|
The First Art Newspaper on the Net |
|
Established in 1996 |
|
Sunday, December 22, 2024 |
|
Ippodo Gallery opens an exhibition of works by Yukiya Izumita |
|
|
Each work reflects the interior and exterior journey that led to their creation.
|
NEW YORK, NY.- The 25 ceramic works in the Yukiya Izumita exhibition are in perpetual tension. His inventive use of layered clay is as sophisticated as it is attuned to the earth, with the folds of mud suggestive of the toil they require.
Each work reflects the interior and exterior journey that led to their creation. Izumita relies on the salt-rich clay of the Iwate prefecture in the Tohuku region of Northeast Japan, known for its harsh weather. This coastal enclave is among the most severe in Japan, but because the artist lost his Rikuzentakatahome in the tsunami of 2011, he finds solace in the laborious processes required to produce each piece. Over and over, pound by pound, Izumita carries the sands from outside his windy Noda Village studio, allowing the catharsis of the arduous journey to give way to harmony and insight.
From the white-capped waves of snowy Iwate, the rocky seaside sands give way to yellow-, red-, and black-toned glazes. Trusting the sensory intuition of his hands, Izumita folds the regular, used pieces of paper freely, his spirit transcendent in the motion. He smooths with his hands, embracing only the quiet sound of washi paper spreading across the table as he meditates on his creation. The dry result is a multi-dimensional surface full of possibilities, aligned with the natural landscape of the earth.
Paper and soil represent a synergy, the artist explained from his studio. Paper gives me infinite shapes, and clay shows me an abundance of forms.
The title of the exhibition derives from the method used for the signature folds of the ceramics. Layer by layer, coastline driftwood grounds the artist with a sense of rootedness and balance. And yet, we can never be sure of our footing. In the chaos of an environmentally unstable world, the only thing that is truly permanent is the centrifugal motion of change as time soldiers on.
Izumita has shown with Ippodo Gallery since immediately following the loss of his hometown, and this most recent selection of works addresses a similar but new pain. As we collectively soldier the COVID-19 pandemic, the spirituality of at once embracing and re-narrating the pain is ever more relevant. A broader lesson is revealed: we can all learn resilience and strength from Izumita's artistic journey.
Now more than ever, the tactility of the works speaks to our need to reconnectto the earth and to one another. An emphasis on environmental embrace has always been central to Ippodo Gallerys mission, and its pertinence echoes through each work of art.
Izumita trained in Kokuji-ware under Gakuho Shimodake in 1992, opening his own workshop in Noda Village, Iwate Prefecture, on the border with the northern ceramic production area of Aomori Prefecture in 1995. In Japan, Izumita has been the recipient of numerous accolades, including the Grand Prix at the Asahi Ceramic Exhibitions of 2000 and 2002 and the Excellence Award at the 20th Biennial Japan Ceramic Art Exhibition in 2009. His international acclaim began when he participated in SOFA New York in 2005, then exhibited in New Mexico and at Ippodo in 2012. His work is held in American public collections such as Yale University Art Gallery, the Philadelphia Museum of Art, and the Los Angeles County Museum of Art.
|
|
Today's News
January 16, 2022
Soot, spit and paper: James Castle's transfixing worlds
Exhibition includes a selection of contemporary and modern artists who share the same pioneering spirit
Pace presents Jeff Koons's sculpture Balloon Venus Hohlen Fels (Magenta) in Palm Beach
Iwona Blazwick OBE to step down as Director of Whitechapel Gallery
Nikola Tesla letter discussing his place among America's greatest inventors sells for $341,295 at auction
Ippodo Gallery opens an exhibition of works by Yukiya Izumita
Terry Teachout, arts critic with a wide range, is dead at 65
Catherine Southon to offer a 4,000 year-old Egyptian headrest discovered in a house clearance
Cortesi Gallery opens an exhibition of works by Grazia Varisco and herman de vries
On Abraham Lincoln's birthday, an epic event at Heritage Auctions spanning the President's life and times
Andréhn-Schiptjenko opens Omid Delafrouz's third solo exhibition at the gallery
Exhibition of new paintings by American artist Chris Finley on view at Galerie Richard
The Wattis Institute presents 'Josh Faught: Look Across the Water Into the Darkness, Look for the Fog'
Exhibition at Wave Pool features artists working within the context of a larger collective
Galerie Nathalie Obadia opens an exhibition of Chinese artist Wang Keping's work
Dancing that unfolds like a prayer
Exhibition brings together artists as they delve into the past through personal memories and cultural histories
1929 Bentley Speed Six Le Mans-style Tourer for sale with H & H Classics
Multidisciplinary artist explores Asian and American traditions in works both personal and universal
Casula Powerhouse Arts Centre announces 67th Blake Prize finalists
New Chief Executive announced for Adelaide Festival
Paul Carter Harrison, whose ideas shaped Black theater, dies at 85
Rosa Lee Hawkins, youngest member of the Dixie Cups, dies at 76
Tarot cards help determine art's outcome
5 Ways to Get Your Kids into Art This Year
Digital Marketing and the challenge and opportunities for 2022
How to keep your car well maintenanced
Photography is an art available to everyone.
How to Get the Benefits of Elderberry: A Step-by-Step Guide
TOP 5 REASONS WHY PEOPLE CHOOSE BOOSTING
|
|
|
|
|
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, . |
|
|
|
Royalville Communications, Inc produces:
|
|
|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful
|
|