New exhibition featuring 80s Pop Art icon Keith Haring opens at Fenimore Art Museum
The First Art Newspaper on the Net    Established in 1996 Friday, November 8, 2024


New exhibition featuring 80s Pop Art icon Keith Haring opens at Fenimore Art Museum
Keith Haring, Shafrazi Gallery (1982). Photograph ©1982 Allan Tannenbaum.



COOPERSTOWN, NY.- On Saturday, May 29, Fenimore Art Museum in Cooperstown opens its summer season with one of the most exciting exhibitions to arrive in upstate New York in years. Keith Haring: Radiant Vision (May 29–September 6, 2021) celebrates both the icon and his iconography in this energized show that introduces a new generation to Keith Haring.

Museum admission is free for visitors age 19 and under during the run of the exhibition. (Made possible through a generous donation by Mr. Gary Cassinelli and Mr. Nick Preston.)

Examine different aspects of Haring’s life and career including his subway drawings and street art, gallery shows, the Pop Shop, and his commercial work. Featuring more than 100 works from a private collection, the exhibition includes lithographs, silkscreens, drawings on paper, and posters, and details the full arc of Haring's short but prolific career.

Visitors will instantly recognize seminal images like “Radiant Baby”—images that permeated American culture in the 1980s and became emblematic of the time. The images are powerful examples of how Haring fought for change using art as a platform for activism. In its entirety, the exhibition serves as a tribute to this iconic artist and his dedication to social justice and the betterment of youth worldwide.




This project is supported by a Market New York grant awarded to Fenimore Art Museum from I LOVE NY/New York State’s Division of Tourism as part of the Regional Economic Development Council initiative.

Keith Haring: Radiant Vision is traveled by Pan Art Connections, Inc.

Keith Haring (1958–1990) was arguably the most accomplished and prominent American artist of the 1980s. During the course of his brief ten-year career, Haring rewrote the rulebook for contemporary art, integrating the seemingly disparate arenas of New York City’s gritty downtown counterculture and uptown art aristocracy.

Despite working in a variety of mediums—including paintings, prints, posters, drawings, sculptures, and street art—Haring’s style was instantly recognizable. Bold lines, pictographic symbols, and vibrant colors abounded in every piece he made. A friend of Andy Warhol, Haring represented the apotheosis of Pop Art, unabashedly exploring the marketing potential of his “brand” through commercial partnerships, mass market products, and even his own storefront. Yet Haring’s work went beyond commercialization by reflecting the artist’s fervent activism and democratic beliefs. He spent his career making posters, public art, and charitable commissions in support of nuclear de-escalation, civil rights, child welfare, and AIDS aware-ness, among other vital efforts. These causes informed his murals and massive wall paintings, leading one prominent critic to liken his work to “contemporary history paintings” chronicling the major social justice issues of the late twentieth century. Success offered Haring an “entry pass to the world” and he used it to reconnect with the public, collaborating with neighborhood kids while championing the idea that art should belong to everyone.

Keith Haring’s career may have been brief—spanning a mere ten years between his departure from art school and his untimely death—but its impact cannot be under-estimated. In one short decade, Haring managed to completely upend preconceptions about art, value, access, and activism. His art was the intersecting point for fashion, dance, music, and graphic design. Haring was enthralled by the counterculture energy in the graffiti, rap, and breakdancing scenes of the 1980s. His masterful cross-pollination of both worlds is a testament to the force of his captivating personality and creative vision. Haring helped consecrate new genres of art. Sold by galleries and exhibited by museums world-wide, his work sparked an academic and commercial appetite for street art, paving the way for celebrated successors such as Banksy, Swoon, and Shepard Fairey. At the same time, the Pop Shop influenced the market in reverse, restoring Haring’s now sought-after art to the public via affordable clothing and goods.

Perhaps most keenly felt, however, is Haring’s legacy as a humanitarian. A passionate advocate for social justice, he established the Keith Haring Foundation in 1989. Today, in his honor, the Foundation continues to fight for child welfare and lobby for care, education, and research surrounding AIDS. As Haring accurately foretold in 1987, “I’m sure when I die, I won’t really die, because I live [on] in many people.”










Today's News

May 29, 2021

Rehabilitating Nero, an emperor with a bad rap

At his moment of triumph, Arthur Jafa is looking for trouble

Exhibition explores the changing nature of the British monarchy and royal portraiture

1,000-year-old 'stolen' artefacts to return to Thailand from US

Gilbert & George's street-level explorations of our modern world on view at Thaddaeus Ropac Paris

Cowan's new era of arms & armor kicks off with $1.1M two-day auction

Rescuing artists of vision

A label reissued a dead Brazilian artist's album. He was still alive.

Brazil's Jaime Lerner, urban transport pioneer, dies at 83

Displays of work by Imi Knoebel, Charlotte Posenenske, and Franz Erhard Walther on view at Dia Beacon

Cris Scorza joins the Whitney as Helena Rubinstein Chair of Education

Leader of Americans for the Arts retires after workplace complaints

Hauser & Wirth announces representation of artist Christina Quarles

Spectacular circa-1900 gilded 'Native American' weathervane headlines Morphy's June 8-9 auction

The Hollywood Bowl is now on plan c: Filling all 18,000 seats

A writer's one-act plays debut, continuing her resurrection

Kay Tobin Lahusen, gay rights activist and photographer, dies at 91

City Art Centre opens first major exhibition of artist Donald Smith with Islander

Hunting for mini artworks on New York's streets

Freeman's Books and Manuscripts auction achieves 97% sell-through rate and $525,861 total

Exceptional results for the Marion Lambert Collection achieving €8.3 million with 97% of lots sold

Movies can go right to streaming and still be eligible for the Oscars

New exhibition featuring 80s Pop Art icon Keith Haring opens at Fenimore Art Museum

Chiswick House & Gardens opens a new artistic programme 'Bring Into Being'

Windermere Jetty Museum reopens with new stories of shipwrecks and ruins in the Lakes

How to find a sport betting operator with high odds

The Art Display Technique- Learning How to Perfectly Display Art




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful