GRIMM opens 'The Kingfisher's Wing', a group exhibition curated by Tom Morton
The First Art Newspaper on the Net    Established in 1996 Saturday, November 23, 2024


GRIMM opens 'The Kingfisher's Wing', a group exhibition curated by Tom Morton
Tim Stoner, Casa del Rey Moro, 2009 - 2022.



NEW YORK, NY.- GRIMM is presenting The Kingfisher’s Wing, a group exhibition curated by Tom Morton drawing together paintings by Gabriella Boyd, Varda Caivano, Louise Giovanelli, Matthew Krishanu, Francesca Mollett, William Monk, Ryan Mosley, Christian Quin Newell, Mary Ramsden, Tim Stoner and Phoebe Unwin. The exhibition is the third collaboration between GRIMM and Morton, following the exhibitions Recent British Sculpture and Recent British Painting presented by the gallery in Amsterdam in 2011 and 2012 respectively.

The Kingfisher’s Wing takes its title from a motif in TS Eliot’s Burnt Norton (1936), a poem that is concerned with how we might live in the present moment, when it is both haunted by our memories of the past, and is forever merging seamlessly into the future:

After the kingfisher’s wing
Has answered light to light, and is silent, the light is still
at the still point of the turning world.

In the exhibition, these lines are offered as a spur to thinking about the peculiar temporality of the (still, restless) painted image, and the fugitive nature of color, form and meaning. Featuring works by eleven contemporary artists, each of whom has a strong connection to Eliot’s adopted homeland of Great Britain, The Kingfisher’s Wing sequences a set of distinct painterly propositions, attending to their echoed moods and preoccupations, and to their contrapuntal play of atmospheres, imagery and themes—the way they answer “light to light”.

Across the show, we encounter figuration and abstraction, the domestic and the mythic, landscapes and dreamscapes, bodies in motion and at rest. Here and there, we glimpse traces of painting’s long history and perhaps auguries of its possible futures. What emerges is not an argument for the medium as a “still point” in a “turning world” (it belongs, inescapably, to time), but rather as a repository of present-ness, and as a realm in which the moment lingers and thickens.

If Eliot’s kingfisher is a herald of sorts, here in the exhibition this bird—with its flashing blue and orange feathers, its uncommon, compact charisma—functions as a totem of our encounters with painting.

Kingfishers are found almost everywhere across the Earth, aside from at the poles and in the very driest deserts. Nevertheless, to chance across one always feels something of a blessing, a modest little miracle.

Tom Morton is a curator, writer and a Contributing Editor for Frieze magazine, based in Rochester, UK. His previous exhibitions include The City & The City & The City at Frestonian Gallery, London (2020); Äppärät at The Ballroom Marfa, Texas, USA (2015); Panda Sex at State of Concept, Athens, Greece; British British Polish Polish: Art from Europe’s Edges in the Long ‘90s and Today, CSW Ujazdowski Castle, Warsaw (2013, co-curated with Marek Goździewski); and British Art Show 7: In the Days of the Comet, Hayward Gallery London and touring (2010-11, co-curated with Lisa Le Feuvre).










Today's News

July 26, 2022

Pop Art legend Ruby Mazur announces opening of the Ruby Mazur Gallery in Waikiki

Eli Wilner & Company frames important paintings for the Virginia Museum of Fine Arts

Scandinavian furniture among star lots for Vintage & Modern Design auction at Ewbank's

San Francisco shines with new museums, restaurants and parks

Carleton Varney, interior designer known as Mr. Color, dies at 85

kaufmann repetto presents Pae White's seventh solo exhibition at the gallery

Karma opens an exhibition of sculpture and painting by Thaddeus Mosley and Frank Walter

Edward Feiner, 75, dies; Revolutionized the look of federal buildings

Jack Nicholson's Joker Costume from 1989's 'Batman' scares up $125,000 at Heritage Auctions

Pace welcomes Virginia Jaramillo

Open now at The Museum Of__ : Dana Van Horn, CAUGHT

Paul Sorvino, master of the mild-mannered mobster, dies at 83

GRIMM opens 'The Kingfisher's Wing', a group exhibition curated by Tom Morton

Gen Z designers made it big on this app. Now They're graduating.

'Seagull' review: Blurring the lines of fiction

Xavier Hufkens presents an exhibition on photography in the work of Belgian artist Michel François

Berkshire Museum welcomes new Executive Director

Artist Rose B. Simpson's powerful work featured at the Princeton University Art Museum

King's Cross unveils 'Natural Cycle': A giant interactive street art installation

'Finest Known' 1952 Topps Mickey Mantle rookie card expected to sell for $10 million+ at Heritage Auctions

The Grand Rapids Art Museum presents the first Major American Impressionism exhibition in over a decade

The Michael C. Carlos Museum presents 'Indigo Prayers: A Creation Story'

TJ Boulting to open 'Ahren Warner: we have a space for your every mood'

What are pay'n-play casinos?

Tips to Stay Safe While Gambling




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful