NEW YORK, NY.-
On Friday, July 23, a special pop-up exhibition titled Cemí-Libre opened at the Hope Community, Inc.'s Galería del Barrio featuring works by Miguel Luciano created during a three-year Civic Practice Partnership Artist Residency at The Metropolitan Museum of Art
. Throughout his residency at The Met, Luciano has engaged with the Museums archives and collection, foregrounding historic connections between the Museum and East Harlem and exploring the deep activist history of the neighborhood and community. A centerpiece of the exhibition is a sculptural bronze replica of the Taíno Zemí Cohoba Stand (A.D. 9741027), from The Mets Arts of the Ancient Americas collection, which Luciano created to present this iconic image of ancestral Caribbean art to the community. The exhibition will be celebrated in a Cemí-Libre Block Party on Saturday, July 31, from 2 to 6 p.m. on East 104th Street, between Third and Lexington Avenues. The exhibition and block party are free and open to the public.
The Civic Practice Partnership continues to be a significant way The Met can support lasting, relevant, and vital partnerships with artists and communities around New York City, said Heidi Holder, the Museums Frederick P. and Sandra P. Rose Chair of Education. Miguel Lucianos Cemí-Libre pushes the boundaries of creative practice and research at the Museum to connect directly and deeply with the people of East Harlem. We are grateful to partner with Hope Community, Inc. in mounting this exhibition at Galería del Barrio. In many ways, Cemí-Libre liberates and provokes us all to think about the ways in which objects and museums interact with histories and communities. Its thrilling to see Luciano share his work with East Harlem and to witness the ambitious fruits of his residency.
Suhaly Bautista-Carolina, The Mets Senior Managing Educator of Audience Development and Engagement, commented, Luciano's practice invites us to experience The Met's art, narratives, and archives through a community-centric lens, one that redirects our attention to the People with a capital 'P' and amplifies the work, stories, and impact of community artists, creators, and elders. His residency blazes a path for future socially engaged artists to lead in the critical, urgent, and transformative work of prioritizing diverse perspectives.
Cemí-Libre follows extensive research that Miguel Luciano (born Puerto Rico, 1972) conducted on The Mets 1973 exhibition The Art Heritage of Puerto Rico: Pre-Colombian to Present, which was a collaboration with El Museo del Barrio and the first major survey of Puerto Rican art in a U.S. museum. Cemí-Libre also follows the public art project Mapping Resistance: The Young Lords in El Barrio (2019), in which Luciano placed billboard-size historic photographs by Hiram Maristany (the official photographer of the Young Lords) in the exact East Harlem locations where the actions and events occurred 50 years prior. The exhibition Cemí-Libre will be open through August 8, 2021, and will culminate Lucianos Civic Practice Partnership Artistic Residency, which began in 2018.
The Civic Practice Partnership has been a unique opportunity for artists to leverage the resources of the institution in service of the communities we represent, said Luciano. I am honored to be sharing this culminating work in East Harlem and celebrating with the community that inspired it.
Luciano, who is based in East Harlem, presents four powerful multidimensional works in a display that places them alongside the bronze replica sculpture entitled Cemí-Libre (2021) (Cemí is the Taíno word for an ancestral spirit, and Libre means to be free). Using a 3-D scan of the original Taíno Zemí Cohoba Stand, created in collaboration with The Mets Imaging Department, the Zemí has, for the first time, been brought directly into the East Harlem community to be experienced by audiences who share connections to its history and heritage. On an adjacent wall is a framed original 1973 exhibition catalogue for The Art Heritage of Puerto Rico: Pre-Columbian to Present, from the collection of artist Juan Sánchez, an artist whose work is in The Met collection and who is one of Lucianos mentors. Another featured work, Shields/Escudos (2020), is a series of protest shields made from decommissioned school buses in Puerto Rico, where hundreds of public schools have been shuttered in recent years due to U.S.-imposed austerity programs. The protest shields make reference to shields in The Mets arms and armor collection and were inspired by protest movements and uprisings in Puerto Rico and the United States in 20192020.
Also on view is a billboard vinyl from the public art project Mapping Resistance: The Young Lords in El Barrio (2019), featuring a 1970s photograph by Hiram Maristany of a Young Lords member holding an issue of Palánte Newspaper with the headline Liberación o Muerte! A limited-edition El Met T-shirta conceptual project that Luciano launched in June 2021 as a provocation to increase the visibility of Latinx art at the Museumwill also be on view. Luciano remixed the Museums logo in Spanglish as a way of reimagining The Met through the lens of Spanish-speaking audiences. Lucianos El Met merchandise is now available in The Met Store and online, and all proceeds will support the acquisition of Latinx art at the Museum.
Luciano is a multimedia visual artist whose work has been exhibited nationally and internationally, including in exhibitions at The Mercosul Biennial, Brazil; La Grande Halle de la Villette, Paris; El Museo del Palacio de Bellas Artes, Mexico City; The San Juan Poly-Graphic Triennial, Puerto Rico; and The Smithsonian American Art Museum, Washington, D.C. He is the recipient of numerous grants and awards, including the inaugural Latinx Artist Fellowship (2021), supported by the U.S. Latinx Art Forum, the Andrew W. Mellon Foundation, and the Ford Foundation. His work is featured in the permanent collections of The Smithsonian American Art Museum, The Brooklyn Museum, El Museo del Barrio, the Newark Museum, and the Museo de Arte de Puerto Rico. Luciano is a faculty member of the School of Visual Arts and Yale University School of Art. He received his MFA from the University of Florida.