Jordan Nassar's first exhibition in Boston opens at ICA/Boston
The First Art Newspaper on the Net    Established in 1996 Saturday, July 13, 2024

Jordan Nassar's first exhibition in Boston opens at ICA/Boston
Installation view, Jordan Nassar: Fantasy and Truth, the Institute of Contemporary Art/Boston, 2022–2023. Photo by Mel Taing. Courtesy ICA/Boston.

BOSTON, MASS.- The Institute of Contemporary Art/Boston opened Jordan Nassar: Fantasy and Truth, a solo exhibition of the New York-based artist whose multifaceted practice draws on traditional Palestinian craft to investigate ideas of home, land, and memory. As a self-taught artist, Nassar (b. 1985 in New York) is mostly known for his use of Palestinian tatreez, a matrilineal tradition of cross-stitching. In collaboration with a Palestinian embroidery collective based in the West Bank, the artist composes his embroideries from numerous individually made panels that together weave breathtaking, layered panoramas suggestive of an expansive sky or a boundless horizon. Fantasy and Truth presents the artist’s largest embroidered panels to date, alongside recent work in wood and glass mixed media. Organized by Anni Pullagura, Curatorial Assistant, the exhibition is on view August 11, 2022 through January 29, 2023.

“Nassar’s work, with its complex patterning and painterly attention to form and color, elevates our understanding of craft traditions as long-standing and deeply meaningful forms of art. We look forward to sharing his work with audiences in Boston for the first time,” said Pullagura.

Tatreez is a tradition deeply rooted in the history and culture of Palestine. Since 1948, it has become closely tied to ideas of nostalgia, nationality, and heritage. Colors, patterns, and designs could distinguish a wearer both by where they were from as well as their social or familial status, or signal different stages of life. Nassar grew up with many of these motifs in his household, and began incorporating tatreez into his practice after meeting with women-led embroidery collectives in Ramallah, Hebron, and Bethlehem, with whom he now collaborates on some of his artworks.

Presented across the gallery space, the embroidered works offer visions of homelands at monumental scale. Nassar’s largest works to date—Song of the Flowers (2022) and Lament of the Field (2022)—are each composed of fifty-seven individual panels in richly varied warm and cool colors, introducing familiar motifs and patterns in an arrangement that together suggests a sun rising over a blue mountain or a moon shining across a red valley. Recalling the fragmentation of memory, time, history, and place, the panels individual language and collective dialogue offer a poetic remark on ideas of fantasy and truth. The exhibition title, as well as the titles of the two large-scale embroideries, draw from the poetry collection A Tear and A Smile (1914) by Lebanese writer Gibran Khalil Gibran (1883–1931), whose melancholic poetics address the ebb and flow of memory and history. Similarly, for Nassar, embroidery holds a tension between conflict and harmony in the relationship between stitch and thread, color and pattern.

“I like to discuss these landscapes as versions of Palestine as they exist in the minds of the diaspora, who have never been there and can never go there,” shares Nassar. “They are the Palestine I heard stories about growing up, half-made of imagination. They are dreamlands and utopias that are colorful and fantastical—beautiful and romantic, but bittersweet.”

In recent years, Nassar has expanded his practice to include glass and wood-based crafts. The ICA exhibition features glassworks in which the artist has arranged hand-flamed glass beads in a steel armature, similar to decorative latticework. In the wood pieces on display, Nassar has layered the natural grains of the wood with brass and mother of pearl to create richly inlaid surfaces; these designs recur in the artist-made benches also created for this exhibition.

Jordan Nassar (b.1985, New York, NY) earned his B.A. at Middlebury College in 2007. His work has been featured in solo and group exhibitions globally at institutions including the Whitney Museum of American Art, New York, NY; Asia Society, New York, NY; Princeton University Art Museum, Princeton, NJ; Museum of Arts and Design, New York, NY; Katonah Museum of Art, Katonah, NY; KMAC Museum, Louisville, KY; Center for Contemporary Art (CCA) Tel Aviv; Anat Ebgi, Los Angeles, CA; James Cohan, New York and The Third Line, Dubai, UAE. His work is in the permanent collections of institutions including the Whitney Museum of American Art, New York; The Alfond Collection of Contemporary Art, Rollins Museum of Art, Florida; The Los Angeles County Museum of Art, California; The Museum of Contemporary Art, California; and Rhode Island School of Design Museum, in Rhode Island, among others.

Today's News

August 15, 2022

What would Donald Judd do?

Manifesta 14 Prishtina has been open for three weeks, with impressive visitor numbers

Exhibition features works rarely exhibited during Luchita Hurtado's lifetime

Pace presents an exhibition of music photography by artists

National Air and Space Museum will open renovated West End Oct. 14

The Currier Museum of Art announces acquisition of Gee's Bend quilts

Timothy Taylor Gallery invites viewers to reconsider the domestic spaces and images around us

Foam presents an exhibition by self-taught photographer Mous Lamrabat

Library acquires original artwork by children's author Vera B. Williams

Carmel Allen appointed Managing Director of Tate

Free survey exhibition featuring new and recent work by 19 contemporary artists and collectives

'Queensland to a T' celebrating 120 years of the State Library of Queensland

Library of Congress appoints leaders to advance discovery and preservation of collections

Parafin opens Hiraki Sawa's third exhibition with the gallery

MFA St. Petersburg opens new exhibition, 'Multiple: Prince Twins Seven-Seven'

Jordan Nassar's first exhibition in Boston opens at ICA/Boston

Vivien Green Fryd awarded the 34th annual Eldredge Prize

The art of making garden rooms

The queen of slow fashion on the art of a slow exit

In the Mile High City, festivals and food are on the rise

He arranges songs and solves problems

Soda pop or ice cream soda? Morphy's Aug. 23-25 auction series lines up sweet advertising treats

An orchestra supports Ukraine, and reunites a couple parted by war

Zofia Posmysz, who wrote of life in concentration camps, dies at 98

No Deposit Bonus: What You Need to Know

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful