'Lula Mae Blocton: The First Two Decades, 1970-1990' on view through April 30th at Skoto Gallery

The First Art Newspaper on the Net    Established in 1996 Sunday, May 26, 2024

'Lula Mae Blocton: The First Two Decades, 1970-1990' on view through April 30th at Skoto Gallery
Lula Mae Blocton-Abstraction 35, 1976, oil on canvas, 48x72 inches. Courtesy of the artist and Skoto Gallery.

NEW YORK, NY.- Lula Mae Blocton moved from Michigan to a loft near Cooper Union in 1972. From her first entry into the art world, Blocton has been fighting for acceptance and visibility of the LGBTQ community and the Black and feminist communities. As she remarks: “There have been two constants in my life: a love of art—formal, precise, abstract—and a concern for human dignity and civil rights.” Like many Black abstractionists, Blocton was criticized for eschewing figuration, for not painting scenes contributing to the political conversation. Nothing could have been further from the truth. Indeed, she claimed abstraction as a right, not the preserve of a privileged few. For her, thoughts about color were as concrete as they were political, personal, and spiritual. In time, Blocton would propose that colors, black, white, and beyond—the entire light spectrum—could evoke, metaphorically, the palette for an inclusive society.

Blocton’s color grids of the 1970s explore the full color spectrum and are at times reminiscent of textile patterns. Her close observation of weavings brought to her paintings an understanding of overlay and colored edges. The hues are lively and rich, the compositions dreamy. In her drawings, the textures are fuzzy and delicate, reminiscent of mohair. In the paintings, light seems to get caught in the brushstrokes. One feels the evocation of sunsets, summer lights, dawns, overcast atmospheric skies, all captured in a grid. Despite their abstraction, Blocton’s 1970’s compositions refer to the atmospheric light of New York City and other sites. The artist sensibility found inspiration in the shift of lights viewed through her windows. In these paintings luminosity comes from the back of the picture as it does in a stain glass. Light manifests itself as a movement through the colors and influences the color gradations. Blocton’s palette shows already the sophistication of a great colorist: her grays have greens, her red oranges, her blues pinks, and her white blues.

In the 1980’s with the Twisted Forms, Transparent Bands series, Lula Blocton entered a phase of horizontal expansion. Space became the center of the exploration. She remembers ”In this series, I aimed to create images that would expand the viewer’s perception of space into multiple dimensions.” The works expressed a new level of energy and dynamism. To extend their reach, Blocton started producing multi-panel works. The artist took on the polyptych in different formats: diptychs and triptychs on canvas and, occasionally, quadriptychs on paper, by combining sheets. The three-dimensional illusionism in this series is remarkable. It combines sculptural modeling to effects of transparencies and light reflections. To compose these works, Blocton set up still lives in her studio with rolls of translucent paper and color grid works set up behind them. The results are drawings and paintings of incredible precision level. These works are made from observations and scrutiny of the objects in front of the artist, in the same way Renaissance masters worked and Picasso set up his cubist guitars. Blocton demonstrates impeccable technique and sense of rhythm in these playful and masterful rendering of reality, which appear completely abstract. Lula Mae Blocton b. 1947 is Michigan-born and traces her heritage to a rural community near Selma, Alabama. She earned an MFA from Indiana University and retired as an Emeritus Professor at Eastern Connecticut State University in 2014. She lives and works in Connecticut.

Curator: Barbara Stehle, Ph. D

Today's News

April 7, 2022

Anders Wahlstedt Fine Art opens an exhibition of works by Terry Rosenberg

Gagosian announces shared representation of Jordan Wolfson

The site called 'Machu Picchu' had another name first, researchers say

A lover's impact on David Wojnarowicz, for all to see

Oehme landscape acquired by Nationalmuseum

National Air and Space Museum receives $25 million gift from Raytheon Technologies

Christie's will offer the Collection of Thomas and Doris Ammann

India Art Fair returns this month

Bobby Rydell, teenage idol with enduring appeal, dies at 79

VOLTA New York announces exhibitor list for 2022 edition

'Lula Mae Blocton: The First Two Decades, 1970-1990' on view through April 30th at Skoto Gallery

The 'rarest Nike shoes ever' hit the ground running at Heritage Auctions April 20

Honolulu Museum of Art names Penni Hall as chief operating officer

Roland White, a shaper of bluegrass and country-rock, dies at 83

Museum of Arts and Design names Benjamin Strauss as Deputy Director, Institutional Advancement

Enamel Arts Foundation donates 938 enamels to four museums

Highest-graded copy of 'Sonic the Hedgehog' to reach market rolls up to Heritage Auctions

Nehemiah Persoff, actor with a familiar face (and voice), dies at 102

FotoFocus announces plans to open new arts center in Cincinnati in 2024

Writers gather to discuss the role of literature in times of war and isolation

June Brown, a mainstay of Britain's 'EastEnders,' dies at 95

Meet DALL-E, the AI that draws anything at your command

Step behind the scenes and discover London Transport Museum's poster collection

Richard Linklater and Sandra Adair: Three decades of action and cuts

Professional Cummins Diesel Engine Supplier - Aoright

188Bet - Overview and Competitors

What are short-term loans and their benefits?

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful