"Julia Becker: Body of Land" opens at Paris Gibson Square Museum of Art
The First Art Newspaper on the Net    Established in 1996 Friday, December 13, 2024


"Julia Becker: Body of Land" opens at Paris Gibson Square Museum of Art
Julia Becker, Untitled, 2020, Original watercolor and gouache on paper, 10 x 14 inches.



GREAT FALLS, MT.- Paris Gibson Square Museum of Art invites Julia Becker, a recognized multimedia artist, and Professor of Fine Art at University of Providence in Great Falls Montana, to present a solo exhibition titled Body of Land. Becker’s exhibition is a multi-layered experience which participates in and responds to EXTRACTION: Art on the Edge of the Abyss, a cross-border multimedia environmental intervention and project of the CODEX FOUNDATION. Becker and the museum are pleased to take part in the EXTRACTION movement via the curatorial direction of Nicole Maria Evans, Curator of Exhibitions and Collections.

EXTRACTION: Art on the Edge of the Abyss, is an event created by collaborators and founders Peter Koch, Edwin Charles Dobb (1950-2019,) and Sam Pelts, which is taking place throughout 2021. Their passion and knowledge about global environmental matters and an understanding that art moves people towards action was the impetus for EXTRACTION’s creation. Montana art museums, galleries, and art spaces are specifically engaged in this project because of Peter Koch’s and Edwin Dobb’s deep connection to Montana.

Koch was born in Missoula with a strong family history in the state, he is a letter press printer, bookmaker, writer, and founder of the CODEX Foundation. Dobb was an environmental journalist and photographer for National Geographic who made Butte his home. Together they conceived of this project in 2019 and viewed Montana as a place dear to them and of immediate concern regarding environmental problems. This is a collaborative community driven international movement which brings together artists, curators, writers, dancers, performers, musicians, photographers, and filmmakers together with over 50 museums, galleries, and public performance spaces world-wide to address a single theme: the consumption of the planet’s natural resources, which is the most pressing environmental issue of our time, encompassing all others, including climate change.




Body of Land, at Paris Gibson Square Museum of Art, will showcase the result of Julia Becker’s inquiry and work for her Body of Land project. Video documentation of her body ritual movements, which are site driven, will be incorporated into an installation in the gallery space with the inclusion of Becker’s artist books and paintings/monoprints. Julia Becker maps out the bodily experience within the landscape. Her work is informed by research in topography, neurology, ecology, and is focused on the impact industry has on the land we live on and the bodies we live in.

As a 63-year-old, I trust my process, my deep knowing, my life experience and inclinations. When the Extraction project was brought to my attention, I was inspired to look through decades of work considering the concepts presented and found this vein deep in my life’s work. Having grown up next to what is now a Superfund site, a chemical dump in the middle of Cincinnati, and our family farm where I indulged in quiet time within nature, I was aware of conflicts manmade and natural as a young child. Eventually, I traveled the world with open eyes, taking it all in, and working jobs at the interface (wildlands fire fighter, gardener/farmer, wilderness ranger and trail crew, landscaper for a company who did mine restoration). As a youngster, I made my way to Montana after hiking the Appalachian trail from Virginia to Maine and in desperate need for a long solo walk, in nature, to experience deep Wilderness. Eventually I worked for the Bureau of Land Management and the United States Forest Service in the Wilderness. I did this after studying wilderness ecology in Missoula in the late 1970’s with amazing professors in an interdisciplinary program “Wilderness and Civilization”. Through my many pursuits, I continued to write poetry and create art every day as that has always been my nature.

Body of Land, involves an inquiry into the local landscape where industry happens, people live, and wild nature convene. The great Missouri River and the ancient cottonwoods that stand in its pathway; the dams and their effects on currents, flow, animal life and migration, health, and safety; the toxic dumps and history of dumping into our water veins and arteries; abandoned structures of past exploitation and ravishes of the topography; power lines across every rise of land stirring images of Golgotha. The skeletons and bones of the land.

–Julia Becker, 2021










Today's News

August 13, 2021

Rediscovered drawings by young Gainsborough to go on display for the first time

San José Museum of Art announces new acquisitions

Caroline Kent's first solo museum exhibition opens at the Museum of Contemporary Art Chicago

Acquisition of portrait miniature brings new narratives to the Allen's Gallery of European Art

Aztec spirit lives on in Mexico after 500 years

Exhibition at Ben Brown Fine Arts presents the work of five artists living and working in Hong Kong

Hoda Afshar wins $15,000 Ramsay Art Prize 2021 People's Choice

Final chord: royal piano restorer sells lifetime's collection

Archive of Tony Award-winning theater designer Kevin Adams goes to the Harry Ransom Center

Moderna Museet appoints Hendrik Folkerts as Curator of International Contemporary Art

Alexander Berggruen now representing Danny Fox, Hulda Guzmán, and Paul Kremer

Exhibition at Museum Folkwang presents 120 years of dance and art history

"Julia Becker: Body of Land" opens at Paris Gibson Square Museum of Art

VanDerBrink Auctions to offer the lifetime collection of Neil Krinke

Royal Ontario Museum announces appointment of Associate Curator, Japanese Art & Culture

Southbank Centre appoints new artistic director

See works by the greats and a new generation of Scottish sculptors at Marchmont House

Independent New York announces details of the artistic program

Japan House London launches large scale geometric project exclusively designed by Tokolo Asao

Edinburgh Fringe is back. Is a smaller festival better?

Alvin Ailey American Dance Theater announces in-person season

Reggaeton's history is complex. A new podcast helps us listen that way.

$500,000 gift given to Housatonic Museum of Art by Werth Family Foundation

A comprehensive list of top arts careers and their salaries

Guide to Purchase a Custom Canopy Tent Fit for Tight Budget

Shadowlands Mythic Keystones Boost - A Perfect Way To Achieve Your Goals

Decorate home with your favourite Canvas Photo Prints




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful