit to France on the occasion of her honeymoon. This portrait is closely related to Still Life (1937, Wadsworth Atheneum Museum of Art), a rare and unusually charged still life. Bought by the Wadsworth in 1938, Still Life is the first painting by Balthus acquired by any museum, pointing to his rising success. A third painting, The Bernese Hat (1938, Wadsworth Atheneum), an intimate portrait of Balthus’s wife Antoinette de Watteville, exudes a similar air of ambiguity. Balthus created all three paintings in the years leading up to World War II, using his austere studio space as his staging ground. 

Jane Cooley was part of a local group of art enthusiasts in Hartford animated by Arthur Everett “Chick” Austin, Jr., the spirited director of the Wadsworth Atheneum Museum of Art. Yet it was the collector and curator James Thrall Soby who was the leading force in acquiring works by Balthus during the 1930s. His legendary collection of modern art included key works by the French artist.

The intimate juxtaposition of the three paintings allows for a reassessment of this crucial time in Balthus’s career and demonstrates how the young artist came into his own. While rarely seen archival documents from the Wadsworth illustrate the painter’s surprising success in Hartford, The Spell of the Studio reveals the ambivalent and nonetheless persistent relationship between Balthus and his audiences.

Today's News

November 19, 2022

Thierry Mugler: Nothing is ever too extreme

No ordinary Joe

Lark Mason Associates Sale of Asian, Ancient and Ethnographic Works of Art achieves $932,045

As NYC swipes out MetroCards, one artist honors the yellow and blue

Almine Rech now presenting "Gioele Amaro: Just a painting" at Paris, Front Space

Pangolin London announces the passing of sculptor Charlotte Mayer

McArthur Binion Visual: Ear Paper: Work, exhibition at Xavier Hufkens

Philadelphia art dealers, Sara McCorriston and Jason Chen, purchase historic building in Old City

Nan Goldin and Laura Poitras: Two artists, one devastating film

A price on history? Aaron Judge's 62nd home run ball to be auctioned.

Hales opens a solo exhibition of paintings by British artist Mali Morris RA

Rolex and Patek Phillipe lead Heritage's Watches & Fine Timepieces event past $2.8 million

Art on the Underground presents Endurance at Brixton Underground Station by Shanti Panchal

Rarely-seen portrait by Balthus on view at the Wadsworth Atheneum Museum of Art

James Hyman Gallery, Centre for British Photography, announces special fundraising sale

"Embrace" by Rohina Hoffman, a homage to family and food

Delfts Blauw museum through new eyes

Flying medal awarded to young Lancaster rear gunner to be sold at Noonans

AGO expands Department of Indigenous art by appointing Taqralik Partridge as Associate Curator of Indigenous Art

Woody Auction announces 400+-lot Antique Sale, December 3rd

How 'The Lion King' got to Broadway and ruled for 25 years (so far)

A rising conductor who's 'not just a pair of hands'

A genre-spanning choreographer who says yes to the unknown

The Meaning of Colors in Number Painting

Finding the Best Type of Online Slots at Canadian Casinos

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful