WASHINGTON, DC.- The National Gallery of Art has acquired Bust of Francesco I d'Este (c. 1890/1900), a dynamic wash drawing by Italian portrait painter Giovanni Boldini (1842–1931). This rare work captures, in variations of brown and blue, Gian Lorenzo Bernini's (1598–1680) bust of the Duke of Modena, Francesco I d'Este (1610–1658), now in the Galleria Estense at Modena. Boldini created his work during the height of his success as a society portrait painter in Paris.
The dramatic curls and vigorous movement in the drapery found in Bernini's marble resonate with Boldini's equally theatrical style. The drawing portrays the head in full profile and exaggerates the essential features of the sculpture, eliminating the complication of the lace collar and the hint of armor. While broad loose brushstrokes dominate the area around the bust, the area below the mantle has been left mostly blank, except for a small drop of wash and the artist's signature.
The drawing relates to several works from the same period, such as those by John Singer Sargent (1856–1925), with whom Boldini is often compared. Historically significant, the Bust of Francesco I d'Este helps explain the evolution of abstract form in the work of Italian artists of the period, from their very first attempts to the Macchiaioli and the futurists. These groups disengaged from representation in favor of a more extravagant personal gestural style.
The work joins three contemporary compositions by Boldini in the National Gallery's collection: a chalk portrait drawing, a drypoint portrait of James McNeill Whistler (1834–1903), and an oil painting on wood. The drawing of Francesco I d’'ste exemplifies the artist's iconic style and sensibility, broadens the holdings of fin-de-siècle artists, and bridges the divide between earlier 19th-century impressionism and 20th-century modernism.
Major Two Volume Illustrated Book by Giorgio Fossati
Giorgio Fossati (1705–1785), born in Switzerland but active in Italy, was an architect, writer, stage designer, draftsman, and printmaker. The National Gallery of Art has acquired Raccolta di Varie Favole delineate ed incise in rame (1744), a book that was issued in six parts and bound in two volumes featuring letterpress text and 216 full-page illustrations. The first major work by Fossati to enter the National Gallery's collection, these volumes feature their original 18th-century Venetian vellum binding boards and illustrations inked and printed in a different color, including hues of red, blue, and green. Fossati's etchings depicting the fables of Aesop and Jean de La Fontaine targeted an international audience with text written in Italian as well as French—the cosmopolitan language of the 18th century. Some of Fossati's images reference earlier printed works, including Albrecht Dürer's woodcut The Rhinoceros (1515).
