McArthur Binion Visual: Ear Paper: Work, exhibition at Xavier Hufkens
The First Art Newspaper on the Net    Established in 1996 Saturday, July 20, 2024


McArthur Binion Visual: Ear Paper: Work, exhibition at Xavier Hufkens
McArthur Binion, DNA:Search, 2015. Photo Courtesy of Xavier Hufkens.



BRUSSELS.- For his debut solo exhibition with the gallery, Xavier Hufkens, McArthur Binion (b. 1946, Macon, Mississippi), presents a new body of work created in Chicago, where he primarily lives and works. Large format oil-stick paintings are assembled in the Van Eyck gallery under the title Visual:Ear, a reference to Binion’s abiding interest in the visual translation of music into colour and form. Paper:Work, on show in the Rivoli gallery, presents a corpus of recent drawings. The exhibition on view since November 17th, and ending on December 23rd, 2022, provides a comprehensive overview of the artist’s oeuvre across a wide range of scales and showcase the latest developments in his decades-long practice.

The paintings in Visual:Ear draw a decisive loop in Binion’s work and hark back to an idea that first crystalised over fifty years ago, while he was studying for his MFA in painting at Cranbrook Academy of Art in Bloomfield Hills, Michigan. Deeply immersed in music, especially jazz, Binion became fascinated by non-verbal means of communicating his experiences. His earliest work on the theme was Drawn Symphony:in:Sane Minor (1971), a hand-drawn image atop ten pages of musical manuscript paper. The term ‘visual ear’ also dates from this period, with Binion first using it in his 1973 graduate thesis. These works — which represent Binion’s earliest attempts to convey the rhythms and sensations of music in words and images — remained dormant in his mind, but nonetheless present, until they were reactivated and visualised for his on-going series of Visual:Ear paintings. The works make use of an abstracted, collaged image of a musical score, Still Standing Stuttering, by Pulitzer prize-winning composer Henry Threadgill (b. 1944), which Binion personally commissioned as a response to his painting Stuttering:Standing:Still (2013). The images in Visual:Ear are made up of varied compositions of Still Standing Stuttering. The inclusion of the printed music represents an unprecedented opening up of the oeuvre to external influences. Prior, Binion had almost exclusively used autobiographical source material in his work, most famously pages from his address book or passport, photos of his childhood home, his hands, or historical images pertaining to his early life in rural Mississippi. Working with the music score images was the catalyst for a quatre mains of sorts, one that resulted in what Binion calls the ‘under conscious’ of the work. The Visual: Ear paintings are a “handmade, geometric way to insert the music score into the work.”




The ‘under conscious’ — whether autobiographical or music related — is a hall- mark of Binion’s work and is usually composed of printed material. On top of this, the artist adds a heavy layer of paint-stick marks. The visual language is that of minimalism and abstraction: lines, serial patterns and geometric shapes. To borrow a musical term, the works have a binary form, with the two elements ultimately merging into an indivisible whole. This interweaving, which lies
at the core of Binion’s practice, creates multiple fields of tension: between the personal and impersonal, between mechanical reproduction and slow, labour- intensive mark-making, and between the revealment and concealment of the ‘under conscious’. The works not only testify to Binion’s sustained interest in music but also his belief in learning to look by listening, and likewise, to listen by looking. As he himself states, the works in the Visual:Ear series represent “the clarification of [his] character as a painter.”

An extensive selection of McArthur Binion’s recent drawings are presented in Paper:Work. The artist creates these studies, as he does his paintings, using a two-handed technique. Replacing the ‘under conscious’ is an initial ground painting to which Binion applies a secondary layer of patterns, and marks, thereby mirroring the dual structure of the large-format paintings. The titles of the drawings, such as DNA:Search and Self-Portrait, allude to their deeply personal significance. Binion has long investigated the work of the black avante-garde through his own identity and broader collective, cultural self- hood. His recent work, titled Modern Ancient Brown, is the perfect summation of Binion’s introspective yet outward-looking quest. It is also the name of the foundation that he established in Detroit, Michigan in 2019. The organisation actively supports the intersection between the visual and literary arts both nationally and in the Detroit community. In Paper:Work, the artist reveals his most personal studies, made during moments of intense concentration when, as he himself says, “I’m not discovering the under-conscious, I’m becoming it.”

With thanks to Camille Bacon for her contributions to the text.

McArthur Binion lives and works in Chicago. His work were featured prominently in the 57th Venice Biennale, VIVA ARTE VIVA. Solo exhibitions of his work have been organised at Museo Novecento, Florence, Italy (2020); the Cranbrook Art Museum, Bloomfield Hills, MI (2018); the Contemporary Art Museum, Houston, TX (2012). Binion’s work is in numerous public and private collections and his most recent venture is the Modern Ancient Brown Foundation that provides funding and workspaces to help young visual artists and writers of colour find their voices.










Today's News

November 19, 2022

Thierry Mugler: Nothing is ever too extreme

No ordinary Joe

Lark Mason Associates Sale of Asian, Ancient and Ethnographic Works of Art achieves $932,045

As NYC swipes out MetroCards, one artist honors the yellow and blue

Almine Rech now presenting "Gioele Amaro: Just a painting" at Paris, Front Space

Pangolin London announces the passing of sculptor Charlotte Mayer

McArthur Binion Visual: Ear Paper: Work, exhibition at Xavier Hufkens

Philadelphia art dealers, Sara McCorriston and Jason Chen, purchase historic building in Old City

Nan Goldin and Laura Poitras: Two artists, one devastating film

A price on history? Aaron Judge's 62nd home run ball to be auctioned.

Hales opens a solo exhibition of paintings by British artist Mali Morris RA

Rolex and Patek Phillipe lead Heritage's Watches & Fine Timepieces event past $2.8 million

Art on the Underground presents Endurance at Brixton Underground Station by Shanti Panchal

Rarely-seen portrait by Balthus on view at the Wadsworth Atheneum Museum of Art

How 'The Lion King' got to Broadway and ruled for 25 years (so far)

A rising conductor who's 'not just a pair of hands'

James Hyman Gallery, Centre for British Photography, announces special fundraising sale

AGO expands Department of Indigenous art by appointing Taqralik Partridge as Associate Curator of Indigenous Art

Woody Auction announces 400+-lot Antique Sale, December 3rd

"Embrace" by Rohina Hoffman, a homage to family and food

Delfts Blauw museum through new eyes

Flying medal awarded to young Lancaster rear gunner to be sold at Noonans

A genre-spanning choreographer who says yes to the unknown

The Meaning of Colors in Number Painting

Finding the Best Type of Online Slots at Canadian Casinos




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful