Pop-up exhibition by The Met's Civic Practice Partnership artist in residence Miguel Luciano opens in East Harlem
The First Art Newspaper on the Net    Established in 1996 Sunday, November 24, 2024


Pop-up exhibition by The Met's Civic Practice Partnership artist in residence Miguel Luciano opens in East Harlem
Miguel Luciano, Cemí-Libre, 2021. Image courtesy of the Artist.



NEW YORK, NY.- On Friday, July 23, a special pop-up exhibition titled Cemí-Libre opened at the Hope Community, Inc.'s Galería del Barrio featuring works by Miguel Luciano created during a three-year Civic Practice Partnership Artist Residency at The Metropolitan Museum of Art. Throughout his residency at The Met, Luciano has engaged with the Museum’s archives and collection, foregrounding historic connections between the Museum and East Harlem and exploring the deep activist history of the neighborhood and community. A centerpiece of the exhibition is a sculptural bronze replica of the Taíno Zemí Cohoba Stand (A.D. 974–1027), from The Met’s Arts of the Ancient Americas collection, which Luciano created to present this iconic image of ancestral Caribbean art to the community. The exhibition will be celebrated in a Cemí-Libre Block Party on Saturday, July 31, from 2 to 6 p.m. on East 104th Street, between Third and Lexington Avenues. The exhibition and block party are free and open to the public.

“The Civic Practice Partnership continues to be a significant way The Met can support lasting, relevant, and vital partnerships with artists and communities around New York City,” said Heidi Holder, the Museum’s Frederick P. and Sandra P. Rose Chair of Education. “Miguel Luciano’s Cemí-Libre pushes the boundaries of creative practice and research at the Museum to connect directly and deeply with the people of East Harlem. We are grateful to partner with Hope Community, Inc. in mounting this exhibition at Galería del Barrio. In many ways, Cemí-Libre liberates and provokes us all to think about the ways in which objects and museums interact with histories and communities. It’s thrilling to see Luciano share his work with East Harlem and to witness the ambitious fruits of his residency.”

Suhaly Bautista-Carolina, The Met’s Senior Managing Educator of Audience Development and Engagement, commented, “Luciano's practice invites us to experience The Met's art, narratives, and archives through a community-centric lens, one that redirects our attention to the People with a capital 'P' and amplifies the work, stories, and impact of community artists, creators, and elders. His residency blazes a path for future socially engaged artists to lead in the critical, urgent, and transformative work of prioritizing diverse perspectives.”




Cemí-Libre follows extensive research that Miguel Luciano (born Puerto Rico, 1972) conducted on The Met’s 1973 exhibition The Art Heritage of Puerto Rico: Pre-Colombian to Present, which was a collaboration with El Museo del Barrio and the first major survey of Puerto Rican art in a U.S. museum. Cemí-Libre also follows the public art project Mapping Resistance: The Young Lords in El Barrio (2019), in which Luciano placed billboard-size historic photographs by Hiram Maristany (the official photographer of the Young Lords) in the exact East Harlem locations where the actions and events occurred 50 years prior. The exhibition Cemí-Libre will be open through August 8, 2021, and will culminate Luciano’s Civic Practice Partnership Artistic Residency, which began in 2018.

“The Civic Practice Partnership has been a unique opportunity for artists to leverage the resources of the institution in service of the communities we represent,” said Luciano. “I am honored to be sharing this culminating work in East Harlem and celebrating with the community that inspired it.”

Luciano, who is based in East Harlem, presents four powerful multidimensional works in a display that places them alongside the bronze replica sculpture entitled Cemí-Libre (2021) (Cemí is the Taíno word for “an ancestral spirit,” and Libre means “to be free”). Using a 3-D scan of the original Taíno Zemí Cohoba Stand, created in collaboration with The Met’s Imaging Department, the Zemí has, for the first time, been brought directly into the East Harlem community to be experienced by audiences who share connections to its history and heritage. On an adjacent wall is a framed original 1973 exhibition catalogue for The Art Heritage of Puerto Rico: Pre-Columbian to Present, from the collection of artist Juan Sánchez, an artist whose work is in The Met collection and who is one of Luciano’s mentors. Another featured work, Shields/Escudos (2020), is a series of protest shields made from decommissioned school buses in Puerto Rico, where hundreds of public schools have been shuttered in recent years due to U.S.-imposed austerity programs. The protest shields make reference to shields in The Met’s arms and armor collection and were inspired by protest movements and uprisings in Puerto Rico and the United States in 2019–2020.

Also on view is a billboard vinyl from the public art project Mapping Resistance: The Young Lords in El Barrio (2019), featuring a 1970s photograph by Hiram Maristany of a Young Lords member holding an issue of Palánte Newspaper with the headline “Liberación o Muerte!” A limited-edition “El Met” T-shirt—a conceptual project that Luciano launched in June 2021 as a provocation to increase the visibility of Latinx art at the Museum—will also be on view. Luciano remixed the Museum’s logo in Spanglish as a way of reimagining The Met through the lens of Spanish-speaking audiences. Luciano’s “El Met” merchandise is now available in The Met Store and online, and all proceeds will support the acquisition of Latinx art at the Museum.

Luciano is a multimedia visual artist whose work has been exhibited nationally and internationally, including in exhibitions at The Mercosul Biennial, Brazil; La Grande Halle de la Villette, Paris; El Museo del Palacio de Bellas Artes, Mexico City; The San Juan Poly-Graphic Triennial, Puerto Rico; and The Smithsonian American Art Museum, Washington, D.C. He is the recipient of numerous grants and awards, including the inaugural Latinx Artist Fellowship (2021), supported by the U.S. Latinx Art Forum, the Andrew W. Mellon Foundation, and the Ford Foundation. His work is featured in the permanent collections of The Smithsonian American Art Museum, The Brooklyn Museum, El Museo del Barrio, the Newark Museum, and the Museo de Arte de Puerto Rico. Luciano is a faculty member of the School of Visual Arts and Yale University School of Art. He received his MFA from the University of Florida.










Today's News

July 27, 2021

The work of John Stobart embarks for East & West-Coast art fairs

Blum & Poe opens the first major U.S. survey of work by Yukinori Yanagi

Exhibition offers a fresh look at Dürer's brilliance and influence on later artists

The Wallace Collection's 'Dance to the Music of Time' on loan for first time in 121 years

Hauser & Wirth's new location on Isla del Rey opens with exhibition by Mark Bradford

Museum Brandhorst opens Alexandra Bircken's largest solo show to date

Exhibit celebrates the woman whose camerawork captured celebrities, surrealists and the zeitgeist of her era

Exhibition showcases an international selection of 18 emerging artists

AFIKARIS Gallery unveils joint exhibition of artists John Madu and Ousmane Niang

'The Sylvio Perlstein Collection: From Dada to Now' opens at the Tel Aviv Museum of Art

Art fair Foto Tallinn 2021 announces participants

Anthea Behm's first solo exhibition with 14a opens in Hamburg

A hit parade of offerings from the Estate of Phyllis McGuire tops the pops at Heritage Auctions

Scottish Goldsmith's Trust award winner's work to feature in Hamilton & Inches exhibition

Henri Vernes, prolific writer of French adventure novels, dies

Review: At Wagner's festival, a 'Dutchman' never sails

New release showcases an eclectic trove of music, poetry and spoken word made between 1978 and 1996

Macron backs heritage bid of remote Polynesian islands

Almodovar, Campion to compete for top prize at Venice film festival

National Museum Wales to acquire work by Artes Mundi artist Prabhakar Pachpute

National Arts Council, Singapore appoints artistic team to represent Singapore at 59th Biennale di Venezia

Pop-up exhibition by The Met's Civic Practice Partnership artist in residence Miguel Luciano opens in East Harlem

H.R.H. Princess Margaret's Art Deco bracelet worn for her 19th birthday portrait to be offered at auction

How to Enhance Security For Your Crypto Assets

5 Tips for Students to Learn Japanese Calligraphy

Why Basement Repair Is Important and How To Fix It?

What to consider before joining the bitcoin era trading community

What Makes Cosmetics Photography a Niche of Its Own?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful