Emmanuel Louisnord Desir's first exhibition with François Ghebaly opens in Los Angeles
The First Art Newspaper on the Net    Established in 1996 Monday, November 11, 2024


Emmanuel Louisnord Desir's first exhibition with François Ghebaly opens in Los Angeles
Installation View, Emmanuel Louisnord Desir, Prisoners of Hope, 2021, François Ghebaly, Los Angeles. Photo: Ian Byers-Gamber. Courtesy of the Artist and François Ghebaly Gallery.



LOS ANGELES, CA.- François Ghebaly is presenting Emmanuel Louisnord Desir’s Prisoners of Hope, the Los Angeles-based artist’s first exhibition with the gallery.

At heart of Emmanuel Louisnord Desir’s practice is an exploration of relationships—familial, communal, and above all, spiritual. Often composing his works around seeds of lyrical wisdom, Desir shifts seamlessly between material modes, employing carved wood, welded and cast metal, found object assemblage, 3D printed resin and oil painting. He draws from personal anecdote, diasporic history, arcane symbolism and Abrahamic narrative, inhabiting a cosmology all his own.

Desir’s work offers close reflections on the remnant of a divine people and the spiritual and physical infirmities inflicted by contemporary life. In works like Ode to Job, his figures are studded with boils, scars, and scorches, in part evoking the maladies of the Biblical Job, who was tested by God and the Devil, yet remained true to his faith. Desir’s wooden sculptures are marked with burns and pocks, representations of the physical ailments of those who have been tried by fire.

Desir draws out parables of generational growth through material. The work Ode to Jesse depicts an entire genealogy in coiling interconnection. From the sculpture’s furrowed base grow generations of figures, each erupting from the last and branching outward. The contorted relationships between successive generations show figures inseparable from their predecessors; after all, each lineage is hewn from a single, continuous branch. Intergenerational traumas—personal, collective, spiritual—migrate along the path of heredity. They invade and inhabit the lives of descendants and their children. Growth demands that individuals navigate alongside and in spite of the obstacles of inheritance.

The portrayal of individuals as vessels is an important motif across Desir’s practice. The work Captive Stew is a lidded wooden bowl, equally stricken with boils, that houses an amorphous stew of resin figures, melted together as though boiled alive. In Ms. Lady, a mother with glassy topaz eyes is constructed as a hinged cabinet, granting safeguard to a small figure inside at her own expense. These vessels bear personal history, collective trauma, interior worlds, and the bonds of kinship.

Quietly nestled in each work is a cry homeward. Guardians and ancestors offer not only the burden of their own adversity, but wisdom, safety, and passage to growth. The title of the exhibition, Prisoners of Hope, captures these interrelationships: a generation beholden to and, ultimately, delivered by the lives, lessons, and tribulations of those that came before.

Emmanuel Louisnord Desir (b. 1997, Brooklyn, NY) lives and works in Los Angeles. He holds a BFA from The Cooper Union, and recent solo exhibitions include Swing Low, Sweet Chariot in 2020 at 47 Canal, New York. Prisoners of Hope at François Ghebaly is Desir’s second solo exhibition, and his first time exhibiting in Los Angeles.










Today's News

September 27, 2021

'Ancestor' of Mediterranean mosaics discovered in Turkey

Exhibition brings together over a dozen of Frans Hals's best male portraits

Exhibition conveys approaches to art from the 1930s to the present day

Joe Minter hears the bulldozer coming. Will his artwork be saved?

Hindman Auctions to present timepieces by top designers in October sale

Missing gold Fabergé egg found by scrap-metal dealer and pair of royal sculptures reunited to feature in exhibition

Exhibition brings together paintings from the last five years of Jesse Murry's life

'Ghost Calls and Meditations': Kunsthaus Pasquart opens an exhibition of works by Emma Talbot

Galerie Guido W. Baudach displays two brand-new series of assemblage-like sculptures by Jasmin Werner

UCCA Center for Contemporary Art opens Huang Rui's largest solo exhibition in recent years

Exhibition at Lunds Konsthall reflects on the relationship between humans and animals

Jewel of Roman Empire lies neglected in Libya chaos

Exhibition featuring Indigenous artists Marie Watt and Cannupa Hanska Luger opens at the Carlos Museum

George Mraz, consummate jazz bassist, dies at 77

The score of Final Fantasy gets its due at the concert hall

Colby College officially breaks ground on the Gordon Center for Creative and Performing Arts

Artist group IC-98's Lands of Treasure opens at Serlachius Museums in Finland

María Mendiola, half of a chart-topping disco duo, dies at 69

Argentinian couples win top tango competition after Maradona tributes

Joel Coen's Macbeth: pure and somber

DMW Gallery in Antwerp presents a solo show by Marius Ritiu

Emmanuel Louisnord Desir's first exhibition with François Ghebaly opens in Los Angeles

Stars lend voices to world-spanning concert for climate, vaccines

Guido Spars appointed Founding Director of the Federal Bauakademie Foundation

Reasons To Begin Practicing An Art




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful