Solo exhibition of new work by Ricky Swallow on view at Modern Art
The First Art Newspaper on the Net    Established in 1996 Friday, December 13, 2024


Solo exhibition of new work by Ricky Swallow on view at Modern Art
Ricky Swallow, Sand in My Joints, Modern Art Bury Street, exhibition view, 7 April - 14 May 2022. Photo: Robert Glowacki. Courtesy: the artist and Modern Art, London.



LONDON.- Modern Art is presenting a solo exhibition of new work by Ricky Swallow at its Bury Street gallery. This is Swallow’s fifth solo exhibition with Modern Art.

Ricky Swallow’s sculptures begin with ordinary, domestic materials that are then cast in bronze to create carefully honed final objects. For over two decades, Swallow has explored the process of conversion that takes place when an object or combination of materials becomes a sculpture. His initial objects are always made by hand; their tactile imperfections enduring into the casting process. Once cast at the foundry, Swallow’s bronzes continue to be worked on in the studio, his participation a critical part of maintaining connection and control over the final form of the work. Latent references to painting, and specifically the Dutch still life tradition, resonate both in the figurative dimensions of his work as well as in its conceptual underpinnings. But these references are never uncomplicated, the trompe-l'œil effect for instance, present in Swallow’s work since its beginning, has always been a means to an end – an attention trap, or a way to slow down perception and experience - rather than an end in itself. What becomes important is the tactility and physical presence of the sculptural components, a registered and experienced behaviour of the elements comprising each piece.

Both in its process and in its figurative content, painting remains a clear reference in Swallow’s new body of work for Modern Art, which can broadly be divided into two groups; one given the name ‘Calendars’, and the other ‘Skewed Reliefs’. Wall-based and hung at eye level, each of these works is made as a gridded or lattice wooden shaped structure with rope interwoven into it in various formations, and then cast in bronze; the movement inherent in their original forms and materials suspended in space. While the gridded structures are patinated, the cast ropes are intricately hand-painted by Swallow over time, a process reflecting the meditative experience of being in the room with them. From piece to piece, the ropes looping and curving in different compositions, almost like musical scores of varying density, lyricism, and gravity; their shadows like an echo carrying equal weight. Swallow’s new works bring together his interests in certain histories of painting, with Minimalist objects, as well as commonplace architectural fixtures and fittings such as the dynamism of a concertina structure, or the visual arrangement of duration in a wall calendar.

Ricky Swallow lives and works in Los Angeles, California, USA. He was born in San Remo, Victoria, Australia in 1974. In 2005 Swallow represented Australia at the 51st Venice Biennale and was included in the 2014 Whitney Biennial. Swallow’s work has been the subject of solo and two-person institutional exhibitions including at The Huntington Library, San Marino, CA, USA (2012); The National Gallery of Victoria, Melbourne, VIC, Australia (2009); The Douglas Hyde Gallery, Dublin, Ireland (2007); Kunsthalle Vienna, Vienna, Austria (2007); Art Gallery of Western Australia, Perth, WA, Australia (2006); and MoMA PS1, New York, NY, USA (2006). His work has been included in exhibitions at the Georgia Museum of Art, Athens, GA, USA (2021); Ahmanson Gallery, Irvine, CA, USA (2019); The Michael Buxton Centre of Contemporary Art (MBCOCA), Parkville, Australia (2018); Musée des Arts Décoratifs, Paris, France (2017); National Gallery of Victoria, Melbourne, VIC, Australia (2017, 2011, 2005, 2004); The Hammer Museum, Los Angeles (2014); Museum of Contemporary Art, Sydney, NSW, Australia (2010, 2006); Aspen Art Museum, Aspen, CO, USA (2008, 2007); Yokohama Museum of Art, Yokohama, Japan (2007); Dunedin Public Art Gallery, Dunedin, New Zealand (2006); Queensland Art Gallery, Brisbane, QLD, Australia (2005); and The Institute of Contemporary Art, ICA, Boston, MA, USA (2005).










Today's News

May 4, 2022

A Word from Collector Karun Thakar on "Indian Textiles: 1,000 Years of Art and Design" in Washington, DC

MFA Boston transfers antique marble head to the Republic of Italy

Exhibition pairs masterworks of Italian Gothic painting with Lucio Fontana's spatial concepts

Thaddaeus Ropac opens Elizabeth Peyton's first exhibition in France in over a decade

David Claerbout solo exhibition opens at Sean Kelly Gallery

Christie's announces highlights included in the Geneva Magnificent Jewels sale

Gladstone 64 opens an exhibition of works by Kerstin Brätsch

Thomas Dane Gallery opens an exhibition of Amie Siegel's new large-scale moving image work, Bloodlines

First show of Mel Bochner's work to use drawing as its principal organizing focus opens in Chicago

MLF Marie-Laure Fleisch opens Alice Cattaneo's new solo exhibition

Solo exhibition of new work by Ricky Swallow on view at Modern Art

Thierry Goldberg opens an online exhibition of works by Brittany Miller

White Cube opens an exhibition of works by Jeff Wall

Almine Rech Paris opens Hajime Sorayama's first solo exhibition with the gallery

Miles McEnery Gallery opens an exhibition of paintings by Alex Dodge and Tom LaDuke

Anna Laudel opens Serkan Küçüközcü's solo exhibition titled "Un-limited Motion"

Jack Hanley Gallery opens a solo exhibition with new paintings by Koichi Sato

Anh Duong "Without Obsession I Am Lost", her first solo show opens in Los Angeles

Juana Williams named Associate Curator of African American Art at the Detroit Institute of Arts

Kelvin Browne to retire as Executive Director and CEO of the Gardiner Museum

Blue Star Contemporary names Asaiah Puente Education Manager

52 Walker opens an exhibition featuring the work of Amsterdam-based artist Nora Turato

Exhibition of new paintings by Georgian artist Tamo Jugeli opens at Polina Berlin Gallery

Worcester Art Museum announces new Associate Curator of Contemporary Art

The 50+ Tattoo Hook: Manopause or Self-Realization

3 Reasons Why CAD Blocks Are Useful

Why Some Young Men Struggle to Flirt Well

Beautiful Artwork for International Children's Day

5 Wonderful Ways Artists Benefit From Using Cannabis

How to Increase Your Exposure to Cryptocurrcenies Without Purchasing Them?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful