Public Art Fund debuts a towering mythical mother sculpture at Central Park

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Public Art Fund debuts a towering mythical mother sculpture at Central Park
Bharti Kher, Ancestor, 2022. Courtesy the artist; Hauser & Wirth; Perrotin; Nature Morte, New Delhi; and is in the collection of the Kiran Nadar Museum of Art, New Delhi. Presented by Public Art Fund at Doris C. Freedman Plaza, New York City, September 8, 2022—August 27, 2023. Photo: Nicholas Knight, Courtesy of Public Art Fund, NY.



NEW YORK, NY.- Public Art Fund presents Ancestor, an 18-foot-tall patinated bronze sculpture by New Delhi and London-based artist Bharti Kher. The powerful new work is on view through August 27th, 2023 at Doris C. Freedman Plaza at the southeast entrance to Central Park. Depicting a universal mother figure linking our cultural and personal pasts and futures, Ancestor is Kher’s most ambitious work to date. The sculpture stems from the artist’s ongoing “Intermediaries” series in which Kher reassembles small, broken clay figurines of humans, animals, and mythical beings into hybrid figures that defy a fixed identity. Brought to life at a monumental scale, Ancestor embodies the complexity and potential of the “Intermediaries”, and of Indic and global traditions of creator deities that challenge identities by bringing together male and female into a single philosophical form. Ancestor, however, is a resolutely feminine figure. Adorned with the heads of her 23 children that extend from her body, she embodies multiculturalism, pluralism, and interconnectedness. They manifest a sense of belonging and celebrate the mother as a keeper of wisdom and the eternal source of creation and refuge.

“Bharti Kher’s impressive new sculpture, Ancestor, is exactly the kind of monument we need in the 21st century," says Public Art Fund Adjunct Curator Daniel S. Palmer. "It is a deeply personal expression of hybridity and global identity that invites dialogue about the importance of honoring our ancestors and fostering cultural exchange.”

Connecting New Delhi and New York City, Ancestor reflects Kher’s cross-cultural identity and her appreciation for India’s rich material culture. The sculpture proposes a genealogical, spiritual, and metaphysical inquiry into the meaning of society and is a sensitive investigation into our relationship with progeny, self, and memory. Ancestor articulates the artist’s ongoing consideration of the female body in history and the nature of corporeality as it moves between the sacred and profane. The artist’s unique approach to materiality in her choice to hand paint and patina bronze to look and feel like time-worn clay reflects the unresolved state between permanence and fragility. Draped in a sari, with a small child hiding behind its folds, and her fantastical hairstyle of a multi-lobed bun with braid, the mother stands tall at the entrance to Central Park. In contrast to monuments that glorify historical figures and commemorate traditional symbols of authority, Ancestor enters the public space as a powerful female force paying homage to the generations before and after her.

“I invite viewers to leave their wishes, dreams and prayers with Ancestor; and to pass on their wisdom of living and love to the next generation,” says artist Bharti Kher. “She is the keeper of all memories and time. A vessel for you to travel into the future, a guide to search and honor our past histories, and a companion–right here, right now–in New York City.”

Bharti Kher: Ancestor is curated by Public Art Fund Adjunct Curator Daniel S. Palmer.




Born in London in 1969, Bharti Kher has worked across painting, sculpture, and installation for more than two decades, transforming a range of everyday materials from the bindi to furniture, saris and clay figurines, into new states of being and forms that are entirely her own. Led by her personal experience of double displacement, Kher weaves together the daily rituals of everyday life drawn from multiple places with a kind of magical realism and created mythology. Highly attuned to the complexities of class, race, and gender, her artworks are multifaceted and un-fixed. Kher navigates this and her own position as a woman, creator, and artist traversing different geographic, cultural, and social environments. Her work encompasses an expansive range from figuration to abstraction, spanning the detailed cast bodies of sex workers to the adjacency of precariously balanced geometric and organic shapes and forms. Kher’s engagement with Indian visual and material culture informs both the subject and material of many of her works. Kher has exhibited in museums around the world, including solo exhibitions at the Irish Museum of Modern Art, Dublin, Ireland; DHC/Art, Montreal, Canada; Museum Frieder Burda / Salon Berlin, Berlin, Germany; Isabella Stewart Gardner Museum, Boston, MA; Vancouver Art Gallery, Vancouver, Canada; Rockbund Art Museum, Shanghai, China; and Baltic Centre for Contemporary Art, Gateshead, United Kingdom. Her work is held in the collections of Tate, London, United Kingdom; Queensland Art Gallery and Gallery of Modern Art, Queensland, Australia; Kiran Nadar Museum of Art, New Delhi, India; The Walker Art Center, Minneapolis, MN; Leeum Samsung Museum of Art, Seoul, Korea; Ishara Art Foundation, Dubai, UAE; and Guggenheim Abu Dhabi, Abu Dhabi, UAE; among others. The artist presently lives and works between London and New Delhi.










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