MARSEILLE.- Galerie Philia is presenting Héritages, an exceptional exhibition of art and design at the Unité dHabitation in Marseille, also known as La Cité Radieuse, by the father of modern architecture Le Corbusier.
Running from 7 May to 2 July 2022 and coinciding with the 70th anniversary of the 1952 residential housing masterpiece, the exhibition marks a first-time collaboration between Galerie Philia and the nomadic arts magazine Eclipse.
Héritages unfolds across two adjacent rooms, in an apartment with large bay windows built upon Le Corbusiers Modulor proportion system and around the concepts of resonances and dissonances. Through the work of several artists and designers, the exhibition aims to offer a creative visual response to Le Corbusiers modernist theories, which have been questioned, endorsed, and criticised at once hence the ideas of resonance and dissonance and to reflect on his influences on contemporary design and the visual arts.
Galerie Philia commissioned eight international designers to produce new works that explore, rethink and reinterpret Le Corbusiers urbanistic, architectural and decorative principles, while Eclipse magazine selected an ensemble of modern and contemporary artworks by six visual artists to illustrate Le Corbusiers affiliation and footprint on the visual arts.
In the first room dedicated to resonances, the new furniture designs can be seen as a continuation of Le Corbusiers legacy and historical heritage, responding harmoniously to his aesthetics. Highlights include a Le Corbusier-inspired vase by Rick Owens, known for his clean lines and brutalist signature, an armchair by Pietro Franceschini with pure yet functional volumes, and a minimalist sculptural sofa by Arno Declerq made of steel, a material often used by the celebrated architect. Indian designer Paul Matter, whose work is deeply influenced by the architecture of the Palace of Assembly in Chandigarh, presents a brass light based on the mathematical and precise measures of The Modulor. Three artworks, reflecting Le Corbusiers pictorial style and echoing his theorization of the harmony of forms, complete the display. They include works by Edgar Sarin and Mateo Revillo, and the original engraving Le Chevalier (1948) by Pablo Picasso.
The second room dedicated to dissonances features sculptural and visual works that reflect critically on Le Corbusiers theories of standardization and regularity. These include the ceramic table by Jojo Corväiá, full of irregularities and cracks, the notched and iridescent pedestal table in salt by Roxane Lahidji, the sculpted oak work by Jérôme Pereira exploring the question of balance always in motion, and the hammered bronze candlesticks by Niclas Wolf. Eclipse here selected drawings by modern artist Sam Szafran and contemporary artists Fabrice Hyber and Flora Temnouche to emphasize the importance of oscillations in visual arts. Hybers paintings made with vegetal resins depict volatile convolutions of intertwined leaves, and Szafrans and Temnouches drawings on paper feature interior landscapes in which the precision of the line serves a confused and diluting whole.
"Le Corbusier is considered one of the most influential historical figures in contemporary design. Either by affiliation or disaffiliation, the ensemble of works in this exhibition questions his work and his legacy, and intends to respond to his theoretical but also polemical genius, says Ygaël Attali, co-founder of Galerie Philia.
Set within the walls of Le Corbusiers architectural masterpiece La Cité Radieuse, the exhibition Héritages weaves a dialogue of resonances and dissonances between contemporary artists, designers and Le Corbusier, acting both as a tribute to and a critical reflection on his theoretical and artistic ideology, say Eclipse editors.