Thomas F. Staley, dogged pursuer of literary archives, dies at 86

The First Art Newspaper on the Net    Established in 1996 Friday, May 10, 2024


Thomas F. Staley, dogged pursuer of literary archives, dies at 86
As head of the Harry Ransom Center in Texas, he enhanced its holdings by acquiring the papers of a host of literary lions, and of Woodward and Bernstein to boot. Photo: Larry D. Moore.

by Richard Sandomir



NEW YORK, NY.- Thomas F. Staley, who as the director of the Harry Ransom Center at the University of Texas at Austin elevated its standing as a go-to home for the literary archives of major writers like Norman Mailer, David Foster Wallace and Don DeLillo, died on Tuesday at his home in Austin. He was 86.

His son Tim said the cause was bladder cancer.

Staley, a scholar of James Joyce, arrived at the university in 1988. Over the next 25 years, he brought a literary sensibility and a competitive zeal to acquiring collections — and keeping them from going to universities like Harvard and Yale.

Stephen Enniss, who succeeded him as the Ransom Center’s director, said Staley had been adept at persuading university administrators, donors and the public at large to preserve literature that he saw as of lasting value.

“Tom’s enthusiasms became everyone’s enthusiasms,” Enniss said by phone.

When an author asked for three reasons his papers should go to the Ransom Center, Staley told The New York Times in 2000, he responded by saying, “Graham Greene, Evelyn Waugh and James Joyce" — whose papers are all in Austin.

To fund his purchases, Staley used endowment income, private donations and university allocations.

In a profile in The New Yorker in 2009, he was quoted as saying his pursuit of collections was “chess, not checkers.” He kept his eye on aging writers. He once put a woman he thought was dating Cormac McCarthy on Ransom’s advisory board, according to the profile, “in the hope — vain as it turned out — that it would prompt the reclusive author to sell his papers.”

McCarthy, the author of “No Country for Old Men” among other acclaimed novels, sold his archive to Texas State University in San Marcos in 2007.

In 2005, to purchase the Mailer archive (which contains items like book drafts, report cards, screenplays, scrapbooks and car repair bills), Staley helped raise half of the $2.5 million cost. Two years earlier, the center had paid $5 million for the Watergate papers of Bob Woodward and Carl Bernstein of The Washington Post, a trove that included their reporters’ notebooks, galley proofs of their Watergate books, research files and financial records.

Glenn Horowitz, a rare-book dealer who brokered many archival sales to Ransom, including the Mailer, DeLillo and Woodward-Bernstein transactions, said that the Ransom Center — founded in 1957 by Harry Huntt Ransom, an English instructor who later became the university’s chancellor — had long been a prestigious repository of cultural archives when Staley was hired from the University of Tulsa.

“But it had gone through a fallow period under the previous director, and Tom stuck the hose into the gas tank and filled it up to the brim,” Horowitz said in a phone interview. “He was a showman and an academic who knew how to involve well-off Texans in his acquisitions.”




One of them was a World War II veteran who had married into a wealthy oil family but had never heard of Mailer when Staley approached him. After Staley “put the squeeze on him,” Horowitz said, the old soldier wrote a check for $250,000, then matched it when he met Mailer at a dinner honoring him in Austin.

Thomas Fabian Staley was born on Aug. 13, 1935, in Pittsburgh and grew up in Tulsa, Oklahoma. His father, Fabian, was a chemist, and his mother, Mary (McNulty) Staley, was a homemaker.

He earned a bachelor’s degree in English literature from Regis College in Denver in 1957 and also pitched for the college’s baseball team. A year later, he received a master’s in literature from the University of Tulsa, and in 1962 he earned his Ph.D. from the University of Pittsburgh with a dissertation about F. Scott Fitzgerald.

By then he had begun his teaching career — first at Rollins College, in Winter Park, Florida, for one year, and then at the University of Tulsa, where he taught literature for 25 years. In 1963, he founded the James Joyce Quarterly, which he edited for a quarter-century; he also taught courses in Joyce and the novelist and playwright Italo Svevo at the University of Trieste in Italy as a Fulbright scholar in the 1966-67 academic year and wrote or edited books about Joyce and British novelists Jean Rhys and Dorothy Richardson.

In the 1980s, Staley became the dean of the college of arts and sciences at Tulsa and later the university’s provost; while there, he acquired literary collections for the university’s McFarlin Library, including those of Rhys, who wrote “Wide Sargasso Sea”; critic Edmund Wilson; and Richard Ellmann, a Joyce biographer.

Not long after being hired to run the Ransom Center, Staley learned that the archives of Stuart Gilbert, Joyce’s translator and friend, were available. According to The New Yorker, the papers, which cost the Ransom Center $265,000, came with an unexpected find: Joyce’s handwritten edits of the first chapter of “Finnegans Wake.” Staley estimated that those pages alone were worth $750,000.

In the 25 years that followed, he acquired the papers of dozens of literary luminaries, including Doris Lessing, Jorge Luis Borges, J.M. Coetzee, Penelope Lively and Isaac Bashevis Singer, as well as the archives of Robert De Niro and Life magazine photojournalist David Douglas Duncan. Staley also continued to teach English.

When Staley visited playwright Tom Stoppard at his home in England, he found his papers scattered in his study and in another building on his property. As Staley recalled to The Times, Stoppard told him, “What you want is mostly stuff I would throw away: notes on this and that.” But there were also drafts of his plays, notes on revisions and drawings of stage sets.

On another trip, to Arthur Miller’s house in Connecticut, Staley learned that in a box Miller thought had been filled with roofing nails, he had discovered valuable notebooks and a short story — the very type of items that help fill an archive. Although parts of Miller’s archive had been at the Ransom Center for decades, a formal deal to acquire the collection, for $2.7 million, was not made until 2017.

In addition to his son Tim, Staley is survived by his wife, Carolyn (O’Brien) Staley, known as Muffi; his daughters, Carrie Staley and Mary Wheeler; another son, Tom Jr.; and six grandchildren.

Staley’s aggressive and successful pursuit of so many literary stars’ papers suggested to him that he had guided the Ransom Center to victories in a state that loves to think big.

“People take a special pride here in winners,” he told The New Yorker. “They like success.”

This article originally appeared in The New York Times.










Today's News

April 4, 2022

Treasure hunting at the Winter Show

Yale Museum surrenders items as part of art looting investigation

Gagosian opens an exhibition of new paintings and a sculpture by Adam McEwen

'Canaletto's Venice Revisited' opens at the National Maritime Museum

'Rana Begum: Dappled Light' opens at Pitzhanger Manor & Gallery

Thaddaeus Ropac Paris Marais presents an exhibition of works by Austrian artist Erwin Wurm

The library ends late fees, and the treasures roll in

Exhibition sheds light on Miró's most personal side by reviewing the collections he created for his family

kamel mennour opens an exhibition of works by Maryan

National Gallery of Victoria opens the most comprehensive explorations of portraiture ever mounted in Australia

Exhibition "The War of the Mushrooms" opens at the Ukrainian Museum

Exhibition about women sculptors opens at Nationalmuseum

Thomas F. Staley, dogged pursuer of literary archives, dies at 86

'Macbeth' performances on Broadway pause after Daniel Craig tests positive for coronavirus

A playwright makes the scene in New York's living rooms

British Library acquires archive of writer, teacher and ethno-psychotherapist Beryl Gilroy

TJ Boulting presents Blob by Eddy Frankel

The Art & Antiques Olympia returns reinvigorated in June 2022

Exhibition of new paintings by Mehdi Ghadyanloo on view at Gagosian

The New York Studio School presents a research-based group of works on paper by Lourdes Bernard

Fondazione Furla and GAM - Galleria d'Arte Moderna, Milan announce a multi-year partnership

Michelle Materre, champion of Black independent film, dies at 67

Estelle Harris, George's mother on 'Seinfeld,' dies at 93

Bill Fries, singer known for 1970s trucking ballad 'Convoy,' dies at 93

Zee TV Top 3 Dramas 2022 Review

Top 6 Art Schools in the UK for International Students




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful